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The most disturbing find came as Gibson was taking a closer look at the TV. He spotted something down beside one of the carved legs of the baroque forty-inch set and went fishing for it. It turned out to be a wallet, and beside it, further under the TV, was a set of keys. Unease turned to outright spookiness. There was no way that any rational man left an apartment under his own steam without his wallet and keys. He flipped open the wallet and looked inside. This was the biggest shock yet. All it contained was a thick wad of the local currency and a single ID, and the picture on the ID showed a face that was close enough to Gibson's that it could have been his brother. His brother, that is, before the transition had turned him into an albino. Gibson closed the wallet and walked as calmly as he could to the kitchen and poured himself an even larger shot than the last one. As he drank, he looked around the ceiling wondering if the streamheat were watching him and had been all through the discovery of the wallet. Even as he looked, he knew that searching for the camera or whatever they might be using to spy on him was totally pointless. In his own dimension they had spy cameras so small that they were virtually indetectable, and at least the same had to be expected of the streamheat.

Once he calmed down from the initial shock, Gibson started to think seriously about what this new set of developments might mean. It could hardly be a coincidence that the last person to inhabit the apartment looked almost identical to him, so what the hell was going on? Was it some Prisoner of Zenda deal where he'd been shipped in to replace… and there that theory faltered. Without answers to questions like who and why, there was hardly any point in going on with it. Maybe if he could have read the print on the ID card, he might have learned something about his near double, if nothing more than the name he'd been using. Detective work was close to impossible when one was a functional illiterate. The only other theory that came close to holding water was that the streamheat were sticking it to him for some mysterious reason of their own, and that the wallet, the apartment, and everything else were the props in some weird, rat-maze, behavioral experiment in which he was the rat. The whiskey was starting to go to work, and some of his fear was turning into slit-eyed belligerence. He glared at the supposed cameras that might be looking down at him from the kitchen ceiling.

"What are you trying to do, you bastards, bust my balls or just drive me crazy?"

He turned to the fridge for another beer and noticed for the first time a package wrapped in greaseproof paper, way in the back of the vegetable crisper. More of the last guy's leftovers? He had a sudden urge to get rid of it, to throw out all the crap left behind by this mysterious look-alike. How would that grab any watching streamheat?

"Mark it down as symbolic cleansing of the new territory, you cocksuckers."

Hell, for all he knew, they might be broadcasting this as a nature show in the streamheat dimension. Inferior Species Under Stress. Earth People Are Funny. Interdimensional Candid Camera, even. Smile, Joe, you're on. How superior did those bastards really think they were?

His fingers closed around the package of what he thought were leftovers, but instead of encountering something that felt like semifrozen mush, they touched hard cold metal under the paper. He quickly tore off the wrapping and found to his amazement that he was holding a gun. Gibson's first reaction was to immediately put it down on the small kitchen table. The cold metal was burning his fingers. Was this another part of the game? If indeed the streamheat were running some game on him, it seemed like a dangerous play-or did they see him as such a weakling that even armed, he wouldn't be dangerous?

He gingerly picked up the gun again. As guns went, it was a nice piece. A Luxor model that was not unlike a Colt.45 automatic. He fumbled around the bottom of the butt until he found the release for the clip, and slid it out. The gun was fully loaded. Suddenly feeling cold sober, he clicked it back into place. Gibson had never had any luck with guns, and since the notorious Incident with the roadie, he'd sworn them off altogether. He'd even refused the gift of a Saturday night special that Jerry Lee Lewis had tried to press on him at some drunken party following the Grammies, to the point where Lewis had started roaring that he was a worthless faggot. It took a certain kind of willpower to stand there and have Jerry Lee Lewis call you a faggot in front of the assembled music business, and Gibson had actually taken a warped pride in his own forbearance. Now here he was, in this filthy kitchen, clutching a big Mike Hammer automatic and wondering what he was going to do with it.

After about a minute, he decided that he wasn't going to do anything, at least not immediately. He poured himself a third drink and went back into the living room, taking the gun, the wallet, and the keys with him. For a long time he stared at the photo in the wallet but no inspiration came. It was only when he became convinced that the exercise was futile that he turned his attention to the bundle of cash. It would have been nice to know just how much it was worth, but, not even being able to read the numbers on the bills, it was impossible to tell. And then a thought struck him: he could read the numbers on the bills. A large brass sunburst clock hung right in front of him on the living room wall, flanked by two faded sepia prints of storms at sea. It was about as ugly as a clock could get but it had numerals that, as far as he could see, worked in exactly the same way as numbers worked back home, nine single characters and then ten, eleven, and twelve expressed as double digits. Even if there was some weird factor that he didn't know about, like the hours in Luxor were longer or shorter, it didn't matter. He knew the first rudiments of their numerical system. He suddenly felt incredibly pleased with himself and went to work figuring out the denominations of the various bills in the roll. It didn't take him very long to calculate that the bundle was just shy of two thousand of whatever unit passed as currency in Luxor. What he didn't know was whether this made him a rich man or would merely enable him to buy a cup of coffee and a sandwich.

The next thing to catch his attention was the TV. It occurred to Gibson that there was no need to go out mingling with the natives to find out if he understood the local language; all he had to do was switch on the set and watch for a while. Now he really was thinking for himself again, and it was like a breath of fresh air after having been told what to do for so long. He knelt down in front of the set, looking for the on/off switch. It turned out that Luxor could only manage two channels of black-and-white TV, One was showing a game show that, allowing for the natural culture shifts between dimensions, looked a hell of a lot like Family Feud. The main difference was that a comparatively normal family-albeit of ultramarine complexion-seemed to be competing against one composed of total freaks. He remembered how Klein had told him about the amount of radiation that was loose in this dimension. The genetic damage that must have been sustained by this family of four-Mom, Pop, and two kids-was nothing less than awesome. Pop was a standard pinhead, tiny pointed skull balanced upon a beefy, overdeveloped body, while Mom was a circus fat lady of five hundred pounds or more who had also been liberally endowed with facial hair. One lad was a dwarf, twisted and misshapen with a face so filled with hate that he seemed on the perpetual verge of apoplexy; the second, a tall and gawky girl, had a face filled with nothing: two eyes and a rudimentary slit of a mouth were the only truly defined features in a blank blue moon of a face. The audience was howling its approval as the family of normals whupped the freaks hands down. It appeared that the humiliation of the handicapped was real big laughs in Luxor. In addition to this insight, the game show offered Gibson two other crucial pieces of information. He quickly found out that according to his perception, the citizens of Luxor spoke colloquial American English. Their accent was a little weird but it was nothing that Gibson couldn't handle. He wondered if they really did speak English here and all the stuff he'd been told about how transition gave you instant linguistic skills was bullshit and deliberate lies. He only had Klein's word for any of it.