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A few feet to my right, in the corner, was a wooden desk and Beckman’s old Apple computer. It was humming, which meant it was actually on.

“Your tea.”

The housekeeper had materialized behind me. She slid the tray across the coffee table, glaring at me as she shoved aside a black Chinese wooden box and piles of newspapers, then stalked back into the kitchen.

I waited for her to resume cleaning, then tapped the keyboard. I wasn’t exactly proud of myself, snooping on an innocent man’s computer, but desperate times called for desperate measures.

I clicked onto Firefox, then View History.

Oral surgery complications—Google search

Tooth extractions what can go wrong—Google search

Potential side effects from novocaine—Google search

The New Republic online

The New York Post

Russian Soulmates.ru

Russian phrasebook

Ashley Cordova—Google search

Ashley Cordova, 24, Found Dead—nytimes.com

The next entry read simply: blackboards.onion.

I clicked on the link. The site took a moment to load, the home page featuring a fog-drenched forest, which I recognized as the opening shot of Cordova’s Wait for Me Here. The URL was long, yet buried within the string of symbols and punctuation were three key words: sovereign deadly perfect.

It was the Blackboards, the Deepnet website for Cordova fans. Entry was fiercely guarded, for authorized Cordovites only. The site had a secret URL on Tor, the anonymous Internet — so it never appeared on Google and couldn’t be spotted by standard browsers. Years ago, when we’d first met, I’d tried bribing Beckman for the URL to no avail. He said it was “the last hidden corner,” a black hole where fans could not only hash over all things Cordova, but express their every dark urge and dream without judgment.

I heard keys jangling, the front door banging open. A mop clattered to the floor. Madame Tolstoy had to be alerting Beckman he had a guest.

I pulled out my BlackBerry, took a quick photo of the URL, and clicked the browser closed, stepping back to the mantel just as I heard footsteps racing down the wood floors.

“Cocksucker,” a voice bellowed behind me.

Beckman appeared in the doorway. He was wearing a tightly belted trench coat, which gave him the appearance of a potato tucked into parcel paper.

“Get out.”

“Hold on—”

“The last time we spoke I made it quite clear you were dead to me. Olga! Call the police and tell them we have a dangerous intruder.”

“I’d like to patch things up.”

“One cannot patch a friendship that’s been blown to smithereens.”

“You’re being ridiculous.”

He glared at me. “Betrayal isn’t ridiculous. It’s the reason empires fall.” He unbelted his trench coat, threw it over the chair — a dramatic gesture reminiscent of a Spanish matador tossing away his red cape — and strode toward me. Thankfully, he didn’t notice his computer, the corner bright from the lit-up screen.

As livid as he was, it was impossible for Beckman to be physically intimidating. He was wearing gray dress slacks too short in the leg and round gold eyeglasses, behind which his small, kind eyes blinked like a chipmunk’s. He also had a gung-ho hairline. It couldn’t wait to get started, beginning an overeager two inches above his eyebrows. His right cheek was badly swollen as if stuffed with cotton balls.

“I want to talk to you about Ashley,” I said.

The name jolted him as if he’d been shocked by a live wire. He muttered something under his breath and moved over to an armchair, sitting with a faint whoopee-cushion wheeze. He removed his shoes, propping his feet — sporting bright yellow argyle socks — on the leather ottoman in front of him.

Ash Cordova,” he repeated, rubbing the slackened, novocained side of his face. He turned, barking over his shoulder, “Olga!”

She appeared in the doorway on the phone, seemingly with the police.

“For God’s sake, Olga, what’re you — put the phone down. My God. This is my dear friend McGrath. Could you bring him something besides tea? Tea doesn’t make a dent in the man.” He looked at me. “Still drinking heavily in daylight?”

“Of course.”

“Glad you’ve retained your personality’s best quality. Bring the premium vodka, would you?”

Olga disappeared, and I sat down on the couch. Beckman still hadn’t noticed the glowing computer screen, diverted by the three cats that had just materialized from wherever they’d been hiding. There were eight in the apartment, some very exotic Eastern breed with blue eyes, black faces, fur like shag carpeting, and irritating Greta Garbo personalities, deigning to make public appearances only when Beckman was present.

He bent down to stroke one as it rubbed the ottoman.

“Which one is that?” I asked, feigning interest because there was a direct ratio between your interest in Beckman’s cats and his good mood.

“McGrath, you’ve met him on countless occasions. This is One-Eyed Pontiac. Not to be confused with Peeping Tom or Boris the Burglar’s Son.” He arched an eyebrow. “I just got another kitten, you know. Found another trademark. It’s quite embarrassing I missed it.”

Nine cats? They can send you to prison for that.”

He pushed his glasses back on his nose. “I’m calling him Murad, after the cigarettes.”

“Never heard of them.”

“They’re an obsolete Turkish brand, popular in the 1910s and ’20s. Murad means ‘desire’ in Arabic. The only brand that ever appears in a Cordova film is Murad. There’s not one Marlboro, Camel, or Virginia Slim. It goes further. If the Murad cigarette is focused upon by the camera in any Cordova film, the very next person who appears on-screen has been devastatingly targeted. In other words, the gods will have drawn a great big X across his shoulder blades and taped an invisible sign there that reads FUCKED. His life will henceforth never be the same.”

Murad. Every one of Beckman’s cats was named after some very specific detail in Cordova’s films, a trademark or silent signature. They ranged from split-second walk-on roles (similar to Hitchcock’s cameos) to tiny props within the mise-en-scène that symbolized looming devastation (much as the appearance of an orange in The Godfather films foreshadowed death). Most weren’t obvious but extremely obscure, like One-Eyed Pontiac and Boris the Burglar’s Son.

I slid forward to sip my tea, stealing another glance at the computer, still shining. Beckman rolled up his sleeves and, frowning, seemed on the verge of following my gaze.