I’ve sprung to my feet from the very first, and I’m standing there now like an upright slab of ice carved in the outline of a man — burning-cold and slippery-wet and glassy with congealment. I’ve put out all the lights — they all work on one switch over by the door as you come in. They’ve probably already seen the lights though if they’ve marked the window from outside, and anyway, what difference does it make? Lighted up or dark, I’m still here inside the room. It’s just some instinct as old as fear: you seek the dark when you hide, you seek the light when the need to hide is gone. All the animals have it too.
Now they’re in, and it will take just a few minutes more while they make their arrangements. That’s all I have left, a few minutes more. Out of a time allotment that once stretched so far and limitlessly ahead of me. Who short-changed me, I feel like crying out in protest, but I know that nobody did; I short-changed myself.
“It,” the heartless little radio jeers, “takes the worry out of being close.”
Why is it taking them such a long time? What do they have to do, improvise as they go along? What for? They already knew what they had to do when they set out to come here.
I’m sitting down again now, momentarily; knees too rocky for standing long. Those are the only two positions I have left; no more walking, no more running, no more anything else now. Only stand up and wait or sit down and wait. I need a cigarette terribly bad. It may be a funny time to need one, but I do. I dip my head down between my outspread legs and bring the lighter up from below, so its shine won’t glow through the blind-crevices. As I said, it doesn’t make sense, because they know I’m here. But I don’t want to do anything to quicken them. Even two minutes of grace is better than one. Even one minute is better than none.
Then suddenly my head comes up again, alerted. I drop the cigarette, still unlit. First I think the little radio has suddenly jumped in tone, started to come on louder and more resonant, as if it were spooked. Until it almost sounds like a car radio out in the open. Then I turn my head toward the window. It is a car radio. It’s coming from outside into the room.
And even before I get up and go over to take a look, I think there’s something familiar about it, I’ve heard it before, just like this, just the way it is now. This sounding-board effect, this walloping of the night like a drum, this ricochet of blast and din from side to side of the street, bouncing off the house fronts like a musical handball game.
Then it cuts off short, the after-silence swells up like a balloon ready to pop, and as I squint out, it’s standing still down there, the little white car, and Johnny is already out of it and standing alongside.
He’s come to take me to the party.
He’s parked on the opposite side. He starts to cross over to the hotel. Someone posted in some doorway whistles to attract his attention. I hear it up at the window. Johnny stops, turns to look around, doesn’t see anyone.
He’s frozen in the position in which the whistle caught him. Head and shoulders turned inquiringly half around, hips and legs still pointed forward. Then a man, some anonymous man, glides up beside him from the street.
I told you he talks loud; on the phone, in a bar, on a street late at night. Every word he says I hear; not a word the other man says.
First, “Who is? What kind of trouble?”
Then, “You must mean somebody else.”
Next, “Room 207. Yeah, that’s right, 207.”
That’s my room number.
“How’d you know I was coming here?”
Finally, “You bugged the call I made to him before!”
Then the anonymous man goes back into the shadows, leaving Johnny in mid-street, taking it for granted he’ll follow him as he was briefed to do, commanded to do.
But Johnny stands out there, alone and undecided, feet still one way, head and shoulders still the other. And I watch him from the window crevice. And the stakeout watches him from his invisible doorway.
Now a crisis arises. Not in my life, because that’s nearly over; but in my illusions.
Will he go to his friend and try to stand by him, or will he let his friend go by?
He can’t make it, sure I know that, he can never get in here past them; but he can make the try, there’s just enough slack for him to do that. There’s still half the width of the street ahead of him clear and untrammeled, for him to try to bolt across, before they spring after him and rough him up and fling him back. It’s the token of the thing that would count, not the completion.
But it doesn’t happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of its development; now each man dies as he was meant to die, and as he was born, and as he lived: alone, all alone. Without any God, without any hope, without any record to show for his life.
My throat feels stiff, and I want to swallow but I can’t. Watching and waiting to see what my friend will do.
He doesn’t move, doesn’t make up his mind, for half a minute, and that half a minute seems like an hour. He’s doped by what he’s been told, I guess. And I keep asking myself while the seconds are ticking off: What would I do? If there were me down there, and he were up here: What would I do? And I keep trying not to look the answer in the face, though it’s staring at me the whole time.
You haven’t any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it’s been given.
And that is all the obligation you have, all you have the right to expect.
The half-minute is up, and Johnny turns, slowly and reluctantly, but he turns, and he goes back to the opposite side of the street. The side opposite to me.
And I knew all along that’s what he would do, because I knew all along that’s what I would have done too.
I think I hear a voice say slurredly somewhere in the shadows, “That’s the smart thing to do,” but I’m not sure. Maybe I don’t, maybe it’s me I hear.
He gets back in the car, shoulders sagging, and keys it on. And as he glides from sight the music seems to start up almost by itself; it’s such second nature for him to have it on by now. It fades around the corner building, and then a wisp of it comes back just once more, carried by some cross-current of the wind: Fools rush in, Where wise men never dare to go — and then it dies away for good.
I bang my crushed-up fist against the center of my forehead, bring it away, then bang it again. Slow but hard. It hurts to lose a long-term friend, almost like losing an arm. But I never lost an arm, so I really wouldn’t know.
Now I can swallow, but it doesn’t feel good anymore.
I hear a marginal noise outside in the hall, and I swing around in instant alert. It’s easy enough to decipher it. A woman is being taken from her room nearby — in case the going gets too rough around here in my immediate vicinity, I suppose.
I hear them tap, and then she comes out and accompanies them to safety. I hear the slap-slap of her bedroom slippers, like the soft little hands of children applauding in a kindergarten, as she goes hurrying by with someone. Several someones. You can’t hear them, only her, but I know they’re with her. I even hear the soft sch sch of her silk wrapper or kimono as it rustles past. A noticeable whiff of sachet drifts in through the door seam. She must have taken a bath and powdered herself liberally just moments ago.