Now, now that she and the white girls stood near the edge of the jukebox at Miss Mae’s, they, too, cooed, as Schevoski had cooed, and lifted their angular faces upward; a water stain the shape of a guitar lay flat on the ceiling.
One of the girls whispered: Look where he died.
And they all laughed again when she whispered, Look where he died, all laughing and shouldering each other, as if they knew, inwardly, that this was Schevoski and that thing he called music; the beast was dead.
They looked at her, the broken-hearted girl who had driven them here, and yelled: Look where he died, Look where he died. Schevoski. Schevoski is dead!
Why had they been so cruel? the girl thought. Because she could not remember one street? One word? Because this water-stained guitar was his voice and mind? Why ever had she driven them here?
She leaned over the edge of the jukebox and vomited.
And the other white girls, the girls who had come to mock her in their drunkenness, shouted as she vomited: Schevoski! Schevoski is dead!
And she vomited and vomited, her index finger over the Bee Gees label of the jukebox, until her mouth grew immediate and she turned, held her stomach, and stumbled through the shouting girls and their exclamatory language, stumbled until she reached the wooden door of the bathroom, stumbled until everything she had eaten this morning came up.
Finally, her stomach was bare.
And the world seemed to spin around her and the water-stained guitar seemed to crawl upon the ceiling, follow her through the wooden door of this place and mock upon her the power of its language; Schevoski is dead. And you are dead. You, beast.
And the girls who she had driven here, the Tulane girls, as if they had suddenly become aware of their cruelty, took their fists and banged on the outer walls of the lavatory; they banged and their banging seemed to echo throughout Magazine Street and the city of New Orleans that there was a girl in the john and she was weak and her old man had dumped her and she brought us to this place so we could mock her, make her afraid, tear down these walls she had collapsed into and whatever it was she had left, we would take it. Everything would come true.
Her head spun inside the lavatory and the banging of the other girls from Tulane now began to bang inside her head and she could see them, each of them at once, their mouths open and childlike, swimming around in her heart and mind the torturous chaos of one’s not knowing how vulnerable, how thin she is.
Just then, she thought of Schevoski, thought of how she’d met him, how cunning he was to have met her there on the corner of St. Charles and that street she could not remember — she wasn’t the only one; now, now amidst the other girls from Tulane and the water-stained guitar, she remembered the photos of the other girls, the other exes, and the labels he had written underneath, all named after the streets on which he had met them — Elba, Dupre, Willow, General Pershing, Eden — and there, scribbled beneath her own name, on the corner of St. Charles and...
Now, now that these things had come to her, she looked up to where the water-stained guitar had been and did her own laughing. And the other girls from Tulane heard it, how powerful it was, and stepped away from the wooden door of the lavatory and stumbled, stumbled back to the abandoned jukebox, back to where the vomit had begun to swell.
Each of them noticed, one at a time and collectively, the image of the water-stained guitar: the Schevoski is dead! had now disappeared into the odorous air of Magazine and it was no matter, they were all dead, as the girl who’d brought them here was dead, as Schevoski was dead, like a blade, a glacier.
A beast.
Algiers
by David Fulmer
Algiers
Valentin St. Cyr crossed to Algiers on the ferry. It was the end of a hot day in May of 1905, and the fading sun reached out to paint the sky in bloody streaks and spread little points of light over the river like early stardust. Every so often, the wake of a barge would traverse the surface. Then the water got quiet again.
The ferry moved unperturbed through the green shifting swirls. Valentin leaned on the stern railing as the profile of New Orleans retreated. It was good to get out of the city, especially out of Storyville, if only for one night. To get paid for it made it even better, even if he dropped a few dollars while he went about running off the card cheat.
What was the character’s name again? McTier?
In any case, it was a Tuesday, and the red light district would be quiet. The Basin Street madams and the sporting women and their gentlemen callers could do without him for one night, and any problems would still be there when he got back.
Valentin spent a few moments patting his clothes in what must have looked like some sort of private genuflection. In fact, he was checking his weapons. The weight of his favored Iver Johnson revolver settled in the pocket of his light cotton suit jacket. His whalebone sap was lodged in the back pocket of his trousers, so that he could reach in with his right hand to swing it around with the force to roll up eyes and buckle knees. Finally, he kept a stiletto in a sheath strapped to his ankle, so it would be easy to grab if some rascal tried to drag him to the floor.
Not that he expected that sort of trouble tonight. He had handled cheapjack hustlers by the dozens. He wouldn’t be walking into a rough back-of-town saloon to encounter a sport down on his luck and desperate for a good score, a rounder who thought he owned the place, or, worst of all, some low-down, no-good son of a bitch on a cocaine jag who saw things that weren’t there, imagined everyone in the room was out to get him, and itched for an excuse to pull out his own weapon of choice and have at it.
There would be none of that tonight, or so said Valentin’s employer, Mr. Tom Anderson. This McTier fellow was just another loud-mouthed, bullying sort, which meant he was most likely a coward, and would quail and run as soon as someone showed up to beat his hand — someone like Valentin St. Cyr. Sometimes all it took was a cold-eyed stare to get a sharp to pick up his loose change and crooked cards or dice and clear out. Other times, a fellow made his exit with his bloody forehead in his hands. And every now and then, nothing but a promise of deadly violence would do. So far, it hadn’t gone any further than that.
Once the ferry docked, he stepped onto the pier and walked up the incline and through the narrow avenues of the little town until he found Evelina Street. When he arrived at the corner address, it was little more than a storefront that had been set up with a plank bar and some tables and chairs, not all of them matching. A ceiling fan creaked overhead and the floor was spread with dunes of sawdust that had gone dark with tobacco juice and spilled whiskey. The windows were open on two sides so the breezes off the river could carry away some of the smell. There was a trough in back that served as a toilet. It would take a hurricane to blow that stench away.
A Negro boy who was standing watch opened the door for Valentin, who tossed him a nickel and stepped over the threshold. Two working men leaned their elbows on the near end of the bar. Valentin stepped up and asked for Mr. Roy. The bartender, a tall and lank mulatto, pointed a finger toward the back of the room.
Settled behind the wooden table in the corner was Mr. Roy, a hugely fat man with broad African features and skin a mottled brown, as if he was suffering from some odd ailment. His hair was woolly and the whites of his eyes were a deep yellow, matching his large teeth. He wheezed on every breath and his body and clothes reeked of sweat.