Strange, then, that so few do. Anyway, my wife once broke down and asked me that question even though she knows I dislike having it asked. We had moved to the Boston area in 1949, when I took my position with Boston University School of Medicine, and periodically we made a train trip back to New York to visit our respective families.
Once, on one of those train trips, perhaps out of boredom, she asked The Question. I said, "From anything. I can probably get one out of this train trip, if I try."
"Go ahead," she said, naturally enough. So I thought hard and told her the story of a train trip which, when I got back home, I typed up in permanent form and called "What If-."
The story is unusual for me in another respect, too. I am not strong on romance in my stories. Why that should be, I will leave to the parlor psychoanalyst. I merely state the fact.
Sometimes, I do have women in my stories. On rare occasions, as in "Hostess," the woman is even the protagonist. But even then romance is a minor factor, if it appears at all.
In "What If-," however, the story is all romance. Each time I think of that, the fact startles me. I believe it is the only one of my many stories that is all serious (as opposed to ribald) romance. Heavens!
First appearance-Fantastic, Summer 1952. Copyright, 1952, by Ziff-Davis Publishing Company.
What If
Norman and Liwy were late, naturally, since catching a train is always a matter of last-minute delays, so they had to take the only available seat in the coach. It was the one toward the front; the one with nothing before it but the seat that faced wrong way, with its back hard against the front partition. While Norman heaved the suitcase onto the rack, Liwy found herself chafing a little.
If a couple took the wrong-way seat before them, they would be staring self-consciously into each others' faces all the hours it would take to reach New York; or else, which was scarcely better, they would have to erect synthetic barriers of newspaper. Still, there was no use in taking a chance on there being another unoccupied double seat elsewhere in the train.
Norman didn't seem to mind, and that was a little disappointing to Liwy. Usually they held their moods in common. That, Norman claimed, was why he remained sure that he had married the right girl.
He would say, "We fit each other, Liwy, and that's the key fact. When you're doing a jigsaw puzzle and one piece fits another, that's it. There are no other possibilities, and of course there are no other girls."
And she would laugh and say, "If you hadn't been on the streetcar that day, you would probably never have met me. What would you have done then?"
"Stayed a bachelor. Naturally. Besides, I would have met you through Georgette another day."
"It wouldn't have been the same."
"Sure it would."
"No, it wouldn't. Besides, Georgette would never have introduced me. She was interested in you herself, and she's the type who knows better than to create a possible rival."
"What nonsense."
Livvy asked her favorite question: "Norman, what if you had been one minute later at the streetcar corner and had taken the next car? What do you suppose would have happened?"
"And what if fish had wings and all of them flew to the top of the mountains? What would we have to eat on Fridays then?"
But they had caught the streetcar, and fish didn't have wings, so that now they had been married five years and ate fish on Fridays. And because they had been married five years, they were going to celebrate by spending a week in New York.
Then she remembered the present problem. "I wish we could have found some other seat."
Norman said, "Sure. So do I. But no one has taken it yet, so we'll have relative privacy as far as Providence, anyway."
Livvy was unconsoled, and felt herself justified when a plump little man walked down the central aisle of the coach. Now, where had he come from? The train was halfway between Boston and Providence, and if he had had a seat, why hadn't he kept it? She took out her vanity and considered her reflection. She had a theory that if she ignored the little man, he would pass by. So she concentrated on her light-brown hair which, in the rush of catching the train, had become disarranged just a little; at her blue eyes, and at her little mouth with the plump lips which Norman said looked like a permanent kiss.
Not bad, she thought.
Then she looked up, and the little man was in the seat opposite. He caught her eye and grinned widely. A series of lines curled about the edges of his smile. He lifted his hat hastily and put it down beside him on top of the little black box he had been carrying. A circle of white hair instantly sprang up stiffly about the large bald spot that made the center of his skull a desert.
She could not help smiling back a little, but then she caught sight of the black box again and the smile faded. She yanked at Norman's elbow.
Norman looked up from his newspaper. He had startlingly dark eyebrows that almost met above the bridge of his nose, giving him a formidable first appearance. But they and the dark eyes beneath bent upon her now with only the usual look of pleased and somewhat amused affection.
He said, "What's up?" He did not look at the plump little man opposite.
Livvy did her best to indicate what she saw by a little unobtrusive gesture of her hand and head. But the little man was watching and she felt a fool, since Norman simply stared at her blankly.
Finally she pulled him closer and whispered, "Don't you see what's printed on his box?"
She looked again as she said it, and there was no mistake. It was not very prominent, but the light caught it slantingly and it was a slightly more glistening area on a black background. In flowing script it said, "What If."
The little man was smiling again. He nodded his head rapidly and pointed to the words and then to himself several times over.
Norman said in an aside, "Must be his name."
Liwy replied, "Oh, how could that be anybody's name?"
Norman put his paper aside. "I'll show you." He leaned over and said, "Mr. If?"
The little man looked at him eagerly.
"Do you have the time, Mr. If?"
The little man took out a large watch from his vest pocket and displayed the dial.
"Thank you, Mr. If," said Norman. And again in a whisper, "See, Liwy."
He would have returned to his paper, but the little man was opening his box and raising a finger periodically as he did so, to enforce their attention. It was just a slab of frosted glass that he removed-about six by nine inches in length and width and perhaps an inch thick. It had beveled edges, rounded corners, and was completely featureless. Then he took out a little wire stand on which the glass slab fitted comfortably. He rested the combination on his knees and looked proudly at them.
Liwy said, with sudden excitement, "Heavens, Norman, it's a picture of some sort."
Norman bent close. Then he looked at the little man. "What's this? A new kind of television?"
The little man shook his head, and Liwy said, "No, Norman, it's us."
"What?"
"Don't you see? That's the streetcar we met on. There you are in the back seat wearing that old fedora I threw away three years ago. And that's Georgette and myself getting on. The fat lady's in the way. Now! Can't you see us?"
He muttered, "It's some sort of illusion."
"But you see it too, don't you? That's why he calls this 'What If.' It will show us what if. What if the streetcar hadn't swerved…"
She was sure of it. She was very excited and very sure of it. As she looked at the picture in the glass slab, the late afternoon sunshine grew dimmer and the inchoate chatter of the passengers around and behind them began fading.