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AND WHAT of the other animals?

The Shayk of Night, predictably, disappeared. He would hide in the trees for as long as he was needed, be it days or decades, ready to bring infidels to the true faith. Eventually, he would join the ranks of Britain’s cryptozoological legends, a big black felid, sometimes spotted late at night on westerly moors by some excitable retired schoolmaster.

The zookeepers, try as they may, couldn’t find Muezza, Monty’s little admirer, and it was assumed that he would take up with the feral cats of north London, happily hunting Norway rats for all his days ahead. The other sand cats were eventually rounded up.

The otters, like most of their species, went in different directions. One headed to the Thames estuary. It would swim toward Lindisfarne on the North Sea, where the spirit of St. Cuthbert awaited all pilgrims. Another otter would make its way west, toward the quieter corners of Somerset, and perhaps, one day, even toward Worcestershire, the Severn basin, and the Wyre Forest. The otter pups were in pain — they had been forced to abandon the new mother because such were the forced detachments of the mustelid universe. It was a place where you just swam on. The spirit of St. Cuthbert would protect them until, one day, they repopulated Britain’s rivers and streams. Meanwhile, their video likenesses were to be broadcast all over the world, thanks to the ginger-haired reporter, Jerry. For several days, the most popular image projected of the zoo disturbance would be the video of the six newborn otters in their glossy blankets of caul, their dutiful mother licking them clean, with interspersed interview shots of the tiresome David Beauchamp, finally a minor celebrity, explaining how the London Zoo was already planning a “once in a lifetime” exhibit called “Six of One, Half a Dozen of the Otter.” “That’s my title, actually,” he would be heard saying.

AS MYSTERIOUSLY AND BIZARRELY as the Luciferian attack had begun, it had ended up receding, rapidly, in terms of both concrete facts and in what people believed about the night. The white demonic arch that rose from Grosvenor and landed in the zoo’s Penguin Pool had flickered off, and the comet Urga-Rampos disappeared from the Eastern Hemisphere. Nearly as soon as the horrors had gone, some people claimed they never existed. The timeline vandalism of Harry9’s Æthelstan’s Bliss further served to confuse the public.

But some things could not be disputed.

All across Britain, and especially in London near the American Embassy, the bodies of hundreds of suicided “Neuters” were discovered that May Day and in the days afterward. They all wore white coveralls, cropped haircuts, and white Nike trainers. But they were not, as Astrid had imagined, all clones of Marshall Applewhite III. They were ordinary citizens, from all over the Americas, northern Europe, and Japan and Singapore, especially, who had dedicated themselves to the HeavensGate.com cult and decided to end their lives in England in order to “shed their containers” and meet Applewhite in his comet starship. It would be the apex of the suicide cults’ powers on earth. In every case, the suicides had imbibed lethal doses of sedatives along with Flōt and killed at least one poor animal, usually someone’s stolen domestic pet. All had an American $5 bill in their pockets for the afterlife, which they apparently considered a cut-rate operation. In central London, as planned, a large squad of Neuter aggressors had managed to murder dozens of other noncult members, in some cases force-feeding victims sedatives and Flōt, and some of the loose animals, did indeed attack them.

But as the autonews reports went out, in the weeks and months that followed, and WikiNous started sizzling with wild rumors about what had happened that night — with tales of mass murder and leopard attacks, outraged reports about the catastrophe of Æthelstan’s Bliss, rumors of a subsequent UK-USA diplomatic row over terrorism — officialdom began, slowly at first and then quite aggressively, to suppress the truth. Harry9, for his part, even feared that his indiscipline with the Æthelstan’s Bliss had endangered his own throne. He was, for now, a king humbled — but not entirely.

Harry9 still ran a massive disinformation operation. Soon, the facts of the night of the animals became as elusive as the otters of the Severn. Timelines seemed to get artificially resewn. The AnimalSafe Squad’s ambitious David Beauchamp led the effort among the zoo officials to downplay and to understate, and in some cases to erase, the evidence. The Met played its part, too, and with the cowed, impoverished automedia at historically weakened levels of investigative nous, the story soon began to evaporate. Still, the Crown instructed EquiPoise’s Psyalleviators to steer clear of both Astrid and Cuthbert. The authorities saw Astrid, privately, as a kind of selfless minor hero, and Cuthbert as a chaotic messenger. They were marked as a kind of special case, a Flōt-related aberration, and the night, officially, as a sort of subterranean watershed dividing what could be tolerated from the cults and terrorists, and what threatened the English at their core.

It wasn’t, as Cuthbert wanted, all about all the animals.

There hadn’t been many animals on the loose — not really, it was said. No one but a few soft-headed cultists actually died. SCARE hadn’t actually lost any soldiers. Only a few suspect people saw anything like a “green being” near the American Embassy. And apart from a small number of animals hurt or temporarily escaped, nearly all the animals were captured and returned to their enclosures to resume their happy jailed lives.

BY THE NEXT SPRING, in 2053, a year blessedly free of comets, the night of the animals was largely forgotten, and the big news on everyone’s corneas was, of course, King Henry, for 2053 marked his silver jubilee. In the monarch’s official portrait for the year, Arfur appeared, in the background, prone on a settee of purple velvet brocades and ermine, his muffin-paws in front of him, and wearing an expression of impossible contentment.

nine

incantation in a new tongue

DURING THAT LONG, SCORCHING SUMMER OF THE jubilee, Cuthbert Handley one day realized that he didn’t hear voices as often as he used to. In fact, they had all shrunk down to one.

By 2053, there were far fewer animals and species of them on earth. Not since the end of the Pleistocene, when the woolly rhinos and dire wolves died out, had evolution reached such a choke point. Epically closer to home, a hot April and May had hatched swarms of midges, bringing an epidemic of a virulent bluetongue to Albion’s sheep and cattle on the king’s large collectives.

In London, there were even fewer moggies in the alleys, fewer dog walkers around the silenced swan ponds, and a host of unexpected, strange breeding problems at the zoo. Indigents were no longer permitted pet licenses. While the zoo was still the most precious archival repository of genomes on the planet, research and bioengineering and preservation work tended to hold primacy now. Security increased tenfold, with admission by invitation only. The exhibitions, one by one, were being shuttered, too. In all but a few cases, genomic clones replaced the wild originals, and the London Zoological Gardens — humankind’s last ark of the Animal Kingdom — had become, for the most part, a closed shop.

For reasons Cuthbert could not grasp, the animals stopped talking to him. The unexpected great quieting depressed him, and left him with agonizing guilt.

“I can’t bring ’em in,” he would exclaim to Astrid. “I don’t know what’s gone wrong. Why? Why’d I have to tinker? Why? What’s become of the Wonderments? Do you hear them?”

But that was a question Astrid never dared to answer again, not even to dear Cuthbert.