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'You made a good fast trip,' he said.

'Not so bad,' said Geordie complacently.

Campbell looked about the Esmerelda and at the crew who were busy stowing sail and clearing the decks. 'So this is your crew of cut-throats and desperadoes,' he said. He was in a jocular mood- a mercurial man. 'I hope we won't need them.' He took my arm and walked me along the dock, amused at my wobbling land-legs.

'I've booked you into my hotel for a night or so; there's no reason why you shouldn't have a last taste of luxury before the big job. Geordie too, if he wants it. I'll expect you both to dinner – you can't miss the hotel, it's the Colombo, right on the main street. You can tell me all about the trip then. Meantime I want to talk to you in private, now.' He steered me into one of the waterfront bars that always seem to be handy, and I sat down thankfully in front of a large glass of cold beer.

Campbell wasted no time. He produced a biggish envelope from his jacket. 'I had photostats made of the diary pages,' he said. The original's in a bank vault in Montreal. You don't mind? You'll get it back one day.'

'Not at all,' I said.

He shook out the contents of the envelope. 'I got the translation done. My guy said it was a bastard of a job – he only hopes he's got the scientific bits right.'

'We'll soon find out.' I was stiff with eagerness.

Campbell handed me a neatly bound booklet which I flicked through. 'That's the stat of the original diary. This one's the translation. There are reproductions of all the drawings at the back. The whole thing looks screwy to me – it had better make sense to you or this whole thing is a bust already.' His good humour had already evaporated, but I was getting used to his changes of mood.

I glanced through it all. 'This is going to be a long job,' I said. 'I'm not going to be able to make any snap judgements here and now; I'll look at this lot this afternoon, in the hotel room. Right now I want to go back to Esmerelda and sort out procedures with Geordie, pack my gear and go and take a shower and a clean-up.'

If he was disappointed he didn't show it – clearly what I said made sense. And so it was not until I was lying, damp and half-naked in the blessedly cool hotel room a couple of hours later that I finally opened the envelope. The translation of the cipher was pretty well complete except for a few gaps here and there, but it didn't improve matters as much as I'd hoped. The thing was disappointingly written in a kind of telegraphese which didn't make for easy reading. It was a true diary and evidently covered the last few months of Mark's life, from about the time he left the IGY, although there were few dates and no place names written in clear at all.

I wondered if he'd always kept such a diary, and decided that he must have done so – diary-keeping is a habit as hard to break as to develop. As to where the earlier volumes had got to, there was no guessing, nor did I think they would have helped me much anyway. This was the vital period.

It was, on the whole, an ordinary enough diary; there were references to shore leave, films seen, people mentioned by initials only in the irritating way that people have when confiding to themselves, and all the other trivia of a man's life, all in brusque lack of detail. Mark had kept a brief record of his amours which wasn't pleasant to read, but otherwise it was fairly uninteresting on the surface.

Then there were the entries made at sea. Here the diary turned professional with notes of observations, odd equations roughly jotted, analyses of bottom material, mostly sea ooze. Occasionally there were analyses of nodules – nothing very startling, just run of the sea stuff.

I waded on feeling that I might be wasting my time, but towards the end I was pulled up with a start. I had run my eye down the typewritten sheet and was aware that I was at last looking at something remarkable. It was an analysis of a nodule, though it didn't specifically say so, and the figures were startling.

Translated from symbols, they read: 'Manganese – 28%; iron – 32%; cobalt – 8%; copper – 4%; nickel – 6%; other 22%. Wow.!' 'Wow,' indeed.

There followed analyses of four more nodules, all equally rich.

I did some calculating and found the average cobalt in the five nodules to be a fraction under nine per cent. The copper and nickel weren't to be laughed away either. I didn't yet know much about the economics of recovery but it was evident that this might be a paying proposition even with relatively primitive methods of dredging, depending on the depth of water. And I had reason to believe that this was not too great to be worked in. With more sophisticated equipment it would be better than owning a gold mine.

But there was always the snag – nowhere in the diary did Mark say where these riches were to be found. In the whole notebook there was not one place name mentioned. So we weren't really any better off than we were before, except that scattered through the typewritten pages was the phrase, 'Picture Here', with a number attached, and at the end was a sheaf of reproductions and a brief account by the cipher expert of these doodled drawings.

It is possible and indeed probable that these drawings are of the nature of pictograms or rebuses. A study of the pictograms leads me to believe that they must indicate place names, and of the 32 drawings, I believe I have successfully identified 24.

To illustrate: the rough sketch of the gas mantle with the word GRATIS beneath may well refer to the Australian town of Fremantle; the bearded man with the sword and the baby is probably Solomon, referring to the biblical story, and may indicate the Solomon Islands; the bearded man looking at a monkey may be a reference to Darwin in the Australian territory; the straight line neatly bisected may refer to either the Equator or Midway Island.

The fact that all these names occur in the same quarter of the globe is a further indication that one may be on the right track in such surmising. Other names tentatively identified are also to be found in the same geographical area.

Tracings of the drawings, together with possible identifications are attached. Of the eight drawings unidentified all I can say is that to solve these one would need to have a more precise knowledge of these geographical areas, together with the need to know a great deal more about the 'artist', since it is obvious that an idiosyncratic mode of thought is here employed, involving a person's training, experience and interior feelings; in fact, a total life.

I looked up the analyses of the two non-standard nodules again. Coming immediately after them were two of the drawings, numbers 28 and 29. I checked them against the tracings. One was of a busty wench wearing a Phyrgian cap with underneath it the words, 'The Fair Goddess'. The other was a rather bedraggled-looking American eagle with the inscription, 'The Disappearing Trick'. Neither was identified.

I leaned back and thought about it all. I knew that Mark's ship had been based on Australia during the IGY – hence, possibly, the Australian references. Mark had probably been in the Solomons and might well have gone as far as Midway -he would certainly have crossed the Equator anyway. Did he go as far as Easter Island? I checked the tracings and found it -a rabbit apparently trying to hatch an egg, the traditional fertility symbols of Easter. That was one the expert had spotted too.

It was a hell of a big area in which to find The Fair Goddess or The Disappearing Trick. I thought about Mark and his 'idiosyncratic mode of thought'. The expert had been dead right there; Mark's mode of thought had been so damned idiosyncratic that there had been times when I thought it wasn't human. He had a strangely twisted, involute mind which delighted in complexity and deception, never taking a straight course but always heading ultimately for one goal – the eventual well-being of Mark Trevelyan.

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