And again, what if a man does not desire to leave his secrets behind him?
But enough of that for now; for see, the frescoes are changed. And here is another man… well, at least we shall call him a man. But strange, for he is not only conceived of man and woman. See for yourself: for parent he has… but what is this? A snake? A slug? And the creature issues an egg, which the man takes in unto him. And now this most fortunate person is no longer merely human but… something else. Ah! — and see — this one does not die but goes on and on! Always! Perhaps forever.
Do you follow me, Dumiitruuu? Do you follow the pictures on the wall? Aye, and unless this very special One is slain by some brutal man who has the knowledge — or dies accidentally, which may occur upon a time — why, then he will go on forever! Except… he has needs, this One. He may not sustain himself like ordinary men. Rather, he knows better sources of sustenance! The blood is the life…
Do you know the name of such a One, my son?
'I… I know what such men are called,' Dumitru answered, though to an outside observer it would have seemed that he was speaking to a vault empty of life other than his own. 'The Greeks call them "Vrykoulakas", as you have made mention; the Russians "Viesczy"; and we travellers, the Szgany, we call them "Moroi" — vampires!'
There is another name, said the voice, from a land far, far away in space and time. The name by which they know themselves: Wamphyri! And for a moment, perhaps in a certain reverence, the voice paused. Then:
Now tell me, Dumiitruuu: do you know who I am? Oh, I know, I'm a voice in your head, but unless you're a madman the voice must have a source. Have you guessed my identity, Dumiitruuu? Perhaps you've even known it all along, eh?
'You are the Old One,' Dumitru gulped, his Adam's apple bobbing, throat dry as a stick. 'The undead, undying patron of the Szgany Zirra. You are Janos, the Baron Ferenczy!'
Aye, and you may be a peasant but you're in no wise ignorant, answered the voice. Indeed, I am that One! And you are mine to command as I will. But first a question: is there one among your father Vasile Zirra's band whose hands are three-fingered? A child, perhaps, male, born recently, since last you Szgany were here? Or perhaps a stranger you've seen on your travels, who desired to join your company?
A strange question, some would think, but not Dumitru. It was part of the legend: that one day a man would come with three fingers on his hands instead of the usual four. Three broad, strong fingers and a thumb to each hand; born that way and natural enough; neither surgically contrived nor even grotesque to look upon. 'No,' he answered at once. 'He has not come.'
The voice gave a mental grunt; Dumitru could almost see the impatient shrug of broad, powerful shoulders. And: Not come, the voice of Janos Ferenczy repeated his words. Not yet come.
But the attitude of the unseen presence was mercurial; it changed in a moment; disappointment was put aside and resignation took its place. Ah, well, and so I wait out the years. What is time to the Wamphyri anyway, eh?
Dumitru made no answer. In examining the faded frescoes he had reached a part of the wall which showed several very gruesome scenes. The frescoes were like a tapestry, telling a story in pictures, but these pictures were straight out of nightmare. In the first, a man was held down by four others, one to each limb. A fifth tormentor in Turkish breeches stood over him with a curved sword raised high, while a sixth kneeled close by with a mallet and sharp stake of wood. In the next picture the victim had been beheaded and the stake driven through him, pinning him down — but a huge, fat, sluglike worm or snake was emerging from his severed neck, so that the men about him reared back in horror! In a third picture the men had encircled the Thing with a ring of torches and were burning it; likewise the head and body of its once-host, upon a pile of faggots. The fourth and penultimate scene of the set was of a priest, swinging his censer in one hand, while with the other he poured the vampire's ashes into an urn. Presumably it was a rite of exorcism, of purification. But if so, then it was mistaken, wasted.
For the final scene was of the same urn, and above it a black bat in flight, rising like a phoenix from the ashes. Indeed, the very sigil of the Ferenczy! And:
Aye, said Janos darkly, in Dumitru's head, but not until the advent of the three-fingered man. Not until he comes, the true son of my sons. For only then may I escape from one vessel into the next. Ah, for there are vessels and there are vessels, Dumiitruuu, and some of them are of stone…
Again the youth's mind had started to unmaze itself. Of his own will, suddenly he saw how low his torch had burned where he'd placed it in a stone bracket on the wall. He took it down and tremblingly lit another from it, waving it a little to get the flame going. And licking his dry lips, he looked at the myriad urns and wondered which one held his tormentor. How easy it would be to shatter the thing, scatter its dust, thrust his torch amongst those sentient remains and see if they'd burn a second time.
Janos was not slow to note the resurgence of Szgany will, or to read the threat in the mind he'd mastered. He chuckled voicelessly and said: Ah, not here, not here, Dumiitruuu! What? You'd have me lie among scum? And could it be I heard you thinking treacherous thoughts just then? Still, you'd not be of the blood if you didn't, eh? And again his evil chuckle, following which: But you were right to rekindle your torch: best not let the flame die, Dumiitruuu, for it's an exceeding dark place you've come to. Also, there's yet a thing or two I want to show you, for which we'll need the light. Now see, there's a room to your 'right, my son. Go in through the archway, if you will, and there discover my true lair.
Dumitru might have struggled with himself… but useless; the vampire's grip on his mind had returned more solid than ever. He did as instructed, passing under the arch and into a room much like the others except for its appointments. No racks of amphorae or frescoed walls here; the place was more habitation than warehouse; woven tapestries were on the walls, and the floor was of green-glazed tiles set in mortar. Centrally, a mosaic of smaller tiles described the prophetic crest of the Ferenczy, while to one side and close to a massive fireplace stood an ancient table of dense, black oak.
The wall hangings were falling into mouldering tatters and the dust lay as thick here as anywhere, but yet there was a seeming anomaly. Upon the desk were papers, books, envelopes, various seals and waxes, pens and inks: modern things by comparison with anything else Dumitru had seen. The Ferenczy's things? He had assumed the Old One to be dead — or undead — but all of this seemed to suggest otherwise.
No, the Baron's viscous mental voice contradicted him, not mine but the property of… shall we say, a student of mine? He studied my works, and might even have dared to study me! Oh, he knew well enow the words to call me up, but he did not know where to find me, nor even that I was here at all! But alas, I fancy he's no more. Most likely his bones adorn the upper ruins somewhere. It shall delight me to discover them there one day, and do for him what he might so easily have done for me!