The mermaid’s tongue sweeps across my forehead, down my nose, and across my mouth before retracting. “Ah,” she sighs. “Not my broodling. No, I would remember one like you.” That childlike hand is nightmarishly strong. “But you are ours nonetheless. You taste like the ocean, not like the stinking land above.” She lets go of my chin, but I don’t back away. “I would grant you a boon, luk, in place of your mother. But I must have a bite of your flesh to make it true.”
Dad used to tell us an old tale about a magic fish that granted wishes if you caught it and released it back into the sea. I don’t remember this part of the story.
Her baby-fingers trickle across my shoulder. “Right here. It will not hurt much.”
A hysterical laugh bubbles up inside me. I am standing naked in the hold surrounded by mermaids, talking to a magic fish. What am I afraid of? I have had worse injuries; I can handle a single bite. I am an adult now.
I open my mouth to ask her for enough money to get off this stinking boat, enough gold to drown a sailor in, to drown all of the sailors in. I open it to ask about my mother, if she knows her or can find her or bring her back. If my mother is alive or dead. Whether she was human or fish, truly.
But then I think of my sisters: Iris, shaking beneath her blankets and clutching the biology textbook like a magic charm, and May, who had given me hers to protect me at sea. I remember that there are more important things. I think about the people who hurt my sisters, who could hurt them, about the boy in the broom closet and Sunan in the hold. About my father on landing, his eyes bitter cold.
I tell the mermaid my real wish.
She grants it.
There are many versions of this story, each with a different ending.
In one, I swim away with the brown mermaid. The sun wavers in a jagged disk overhead, glinting in strange scintillations. The water is cold, the pressure enormous. It pushes in on my billowy body, still tender, pressing it into a tighter, sleeker shape. Our tiny, delicate hands are locked tight as we dive deeper into the ocean.
In another, a large storm scuttles Pakpao, along with all the other fishing boats in the area, on the reefs by Teluk Siam. The hold cracks, allowing the mermaids to escape. Everyone survives and is discovered days later. The rest of the story is fairly uneventful, equally implausible, and made up by people who care more for happy endings than truth.
But here is what really happens. The brown mermaid disappears and Pakpao makes it safely home with a hold full of live mermaids. If the crew looks a bit dazed and disoriented, if they are not quite themselves and walk as if they are not used to having two legs, it is just the result of sunstroke. If the mermaids in the hold swim in frantic circles, their eyes rolling wildly in their heads and their wails ricocheting through the hold, it is just what fish do. After all, mermaids are fish, not people. The Japanese traders find the catch acceptable and the mermaids are transported by tank to restaurants across Hokkaido. We make a huge profit.
With the exception of yours truly, every member of Pakpao’s crew drowns within a week of returning home. Though I live, our family does not escape this tragedy unscathed; my father’s body is found floating in the nets behind the house. A joint funeral is held. Sunan’s widow speaks tearfully about how her late husband stopped talking after his last fishing trip and had spent the days before his death trying to walk into the river, a story that resonates with the families of the recently deceased.
My sisters weep, their futures secure. I weep, too, licking the salt from my tears. There is a bandage on my shoulder and a bite beneath that will not heal.
NEBULA AWARD WINNER
BEST SHORT STORY
“JACKALOPE WIVES”
URSULA VERNON
Our Nebula Award winner, Ursula Vernon, has previously won the Hugo Award and the Mythopoeic Fantasy Award. “Jackalope Wives” was published in Apex.
The moon came up and the sun went down. The moonbeams went shattering down to the ground and the jackalope wives took off their skins and danced.
They danced like young deer pawing the ground, they danced like devils let out of hell for the evening. They swung their hips and pranced and drank their fill of cactus-fruit wine.
They were shy creatures, the jackalope wives, though there was nothing shy about the way they danced. You could go your whole life and see no more of them than the flash of a tail vanishing around the backside of a boulder. If you were lucky, you might catch a whole line of them outlined against the sky, on the top of a bluff, the shadow of horns rising off their brows.
And on the half-moon, when new and full were balanced across the saguaro’s thorns, they’d come down to the desert and dance.
The young men used to get together and whisper, saying they were gonna catch them a jackalope wife. They’d lay belly down at the edge of the bluff and look down on the fire and the dancing shapes—and they’d go away aching, for all the good it did them.
For the jackalope wives were shy of humans. Their lovers were jackrabbits and antelope bucks, not human men. You couldn’t even get too close or they’d take fright and run away. One minute you’d see them kicking their heels up and hear them laugh, then the music would freeze and they’d all look at you with their eyes wide and their ears upswept.
The next second, they’d snatch up their skins and there’d be nothing left but a dozen skinny she-rabbits running off in all directions, and a campfire left that wouldn’t burn out ‘til morning.
It was uncanny, sure, but they never did anybody any harm. Grandma Harken, who lived down past the well, said that the jackalopes were the daughters of the rain and driving them off would bring on the drought. People said they didn’t believe a word of it, but when you live in a desert, you don’t take chances.
When the wild music came through town, a couple of notes skittering on the sand, then people knew the jackalope wives were out. They kept the dogs tied up and their brash sons occupied. The town got into the habit of having a dance that night, to keep the boys firmly fixed on human girls and to drown out the notes of the wild music.
Now, it happened there was a young man in town who had a touch of magic on him. It had come down to him on his mother’s side, as happens now and again, and it was worse than useless.
A little magic is worse than none, for it draws the wrong sort of attention. It gave this young man feverish eyes and made him sullen. His grandmother used to tell him that it was a miracle he hadn’t been drowned as a child, and for her he’d laugh, but not for anyone else.
He was tall and slim and had dark hair and young women found him fascinating.
This sort of thing happens often enough, even with boys as mortal as dirt. There’s always one who learned how to brood early and often, and always girls who think they can heal him.
Eventually the girls learn better. Either the hurts are petty little things and they get tired of whining or the hurt’s so deep and wide that they drown in it. The smart ones heave themselves back to shore and the slower ones wake up married with a husband who lies around and suffers in their direction. It’s part of a dance as old as the jackalopes themselves.
But in this town at this time, the girls hadn’t learned and the boy hadn’t yet worn out his interest. At the dances, he leaned on the wall with his hands in his pockets and his eyes glittering. Other young men eyed him with dislike. He would slip away early, before the dance was ended, and never marked the eyes that followed him and wished that he would stay.