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It was there now as he clambered up the steep slope near the centre of the cross, clawing his way upward from close- grown tree to tree, puffing and panting and dragging behind him the big cardboard box which was his vehicle, his Figure-of-Eight car without wheels. A long climb, yes, but worth it. He would have one last ride, this time from the very top, before setting off for home. The sun was low in the sky now and it seemed likely that he was in trouble already for being late, so one more ride couldn't hurt.

At the top he paused to draw breath, sat for a moment swatting at motes in the pale beams of sunlight lancing down through tall, dark pines, then dragged the box along the crest of the ridge to a place where he could see a track running clear to the bottom. In some forgotten yesteryear, a fire-break had been cut here before the lumbermen had remembered or been told about the nature of the place; since when saplings had sprung up once more to almost but not quite obscure the scar. Now that scar was to become the track of Boris's daredevil ride.

And balancing his 'car' on the rim, he jumped aboard and clutched the sides, tilting the box forward until it began to ride.

The box rode smoothly and well at first, slipping easily over a bed of pine needles and coarse grasses, between low bushes and slender saplings, following the old scar of the fire-break. But... Boris was a child. He had seen no danger, had not reckoned on the steepness of the slope or rate of acceleration.

Now the box picked up speed, and now his ride more closely approximated the terrifying, dizzy rush of the car on the Figure-of-Eight. He hit a hummock of grass and the box jumped clear of the slope. It came down, struck a glancing blow at a sapling, shot off sideways into the denser pines where they marched breakneck down the almost sheer hillside alongside the scar.

There was no controlling the careening ride of his 'car' now. Boris had no brakes, no guidance system. He could only go where the box took him.

With many a jolting crash and sideways slide, more bruised and shaken with every passing second, he was rattled in his box like a loose pea in a pod. And now, away from the scar of the fire-break, the failing light was shut out almost completely; so that Boris ducked his head, a precaution against unseen, whipping branches, as his nightmare descent continued. But with the trees grown so close, it could only go on for a little while longer.

At last, in a place where the ground beneath the trees was of sliding shale and scree, where their humped roots stuck up above the surface like thick-bodied serpents, suddenly the ride as such came to a halt. With a jarring crash the bottom of the box was ripped out from beneath Boris and the sides quite literally disintegrated in his clutching, terrified fingers. He was thrown not quite head- on into the bole of a tree and sent spinning. Tumbling head over heels, bouncing and sliding, Boris hardly felt the many brittle branches flying into shards as he plunged through them; he was aware only of glimpses of a whirling sky scanned through the tops of frowning pines, of a sick plunging and jolting that seemed to go on forever, and finally of shooting over a lip or ledge of rock and hurtling into dark, dusty space.

Then the impact and after that nothing. Nothing for a time, anyway...

Boris might have been out for one minute, for five, or fifty. Or he might not have been out at all. But he was shaken up, and badly. If he hadn't been, then what happened next could easily have killed him. He might have died of fright.

'Who are you?' asked a voice in his reeling head. 'Why Have you come here? Do you ,...ffer yourself to me?'

The voice was evil, utterly evil. In it were elements of everything horrific. Boris was only a boy; he did not Understand words like bestial, sadistic, diabolic, or the of phrases like 'the Powers of Darkness', or the by which such Powers are invoked. To him there was fear in a creaking tread on a dark landing; there was terror in the tapping of a twig on his bedroom window, when all the house was asleep; there was horror in the sudden squirm or hop of a toad, or the startled freezing of a cockroach when the light is switched on, and especially in

its scurrying when it knows if is discovered!

Once, in the deepest cellar under the farm, where his foster-father kept wines in racks and cheeses wrapped in muslin on cool shelves, Boris had heard the rustling cheep of crickets. In the beam of a tiny torch he'd seen one, leprous grey from the sightlessness of its habitation. As he moved closer, to step on it, the insect jumped and disappeared. He found another and the same thing happened. And another, and so on. He saw a dozen and stepped on none. They had all vanished. Climbing the steps out of the place, as daylight filtered down from above, a cricket had jumped from Boris's shorts. They were on him! They had jumped onto him! That way he couldn't step on them. And oh how Boris had danced then!

That was his idea of nightmare: the knowledge of sly intelligence where none should be. Just as it should not be here...

'Ah!' said the voice, stronger now. 'Ah! - so you are one of mine! And because you are one of mine, you came here. Because you knew where to find me...'

It was then that Boris knew he was conscious and that the voice in his head was real! And its evil was the slimy touch of a toad, the leaping of crickets in darkness, the slow tick of a hated clock, which seems to talk to you in the night and chuckle at your fears and your insomnia. Oh, and it was much worse than that, he was sure - except he didn't have the words or knowledge or experience to describe it.