And then she rounded the edge of the cliff, and saw it, lying on the ground.
It was huge, easily ten times her size, with streaks the colour of algae water, and a thousand small dots, almost as if the stone had been pockmarked; a pattern of wounds that reminded her, for some absurd reason, of a tapestry that had used to hang on Seventh Aunt’s wall, before the bomb tore her apart in the marketplace.
In all the stories she’d heard, all the tales about girls running off to have adventures, there was always this moment; this perfect moment when they reached the plateaux, or when someone showed them a block of stone, and they just knew, staring at it, what it would look like when whittled down to shape; when they’d freed, measure by agonising measure, the limbs and head and body of their breath-sibling, the one who would be their constant companion as they travelled over the known planets. In the stories, they didn’t carve; they revealed the stone’s secret nature, gave it the life it had always longed for.
Rechan had never given that credence. She was the daughter of an engineer, and believed in planning and in forethought; and had brought sketches with her, of how her own stoneman would look, with delicate hands like her mother, and large strong arms that would be able to carry her to hospital if the delivery went badly.
Except that then, she stood in front of the stone, and saw into its heart. And knew, with absolute certainty, that it wasn’t a stoneman that she needed or wanted to carve.
Later, much later, when she thought about it all, she wondered how she’d endured it—months up in the plateaux with scant rations, sleeping rough, sheltering under the rock face when the rain came—day after day of rising and going back to her block of stone; carving, little by little, what would become her breath-sibling.
She did the outside first: the sleek, elegant hull, tapering to a point; the shadow of the twin engines at the back, every exhaust port and every weapons slit rendered in painstaking detail. Then she turned inwards, and from the only door into the ship, made corridors inch by agonising inch, her tools gnawing their way through the rock. All the while, she imagined it hanging in space—fast and deadly, a predator in a sea of stars, one who never had to cower or shelter for fear of bombs or flyers; one who was free to go where she wished, without those pointless restrictions on her life, those over-solicitous parents and breath-mothers who couldn’t understand that bombs happened, that all you could do was go out and pray, moment after moment, that they wouldn’t fall on you.
It was rough carving. She didn’t have the tools that would be available to the generation after hers—not the fineness of Akanlam’s carving, who would be able to give Mau fingernails, and a small pendant on her chest, down to the imprint of the chain that held it. She carved as she could—hour after hour, day after day, lifted into a place where time had no meaning, where only the ship existed or mattered; stopping only when the hunger or thirst brought themselves to her attention again, snatching a ration and then returning, hermit-like, to the translucent corridors she was shaping.
Until one day, she stepped back, and couldn’t think of anything else to add.
There was probably something meaningful one was supposed to say, at an exhalation’s close. She’d read speeches, all nonsense about “your breath to mine” and meters and meters of bad poetry. It didn’t seem to matter very much what one said, truth be told.
“Well,” she said to the ship, laying a hand on the hull, “this is it.” Winter had come by then, settling in the mountains, a vice around her lungs; and her breath hung in ragged gasps above her. “I’m not sure—”
The stone under her hand went deathly cold. What—? She tried to withdraw her hand, but it had become fused to the lamsinh; and the veins shifted and moved, as lazily as snakes underwater.
There was a light, coming from the heart of the stone, even as the breath was drained out of her, leaving her struggling to stand upright—a light, and a slow, ponderous beat like a gigantic heart. Breath-sister, the stone whispered, and even that boomed, as if she stood in the Temple of Mercy, listening to the gong reminding the faithful to grow in wisdom. Breath-sister.
Her hand fell back; and the ship rose, casting its shadow over her.
He was sleek elegant beauty—everything she had dreamt of, everything she had carved, all the release she sought—and he didn’t belong on Voc, anymore than she did.
Come with me, the ship whispered; and she had stood there in the growing cold, trembling, and unable to make any answer.
“A ship,” Mau said, thoughtfully.
Rechan shivered. It had made sense at the time. “I named him Sang,” she said at last. Illumination, in the old language of the settlers—because he had stood over her, framed by light.
“I didn’t even know you could carve ships.”
“Anything living,” Rechan said, through clenched teeth. She was going to feel sick again. Was it the baby, or the memories, or both? “Stonemen are tradition, but we could have carved cats or dogs or other Old Earth animals if we felt like it.”
“Whoever you’d want assisting at the birth of your children,” Mau said with a nod. She smiled, her hand going to the impression of the pendant on her chest. “I suppose I should be grateful Akanlam followed tradition. Being an animal wouldn’t have been very—exciting.”
But you wouldn’t know, Rechan thought, chilled. You’d be quite happy, either way. That’s what you were carved for, to give your breath to Akanlam’s babies, and even if you hadn’t been born knowing it, everyone in our society has been telling you that for as long as you can remember. How much responsibility did they have for their carvings? How much of themselves had they put into them; and how much had they taught them?
And what did Sang owe her, in the end—and what did she owe him?
“Your ship is still up there,” Mau said. Her voice was quiet, but it wasn’t difficult to hear the question in her words.
“Yes,” Rechan said. “The crossfire you heard about, it’s not between the rebels and the government soldiers. It’s Sang mopping rebels up.” It hadn’t been what she’d dreamt of, when she’d carved him; she’d wanted a spaceship, not a butcher of armies. But, consciously or unconsciously, she hadn’t put that into her carving.
“The ship you carved?” Mau lifted an eyebrow.
“I was young once,” Rechan said. “And angry. I don’t think I’d carve the same, if I had to do it again.” Though who could know, really. She’d always wondered what would have happened, if she’d answered the question Sang had asked; if she’d said yes. Would she still be on Voc, still going over the bitter loneliness of her life? Would she be elsewhere on some other planet, having the adventures she’d dreamt of as a teenager? If she could do it again…
“Anyway,” she said, “I don’t have much choice. If we don’t reach the plateaux in time…” She didn’t dare say it, didn’t dare voice the possibility; but she felt as though someone had closed a fist of ice around her heart.
They were halfway to Indigo Birds Pass, where they would have to abandon the car, when the noise of a motor made everyone sit up.
“That’s not good,” Akanlam said. “We’re sitting targets here.” She didn’t stop the aircar, but accelerated. The noise got closer, all the same: not a flyer but a swarm of drones, dull and tarnished by dust. They banked above the overhang ahead and were gone so quickly it was hard to believe they’d been there at all. Akanlam made a face. “Rebels. Our army has Galactic drones.”