Like all good games, liar's dice is fairly simple—at least in its rules. Each player has a cup containing five dice, which he shakes out but keeps covered so only he can see what is showing face up. Then each makes a declaration or "call" in turn: one of a kind, two of a kind, three of a kind, and so on. Each call has to be higher than the previous one, and is based on what the player knows is in his hand and what he thinks is in the other fellow's—the combined total of the ten dice. He can lie or tell the truth, whichever suits him; but the better liar he is, the better his chances of winning. When one player decides the other is either lying or has simply exceeded the laws of probability, he says, "Come up," and then both reveal their hands. If he's right, he wins.
In addition to being a clever liar, you also need a good grasp of mathematical odds and the ability to "read" your opponent's facial expressions, the inflection in his voice, his body language. The same skills an experienced poker player has to have, which is one reason the game is also called liar's poker.
Jones and I each rolled one die to determine who would go first; mine was the highest. Then we shook all five dice in our cups, banged them down on the bar. What I had showing was four treys and a deuce.
"Your call, Mr. Quint."
"One five," I said.
"One six."
"Two deuces."
"Two fives."
"Three treys."
"Three sixes."
I considered calling him up, since I had no sixes and he would need three showing to win. But I didn't know his methods and I couldn't read him at all. I decided to keep playing.
"Four treys."
"Five treys."
"Six treys."
Jones smiled and said, "Come up." And he had just one trey (and no sixes). I'd called six treys and there were only five in our combined hands; he was the winner.
"So much for feeling lucky," I said, and signaled Tony to bring another white wine for Mr. Jones. On impulse I decided a second Manhattan wouldn't hurt me and ordered that too.
Jones said, "Shall we play again?"
"Two drinks is definitely my limit."
"For dimes, then? Nickels or pennies, if you prefer."
"Oh, I don't know. . ."
"You're a good player, Mr. Quint, and I don't often find someone who can challenge me. Besides, I have a passion as well as an affinity for liar's dice. Won't you indulge me?"
I didn't see any harm in it. If he'd wanted to play for larger stakes, even a dollar a hand, I might have taken him for a hustler despite his Armani suit and silk tie. But how much could you win or lose playing for a nickel or a dime a hand? So I said, "Your call first this time," and picked up my dice cup.
We played for better than half an hour. And Jones wasn't just good; he was uncanny. Out of nearly twenty-five hands, I won two—two. You could chalk up some of the disparity to luck, but not enough to change the fact that his skill was remarkable. Certainly he was the best I'd ever locked horns with. I would have backed him in a tournament anywhere, anytime.
He was a good winner, too: no gloating or chiding. And a good listener, the sort who seems genuinely (if superficially) interested in other people. I'm not often gregarious, especially with strangers, but I found myself opening up to Jones—and this in spite of him beating the pants off me the whole time.
I told him about Connie, how we met and the second honeymoon trip we'd taken to Lake Louise three years ago and what we were planning for our twentieth wedding anniversary in August. I told him about Lisa, who was eighteen and a freshman studying film at UCLA. I told him about Kevin, sixteen now and captain of his high school baseball team, and the five-hit, two home run game he'd had last week. I told him what it was like working as a design engineer for one of the largest engineering firms in the country, the nagging dissatisfaction and the desire to be my own boss someday, when I had enough money saved so I could afford to take the risk. I told him about remodeling our home, the boat I was thinking of buying, the fact that I'd always wanted to try hang-gliding but never had the courage.
Lord knows what else I might have told him if I hadn't noticed the polite but faintly bored expression on his face, as if I were imparting facts he already knew. It made me realize just how much I'd been nattering on, and embarrassed me a bit. I've never liked people who talk incessantly about themselves, as though they're the focal point of the entire universe. I can be a good listener myself; and for all I knew, Jones was a lot more interesting than bland Jeff Quint.
I said, "Well, that's more than enough about me. It's your turn, Jones. Tell me about yourself."
"If you like, Mr. Quint." Still very formal. I'd told him a couple of times to call me Jeff but he wouldn't do it. Now that I thought about it, he hadn't mentioned his own first name.
"What is it you do?"
He laid his dice cup to one side. I was relieved to see that; I'd had enough of losing but I hadn't wanted to be the one to quit. And it was getting late—dark outside already—and Connie would be wondering where I was. A few minutes of listening to the story of his life, I thought, just to be polite, and then—
"To begin with," Jones was saying, "I travel."
"Sales job?"
"No. I travel because I enjoy traveling. And because I can afford it. I have independent means."
"Lucky you. In more ways than one."
"Yes."
"Europe, the South Pacific—all the exotic places?"
"Actually, no. I prefer the U.S."
"Any particular part?"
"Wherever my fancy leads me."
"Hard to imagine anyone's fancy leading him to Bayport," I said. "You have friends or relatives here?"
"No. I have business in Bayport."
"Business? I thought you said you didn't need to work. . ."
"Independent means, Mr. Quint. That doesn't preclude a purpose, a direction in one's life."
"You do have a profession, then?"
"You might say that. A profession and a hobby combined."
"Lucky you," I said again. "What is it?"
"I kill people," he said.
I thought I'd misheard him. "You. . . what?"
"I kill people."
"Good God. Is that supposed to be a joke?"
"Not at all. I'm quite serious."
"What do you mean, you kill people?"
"Just what I said."
"Are you trying to tell me you're. . . some kind of paid assassin?"
"Not at all. I've never killed anyone for money."
"Then why. . . ?"
"Can't you guess?"
"No, I can't guess. I don't want to guess."
"Call it personal satisfaction," he said.
"What people? Who?"
"No one in particular," Jones said. "My selection process is completely random. I'm very good at it too. I've been killing people for . . . let's see, nine and a half years now. Eighteen victims in thirteen states. And, oh yes, Puerto Rico—one in Puerto Rico. I don't mind saying that I've never even come close to being caught."
I stared at him. My mouth was open; I knew it but I couldn't seem to unlock my jaw. I felt as if reality had suddenly slipped away from me, as if Tony had dropped some sort of mind-altering drug into my second Manhattan and it was just now taking effect. Jones and I were still sitting companionably, on adjacent stools now, he smiling and speaking in the same low, friendly voice. At the other end of the bar Tony was slicing lemons and limes into wedges. Three of the booths were occupied now, with people laughing and enjoying themselves. Everything was just as it had been two minutes ago, except that instead of me telling Jones about being a dissatisfied design engineer, he was calmly telling me he was a serial murderer.