In Nero's case, so great was the awe which the terrible power of the Roman legions inspired, that even the Senate bowed humbly before it, and joined in the general adulation of the hated tyrant. They decreed oblations and public thanksgivings; they erected new temples to express their gratitude to the gods for so signal a deliverance; they instituted new games and festivities to express the general joy, and erected statues and monuments in honor of those who had contributed to the discovery of the plot. The knife or dagger which Milichus had produced as the one by which Nero was to have been slain, was preserved as a sacred relic. A suitable inscription was placed upon it, and it was deposited, with all solemnity, in one of the temples of the city, there to remain a memorial of the event for all future generations. In a word, the tyrant's escape from death called forth all the outward manifestations of joy which could have been deserved by the greatest public benefactor.
And yet, notwithstanding all this, such was the estimate which public sentiment really entertained of the true character of Nero, that it was considered extremely doubtful at the time, and has, in fact, been so considered ever since, whether there ever was any conspiracy at all. It was very extensively believed that the whole pretended discovery of the plot was an ingenious device on the part of Nero, to furnish him with plausible pretexts for destroying a great number of men who were personally obnoxious to him. And were it not almost impossible to believe that such monstrous wickedness and tyranny as that of Nero could riot so long over Romans without arousing them to some desperate attempts to destroy him, we might ourselves adopt this view, and suppose that this celebrated plot was wholly a fabrication.
CHAPTER XII. THE EXPEDITION INTO GREECE.
A.D. 65
Nero becomes more depraved and abandoned than ever.-Nero appears on the public stage.-Estimation in which players were held.-Action of the Senate.-Theatrical excitements.-Humiliating demeanor of the emperor.-Rewards and honors conferred upon Nero.-The Olympic games.-The plain.-Rules.-Preliminary arrangements of the Olympic games.-Various contests and spectacles at the Olympic games.-Nero sets out for Greece.-His retinue.-Nero's progress through Greece.-Crowds of auditors.-Nero is received with great applause.-The crown of olive leaves.-Ceremonies.-Sacrifices and festivities.-Nero at Olympia.-His chariot race.-Nero receives the prizes.-Nero sends despatches to Rome.-His plan for cutting through the Isthmus of Corinth.-Breaking ground.-The golden pick-axe.-Helius calls upon Nero to return to Rome.-Nero returns.-His train.-His prizes.-His voyage.-Danger of shipwreck.-Journey to Rome.-His triumphal entry into Rome.-His proceedings.-He continues the training of his voice.-The Phonascus.-Public performances.-Pecuniary embarassments.-Bessus's story.-Nero sends to Egypt for the treasure.-His disappointment.-The dream.
As the excitement which had been produced by the discovery, real or pretended, of Piso's conspiracy, and by the innumerable executions which were attendant upon it, passed away, Nero returned to his usual mode of life, and in fact abandoned himself to the indulgence of his brutal propensities and passions more recklessly than ever. He spent his days in sloth, and his nights in rioting and carousals, and was rapidly becoming an object of general contempt and detestation. The only ambition which seemed to animate him was to excel, or rather to have the credit of excelling, as a player and singer on the public stage.
Not long after the period of the conspiracy described in the last two chapters, and when the excitement connected with it had in some measure subsided, the attention of the public began to be turned toward a great festival, the time for which was then approaching. This festival was celebrated with spectacles and games of various kinds, which were called the quinquennial games, from the circumstance that the period for the celebration of them recurred once in five years. A principal part of the performances on these occasions consisted of contests for prizes, which were offered for those who chose to compete for them. Some of these prizes were for those who excelled in athletic exercises, and in feats of strength and dexterity, while others were for singers and dancers, and other performers on the public stage. Nero could not resist the temptation to avail himself of this grand occasion for the display of his powers, and he prepared to appear among the other actors and mountebanks as a competitor for the theatrical prizes.
Performers on the public stage were regarded in ancient days much as they are now. They were applauded, flattered, caressed, and most extravagantly paid; but after all they formed a social class distinct from all others, and of a very low grade. Just as now great public singers are rewarded sometimes with the most princely revenues,-not twice or three times, but ten times perhaps the amount ever paid to the highest ministers of state,-and receive the most flattering attentions from the highest classes of society, and are followed by crowds in the public streets, and enter cities escorted by grand processions, while yet there is scarce a respectable citizen of the better class who would not feel himself demeaned at seeing his son or his daughter on the stage by their side.
In the same manner public sentiment was such in the city of Rome, in Nero's day, that to see the chief military magistrate of the commonwealth publicly performing on the stage, and entering into an eager competition with the singing men and women, the low comedians, the dancers, the buffoons, and other such characters, that figured there, was a very humiliating spectacle. In fact, when the time for the quinquennial celebration approached, the government attempted to prevent the necessity of the emperor's actual appearing upon the stage, by passing in the Senate, among other decrees relating to the celebrations, certain votes awarding honorary crowns and prizes to Nero, by anticipation,-thus acknowledging him to be the first without requiring the test of actual competition. But this did not satisfy Nero. In fact, the honor of being publicly proclaimed victor was not probably the chief allurement which attracted him. He wished to enjoy the excitement and the pleasure of the contest,-to see the vast audience assembled before him, and held in charmed and enraptured attention by his performance; and to listen to and enjoy the triumphant grandeur of the applause which rolled and reverberated in the great Roman amphitheaters on such occasions with the sound of thunder. In a word it was the vanity of personal display, rather than ambition for an honorable distinction, that constituted the motive which actuated him.
He consequently disregarded the honorary awards which the Senate had decreed him, and insisted on actually appearing on the stage. His first performance was the reciting of a poem which he had composed. The poem was received, of course, with unbounded applause. Afterward he appeared on the stage in competition with the harpers and other musical performers. The populace applauded his efforts with the greatest enthusiasm, while the more respectable citizens were silent, or spoke to each other in secret murmurs of discontent and disapproval. There were a great many rules and restrictions which the candidates in these contests were required to observe; and though they were all proper enough for the class of men for whom they were intended, were yet such that the emperor, in subjecting himself to them, placed himself in a very low and degraded position, so as to become an object of ridicule and contempt. For example, after coming to the end of a performance on the harp, he would advance to the front of the stage, and there, after the manner customary among the players of that day, would kneel down in an imploring attitude, with his hands raised, as if humbly soliciting a favorable sentence from the audience, as his judges, and tremblingly waiting their decision. This, considering that the suppliant performer was the greatest potentate on earth, officially responsible for the government of half the world, and the audience before whom he was kneeling was mainly composed of the lowest rabble of the city, seemed to every respectable Roman, absurd and ridiculous to the last degree.