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"I don't understand this," said one of the men who had been holding him, a small, brisk-looking man with a shock of brown hair over a sharp-featured face. He looked at Paul almost challengingly. "How did you get here? If Jase brought you, why didn't you come with Jase?"

Paul frowned.

"I seem to have been a little slow," he said.

"Never mind," spoke up Jase from across the room. "If you're all right now, Paul, come on."

He led the way out of the room, Kantele following with a momentary, troubled glance in Paul's direction. Paul went after them.

He caught up with them in a hall outside the room. It was a blank wall without windows, and it led them up an incline until they stepped suddenly around a corner and emerged into open air. Paul looked curiously around himself. They had emerged onto a vast field spotted with the raised white concrete pads from which space-going vehicles fitted with their great collars of lifting equipment took off. Beyond were the snow-topped peaks of a mountain range Paul did not recognize.

It was no commercial field. The uniformity of the constructions about the field and the khaki coveralls of the personnel about spoke clearly to the effect that this was a government installation.

"Where are we?" asked Paul. But Jase was already striding away with Kantele to a pad occupied by the squat, almost bulbous shape of an outer-space vessel looking like an ancient artillery shell many times enlarged, and fitted with its spreading soup-plate collar of atmosphere engines, ducted fans in the outer ring, ramjets in toward the center. Paul caught up with Jase and Kantele.

"Where are we?" he asked again.

"Tell you after we're aboard," said Jase economically. They walked along together, Jase staring straight ahead toward the ship, his face like a knife edge, Kantele with her wordless gaze down and ahead, so that she looked at the treated gravel surface of the field on which no green grew, just before her as she walked. Paul felt a sudden small rush of sorrow that human beings should be so locked away and separate in their body and mind, so bound to different wheels. And, with a sudden soundless shock, it occurred to him that out of all the real universe the one class of isolates who strove and threatened to burst the bounds of their separateness was people.

This realization, simple as it appeared in bald statement, exploded in Paul like a pan of flash powder set off before a man in a vast and complex city, standing lightless under the stars. It blinded, rather than illuminated, but its light left an afterimage printed on the retinas of the explorer in the dark, and would be permanently remembered. With his mind washed clean of other matters for the moment, Paul walked automatically into the base tunnel of the take-off pad, rode the elevator up through pad and collar, and paid little attention to anything until the whine of the outer ring of fans began to impinge on his consciousness. He came back to present awareness to see that he was seated in a convertible acceleration couch-chair, in a passenger compartment of the ship. In front of him he could see the black top of Jase's head just showing above the top cushion of the next couch-chair, and across the aisle from Jase, up against the rounded wall enclosing the elevator-tunnel running up the center of the ship, he saw the profile of Kantele.

The ship lifted. After a little the sound of the fans was drowned out in the beginning thunder of the jets, which mounted the ladder of volume into silence. A little after that, the viewing tank in the wall beside Paul lighted up, and, looking into this illusion of a window, he saw the lifting collar of atmosphere engines, their earth-bound clumsiness all left behind, fall away gracefully like some enormous soaring bird toward the cloud-laced earth far below.

"Couchback, all passengers," announced a speaker system somewhere above Paul's head. "All passengers, couchback now."

The chairs tilted and leveled into horizontal position. Deep cushioning buffers moved in about his body. There was a moment of silence and then the space engines fired, and their mighty thrust threw the blunt body of the ship, with Kantele, and Jase, and Paul, and all within it, out between the stars.

Mercury, Paul discovered, was a five-day run. The ship had four cross levels between the pilot room in the nose and the engines in the rear. The passengers were restricted to two of them. Evidently because it was government procedure, they were required to take mild sedatives during the actual flight. These made Kantele and three other passengers whom Paul did not know sleepy. They spent most of their time dozing with their couch-chairs in a reclining position. Jase had disappeared early up into the crew's section and Paul had not seen him after that for the first four days of the run. Since Kantele seemed to reinforce the effect of her sedatives with an obvious disinclination to have anything to do with Paul, once more that left Paul solitary.

To Paul's unusual set of mental and physical reactions, the sedatives brought a bodily lethargy, but an increase in mental speculation and introspection. Jase had escaped early before Paul could question him again, but a tall, stiff-backed man, in the seat behind Paul and across the aisle which with the two rows of seats circled the central elevator shaft, had replied to Paul's question.

"Operation Springboard," he had said sharply. He stared almost fiercely at Paul out of middle-aged eyes above a neat white mustache that contrasted with the brown tan of his face. "You know about the project to reach the Arcturian planets, don't you? Apprentice, are you?"

"Yes," said Paul.

"Ask your master, boy! He'll answer you. Who is he? Necromancer Warren?"

Secretly a little amused to be addressed as "boy," a term he had not had used to him since he was fourteen, Paul nodded.

"That's right," he said. "Do you happen to be a Necromancer, too?"

"No, no," said the man. "Sociologist - what they call 'untitled.' Don't have the patience for the rigmarole. But it's fine work for a younger man like yourself to get into." He grew fiercer, suddenly. The white mustache seemed to bristle. "A good work!"

"Necromancy?" asked Paul.

"All of it. All of it. Think of our children ... and their children."

A man of about the same age as the white-mustached speaker leaned out of a couch-chair farther back on Paul's side of the circular aisle. "Heber," he said. "Yes, yes," said the white-mustached man, sinking back into his seat. "You're right, Tom. Don't ask me questions, boy; ask your master. I've got to take my medication now, anyway." He reached into the little compartment in one arm of his chair, and Paul, giving up that avenue of information, turned and sat back in his own place.

He had plenty to occupy his mind. He let his attention go free among it.

It was a type of mental activity having its own element of actual built-in pleasure reward, a pleasure to which, he had lately come to realize, it would be quite possible to become addicted, if it were not for the fact that the basic drive to accomplish forbade too much loitering on the pathway from means to end. It was the sheer pleasure of turning the questioning spirit loose in the great dark city of all personal knowledge. For those who panicked easily in the dark, it was no occupation. But for those without fear and the true night-sight of understanding, there was no pleasure like that of wandering some strange and intricate part of that city, until out of shadow rose shapes, and out of shapes, plan, and out of plan - original purpose. Only then, at last with original purpose encompassed and understood, came - perhaps - the greater occupation of putting that knowledge to work in new building.

So for five days Paul all but lost himself in a new part of his city of knowledge. It was only shortly before landing on Mercury that he was abruptly called back from it, and the one who called him back was Kantele.