It was just another rooming-house. For some reason or other they're all alike, whether it's a high-hat affair in the Fifties or a brownstone west of Central Park full of honest artist girls or an Italian hangout like this one on Sullivan Street. With, of course, a difference in details like garlic. Maria Maffei took me first to the landlady, a nice fat woman with wet hands and a pushed-in nose and rings on her fingers, and then upstairs to her brother's room. I looked around a little while Maria Maffei went to get the girl who had heard the phone call. It was a good-sized room on the third floor with two windows. The rug was worn and the furniture old and sort of broken, but it was clean and really not a bad room except for the noise from the hoodlums below when I opened the window to see if the roadster was still on its feet. Two large traveling bags were stacked in a corner, one flimsy and old and done for, the other one old too but sturdy and good. Neither was locked. The flimsy one was empty; the good one contained a lot of small tools of different shapes and sizes, some of which had pawnshop tags hanging on them, and some pieces of wood and metal and odds and ends like coil springs. The closet contained an old suit of clothes, two overalls, an overcoat, two pairs of shoes, and a felt hat. In the drawers of the bureau which stood between the windows was an assortment--not scanty for a man who had been living on his sister for a year--of shirts, ties, handkerchiefs, socks, and a lot of miscellaneous junk like shoestrings, lead pencils, snapshots, and empty pipe-tobacco cans. In an upper drawer was a bundle of seventeen letters in envelopes all with Italian postage stamps, fastened with a rubber band. Scattered around in the same drawer were receipts and paid bills, a tablet of writing-paper, a few clippings from newspapers and magazines, and a dog collar. On top of the bureau, along with comb and brush and similar impedimenta as Wolfe would say, were half a dozen books, all in Italian except one that was full of pictures and designs, and a big stack of magazines, different monthly issues for three years back all with the same name, Metal Crafts. In the corner by the right window was a plain rough wood table with its top scarred and cut all over, and on it was a small vise, a grinder and buffer with an electric cord long enough to reach the lamp socket, and some more tools like those in the traveling bag. I was looking over the grinder to see how recently it had been used when Maria Maffei came in with the girl.
"This is Anna Fiore," the woman said.
I went over and shook hands with her. She was a homely kid about twenty with skin like stale dough, and she looked like she'd been scared in the cradle and never got over it. I told her my name and said that I had learned from Miss Maffei that she had heard Mr. Maffei answering the phone call before he went out Monday evening. She nodded.
I turned to the woman. "I expect you'd like to get along back uptown, Miss Maffei. Anna and I will get along."
She shook her head. "If I'm back by dinner it will be all right."
I got a little gruff. The truth was that I agreed with Durkin that it was a washout and that there was nothing to be expected from it but fanning the air. So I told Maria Maffei that I could easily do without her and she'd better trot along and she'd hear from Wolfe if there was anything to hear. She shot a glance at the girl and showed her teeth to me, and left us.
I pulled a couple of chairs face to face and got the girl deposited on one in front of me, and pulled out my notebook.
"You've got nothing to be scared of," I told her. "The worst that can happen to you is that you'll do a favor to Miss Maffei and her brother and she might give you some money. Do you like Miss Maffei?"
She seemed startled, as if surprised that anyone should think it worth the trouble to learn her likes and dislikes, but the answer was ready behind the surprise. "Yes, I like her. She is nice."
"Do you like Mr. Maffei?"
"Yes, of course, everybody does. Except when he drinks, then a girl should stay away from him."
"How did you happen to hear the phone call Monday evening? Were you expecting it?"
"How could I be expecting it?"
"I don't know. Did you answer the phone?"
"No, sir. Mrs. Ricci answered it. She told me to call Mr. Maffei and I called upstairs. Then I was clearing the table in the dining-room and the door was open and I could hear him talking."
"Could you hear what he said?"
"Of course." She looked a little scornful. "We always hear everything anyone says on the telephone. Mrs. Ricci heard him too, she heard the same as I did."
"What did he say?"
"First he said hello. Then he said well this is Carlo Maffei what do you want. Then he said that's my business I'll tell you when I see you. Then he said why not here in my room. Then he said no I'm not scared I'm not the one to be scared. Mrs. Ricci says it was it's not me that's scared, but she don't remember right. Then he said sure I want the money and a lot more. Then he said all right seven-thirty at the corner. Then he said shut up yourself what do I care. Then he said all right seven-thirty I know that car."
She stopped. I said, "Who was he talking to?"
I supposed of course that the answer would be that she didn't know, since Maria Maffei had not known, but she said at once, "The man that called him up before."
"Before? When?"
"Quite a few times. In May. One day twice. Mrs. Ricci says nine times before Monday altogether." "Did you ever hear his voice?"
"No, sir. Mrs. Ricci always answers."
"Did you ever hear this man's name?"
"No, sir. After Mrs. Ricci got curious she asked it, but he always just said never mind tell him he's wanted on the phone."
I began to think there might be some fun in this somewhere, possibly even some money. Not that the money interested me; that was for Wolfe; it was the fun I was after. Anyway it might not be just a stick-up and a stiff in the East River. I decided to see what I could get, and I went after that girl. I had heard Wolfe do it many a time, and while I knew most of his results came from a kind of feeling that wasn't in me, still a lot of it was just patience and hit-or-miss. So I went after her. I kept at it two hours, and collected a lot of facts, but not one that meant anything to me. Once I thought I might be getting warm when I learned that Carlo Maffei had two different women with whom he appeared publicly on different occasions, and one of them was married; but when I saw that wouldn't tie up with the phone call I threw it out. Maffei had mentioned going to Italy but had given no details. He had pretty well kept his business in his own bosom. He had never had callers except his sister and a friend from his old prosperous days with whom he had occasionally gone to dine. I pumped her for two hours and couldn't see a gleam anywhere, but something about that phone call kept me from calling it a dull day and putting on my hat. Finally I said to her: "You stay here a minute, Anna, while I go down and see Mrs. Ricci."
The landlady confirmed the girl's version of the phone call and said she had no idea who the caller was though she had tried on several occasions to find out. I asked her a few questions here and there, and then requested permission to take Anna with me uptown. She said no, she couldn't be left alone with the dinner to get, so I produced a dollar bill, and she asked what time she might expect the girl back, saying that it must not be later than nine o'clock.
After taking my dollar, I told her, "I can make no promises, Mrs. Ricci, when my boss gets started asking questions nights and days are nothing. But she'll be back safe and sound as soon as possible."