Although this time it was pretty bumpy. There was turbulence as the whirlpool of wind interacted with the slower air around it; things would go better when they moved a bit farther into the hurricane, as Amelia explained, not for the first time. Even so, it would still stay a little bumpy; they were in clouds, and a cloud was like a diffuse lake, with some choppiness in it created by the variable distribution of water droplets, so that even when they were pulled to the ambient wind speed and were flowing in the flow, they were also deep in cloud, and the quick shuddering vibration and occasional dip or swing meant the sense of speed was still there, even though they couldn’t see anything. “This bumpiness is part of the laminar flow,” Amelia narrated. “The cloud itself is shimmying!”
Although maybe it was just the airship, flexing its aerogel frame. Amelia felt sure it was not usually this bumpy inside clouds, even hurricane clouds. They weren’t resisting the wind, weren’t trying to crab out of the storm; just riding the flow, with Frans trying to modulate the up-and-down of the clouds’ internal waves. And yet still they were rocking hard, irregularly, both up and down and side to side.
“I don’t know,” Amelia announced, “it doesn’t make sense, but I’m wondering if this rocking is being caused by the bears?”
It didn’t seem likely, but nothing else seemed more likely. Probably the bears weren’t throwing themselves from side to side in an organized manner; anyway, she hoped not. They weighed some eight hundred pounds each, so even without coordinating their motions, even just banging about, or perhaps fighting each other, throwing each other around like sumo wrestlers—yes, they would certainly have enough mass to rock the boat. The airship was only semirigid at best, and highly sensitive to internal shifts of weight. So, if they were carrying an enraged cargo… “Bears and bears and bears, oh my!”
She went back down the central hallway to take a look. There was a window in the hallway door to the animals’ half of the gondola, so she grabbed a hairclip camera and clipped it to her hair, and looked in to see how they were doing.
The first thing she saw was blood. “Oh no!” Red on the walls, some of it spattered drops, some of it claw marks. “Frans, what’s going on here!”
“All systems normal,” Frans reported.
“What do you mean! Take a look!”
“Look where?”
“In the bears’ room!”
Amelia went to the tool closet in the hall, opened it, and took a tranquilizer dart gun from the mounting on the back wall. Returning to the hall door and looking through the window, she saw nothing, so she unlocked the door and was immediately knocked back as the door burst open into her. Bloodied white giants ran past her like dogs, like immense albino Labrador retrievers, or big men in ill-fitting white fur coats running on all fours. She lay sprawled against the far wall, playing dead, and luckily did not catch any of the creatures’ attention. She shot one with a trank dart in the haunch as it ran forward along the hall toward the bridge, then when they were out of sight she scrambled to her feet and ran to the tool closet. She leaped in and pulled the door closed after her, twisted the handle latch into place on the inside, and right after that heard the door thumped hard on the outside. Great big paw whacking it! Whacking it hard!
Oh no! Locked in closet, at least three bears loose in the airship, possibly six; airship in hurricane. Somehow she had done it again.
“Frans?”
I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street.
The streets are sixty feet wide, the avenues are a hundred feet wide. You could fit a tennis court across one of the avenues. It was said that the streets were designed with the idea that the buildings lining them would be four or five stories tall.
The leaden twilight weighs on the dry limbs of an old man walking towards Broadway. Round the Nedick’s stand at the corner something clicks in his eyes. Broken doll in the ranks of varnished and articulated dolls he plods up with drooping head into the seethe and throb into the furnace of beaded lettercut light. “I remember when it was all meadows,” he grumbles to the little boy.
g) Stefan and Roberto
Stefan and Roberto had not found a chance to recharge the battery that powered their boat, so they walked on skybridges west and got on the Sixth vapo north to go see their friend Mr. Hexter. It was raining hard, the canal surfaces crazy with fat raindrop pocks and the splash sprinkles around the pocks, their little rings expanding out into bigger rings, all overlaid on boat wakes and the perpetual scalloping of a strong south wind: crazy gray water under a rolling gray sky, movement everywhere they looked. People waited on the docks under rain shelters if there were any, or stood under umbrellas or stoically out in the downpour. The boys stood in the bow with big plastic jackets on, getting wet. They didn’t care.
Low tide revealed the dark green bathtub ring on every building in this neighborhood. Eleven-foot tides, people said. The incoming flood tide was what the boys wanted to exploit on this day, by stopping on the way to Mr. Hexter’s at the Street of Fundy, meaning Sixth between Thirty-second and Central Park.
They left the vapo at the dock next to Ernesto’s deli on Thirty-first and borrowed a couple of Ernesto’s skimboards and wetsuits. From there they walked up the west Sixth boardwalk, which ran like a flat awning across building fronts, to the long triangular bacino where Sixth and Broadway met at Thirty-fourth, just north of the low tide line. This was the start of the Street of Fundy, yet another renaming of this section of Sixth, and much better than Avenue of the Americas, a cheesy politician’s name more suitable for Madison Avenue, or Denver. Now this stretch had a very appropriate name, because tides on the Street of Fundy were shocking at both flood and ebb.
This stretch of midtown was the widest part of the intertidal, a mess for the most part, but interesting, a zone of squatters and scammers and street people out to have some fun. People like Stefan and Roberto, who loved to join the skimboarders who congregated when the rising tide, coming up both Broadway and Sixth, combined to surge hard up the slight incline of Sixth, each advance of the white foam hissing north with startling rapidity, especially if pushed by a south wind. If you stood at Fortieth and looked south during the flood tide, you saw the bay’s edge sluice up the green slick in low waves, rolling over the mat of waxy seaweed leaves in rushes of white foam, reflooring the street a long way before the verge of foam stalled and sucked back, then crashed into the next incoming white surge, throwing up a little white wall that quickly collapsed and folded into the next onrush.
All that action meant that if you were riding the surge on a skimboard, as Stefan and Roberto soon were, you could cut around on the mini-breaks, shoot across the street from curb to curb, turn on a dime in the curbslush, or jump the curb and turn in doorways, sometimes even catching the rebound wave coming off buildings and jumping off the curb back into the street.