“What about other prescriptions? We found Adderall in her purse.”
“Adderall? I’ve never heard of it. I mean, she would get headaches. Maybe—”
“It’s a prescription stimulant used for ADHD.”
Katherine shook her head. “She didn’t have anything like that.”
“Did she see a psychiatrist?”
“No. Lord knows I do, as do a lot of her friends. But Bill thinks therapy and antidepressants and all of that are overused by overindulgent rich people. I suppose to you we might seem to fit that description.”
“Your husband’s name sounds familiar to me. Do you mind if —”
“CBGB.”
“Excuse me?”
“Don’t tell me you’re so young you don’t know about CBGB?”
Ellie and her brother, Jess, had probably logged a couple thousand hours at the celebrated music venue before it succumbed to escalating rent prices. “Of course I know it.” Then the light clicked. Bill Whitmire was the famed producer behind bands that had played with the Ramones and Blondie.
“It’s a John Varvatos boutique now,” the woman said sadly. “Can you believe that?”
Ellie stayed with the woman in the living room while CSU officers came and went. She heard about the school Christmas play Julia wrote in the fifth grade, where Santa Claus went to a doctor named Cal Q. Later to lose weight so the reindeer could still fly with him in the sleigh. She learned that Julia had been the one to write her older brother’s college admission essays. She found out that Julia had organized the first chapter of Amnesty International at Casden, her Upper East Side prep school. That she loved dogs but was allergic. That she once met Bono through her father and got his autograph—not for herself, but to donate to a charitable auction for an animal shelter.
Ellie interrupted on occasion to voice aloud the questions raging in her head.
Didn’t you notice your daughter had an eating disorder? Why would you ask that? She’s naturally thin. Right, despite that chubby adolescent picture on the mantel.
Did it dawn on you your daughter might have reasons to feel lost? Have you heard anything I’ve been saying to you, Detective? Have you been listening to yourself?
I assume this note is in your daughter’s handwriting? Handwriting can be imitated. You must have learned that on CSI.
And though she pontificated about her daughter and their family for well more than an hour, Katherine Whitmire never once mentioned the fact that her sixteen-year-old bulimic daughter died in her bathtub from a slit wrist, leaving behind a suicide note propped against her overstuffed down pillows.
Sometimes it was easier to deny undeniable facts than to acknowledge a painful truth. Ellie knew that better than anyone.
She took a deep breath of fresh air once they left the townhouse, as if freshly oxygenated blood could wash away her unwanted thoughts, imagining what it had been like to grow up with Bill and Katherine Whitmire for parents.
“Some house, huh?” Rogan had been spared all but a few sentences of the conversation with Katherine and was still looking up with envy at the four-story abode.
“Her dad’s Bill Whitmire. The music producer.” She rattled off a handful of the projects he’d backed.
“You and that loud white-boy music. Give me Prince any day. I wanna be your . . . lovah!”
“Hurry it up, will you?” She looked at her watch as she continued her march to the car. “I’ve got that hearing scheduled. Told you I’d make it in time, but only if you drop me by the courthouse straight from here.”
“I thought you said when we got the callout your testimony wasn’t that important. You said the DA could get by without you if necessary.”
“Well, I don’t see anything here that counts as necessity. You said yourself no one reported anything out of the ordinary here over the weekend.”
“We’ve still got uniforms canvassing the neighborhood,” Rogan said.
“They haven’t found any witnesses, and they’re not going to.”
“You know what’s going to happen if we blow this off, right?”
“Katherine Whitmire will huff and puff and blow our house down?”
“Seriously, Hatcher, what is up with you? We’ve worked cases before that we knew weren’t going anywhere. We don’t usually walk away.”
He was right, of course. How many hours did they waste a year on gang shootings where there was no such thing as a witness? But those cases were different.
“It’s just pathetic, Rogan. Some people have kids just to satisfy their own fucking egos. That girl was sixteen years old and was expected to be all grown up because her parents were too cool and too impatient to have children in their lives. On the pill for two years already. Obviously bulimic, and her mom doesn’t even notice. Apparently hanging out with street kids just to get some attention from her parents.”
“Shit, you’re confusing me. Now you’re saying we’re missing something?”
“No, Rogan, none of that’s suspicious. It’s totally, completely, one hundred percent predictable, and it all adds up to a reason why she’d kill herself. This girl slit her wrist as a final cry for help, and her mother refuses to see it. You do what you want, but I’m going to the courthouse.”
They’d wait for the medical examiner’s report. An autopsy. Forensic findings. Science. It would all sound more official and indisputable than the experienced instincts of cops and EMTs. But there was no doubt in Ellie’s mind that by the end of the week, Katherine Whitmire would be informed with all finality: her daughter killed herself. Maybe then she’d look in the goddamn mirror and start facing the truth.
Chapter Five
Second Acts: Confessions of a Former Victim and Current Survivor
“FORGIVENESS”
Forgiveness. Such a simple word, but one of the hardest things to find within oneself and give to others.
I have heard people say that it is impossible to heal without forgiving those who have hurt you. But it is not my place to forgive the man who raped me. Shouldn’t he be the one who is expected to look into himself to understand why he did what he did? Shouldn’t he be the one who has to ask himself how he could take from me everything he stole—not just the physical act, but the trust, my power, my agency, my sense of self?
Maybe he should be the one who has to try to forgive himself. That is not for me to do.
One of the things he stole from me was my mother. I remained silent for so long—allowing that man to come to my room night after night—because of my fears for her. My loyalty to her. My utter dedication.
She had always been my only parent. Dad left before he could make any kind of impression that stayed with me. My mother was alone for long and frequent periods. Not completely alone. She had me. But alone as a woman. Now a man she had learned to love—whom she had brought into our home—was coming to me at night and threatening to kill us both if I said anything.
But I never blamed her for his presence in my life. She couldn’t know, I told myself. He put on such a kind face for others. How could she possibly suspect he carried a monster inside of him?
No, it wasn’t the abuse that took away my mother. Ironically, it was my absolute, unquestioned faith in her that eventually trumped the fear he had instilled in me. I waited until he was working late at night. It was just the two girls at home together, like the old days. We ate those silly finger sandwiches we used to make when I was younger. They were chicken salad on cut Wonder Bread, but for some reason the dainty size and funny name brought me so much joy. (Who would eat a finger sandwich? I used to squeal.)