"But why the search? Why not have brought us together at once?"
"Because there is pleasure in the hope of the seeking, my son," said the old man, radiantly, "and in the delight of the finding. I was given two hours in which I might seek, two hours in which I might find… and behold, thou art here, and I have found that which I had not looked to see in life." His voice was old, caressing. "Is it well with thee, my son?"
"It is well, my father, now that I have found thee," said Marten, and dropped to his knees. "Give me thy blessing, my father, that it may be well with me all the days of my life, and with the maid whom I am to take to wife and the little ones yet to be born of my seed and thine."
He felt the old hand resting lightly on his head and there was only the soundless whisper.
Marten rose. The old man's eyes gazed into his yearningly. Were they losing focus?
"I go to my fathers now in peace, my son," said the old man, and Marten was alone in the empty park.
There was an instant of renewing motion, of the Sun taking up its interrupted task, of the wind reviving, and even with that first instant of sensation, all slipped back- At ten of noon, Sam Marten hitched his way out of the taxicab, and found himself groping uselessly for his wallet while traffic inched on.
A red truck slowed, then moved on. A white script on its side announced: F. Lewkowitz and Sons, Wholesale Clothiers.
Marten didn't see it. Yet somehow he knew that all would be well with him. Somehow, as never before, he knew…
This one is complicated. It goes back to 1938-39 when, for some half a dozen issues or so, a magazine I won't name tried to make a go of what I can only call "spicy science fiction stories." Considering the sexual freedom allowed the writers of today, those old spicy s.f. stories read like "The Bobbsey Twins in Outer Space" now, but they were sizzlers to the magazine's few readers then.
The stories dealt very heavily with the hot passion of alien monsters for Earthwomen. Clothes were always getting ripped off and breasts were described in a variety of elliptical phrases. (Yes, I know that's a pun.) The magazine died a deserved death, not so much for its sex and sadism, as for the deadly sameness of its stories and the abysmal quality of its "writing."
The curtain falls, and rises again in 1960. The magazine Playboy decided to have a little fun with science fiction. They published an article entitled "Girls for the Slime God" in which they pretended (good-naturedly) that all science fiction was sex and sadism. They could find very little real stuff to satirize, however, for until 1960 there was no branch of literature anywhere (except perhaps for the children's stories in Sunday school bulletins) as puritanical as science fiction. Since 1960, to be sure, sexual libertarianism has penetrated even science fiction.
Playboy therefore had to illustrate its article with the funny-sexy covers of fictitious magazines and had to draw all its quotations from only one source-that 1938-39 magazine I mentioned above.
Cele Goldsmith, the editor of Amazing Stories, read the article and called me at once. She suggested I write a story entitled "Playboy and the Slime God" satirizing the satire. I was strongly tempted to do so for several reasons:
1) Miss Goldsmith had to be seen to be believed. She was the only science fiction editor I've ever seen who looked like a show girl, and I happen to be aesthetically affected (or something) by show-girl types.
2) I take science fiction seriously and I was annoyed that that 1938-39 magazine should have given Playboy a handle for satire. I wanted to satire back at them.
3) I quickly thought up exactly what I wanted to say. So I wrote "Playboy and the Slime God" using some of the same quotes that Playboy had used and trying to show what an encounter between sex-interested aliens and an Earth-woman might really be like. (1 might say that Miss Goldsmith wrote the final three paragraphs of the story. I had a quite pretentious ending and Miss Goldsmith's was much better. So I let it stand, not only in the magazine, but here.)
The title was a problem, though. It's disgusting. When the late (alas!) Groff Conklin, who was one of the most indefatigable anthologizers in the business, was considering the story for one of his collections, he asked rather piteously if I had an alternate title. "You bet!" I said, "How about 'What Is This Thing Called Love?"
Mr. Conklin was delighted and so was I, and that is the title that he used, and the one that I am now using.
First appearance-Amazing Stories, March 1961, under the title "Playboy and the Slime God." Copyright ©, 1961, by Ziff-Davis Publishing Company.
What Is This Thing Called Love?
"But these are two species," said Captain Garm, peering closely at the creatures that had been brought up from the planet below. His optic organs adjusted focus to maximum sharpness, bulging outwards as they did so. The color patch above them gleamed in quick flashes.
Botax felt warmly comfortable to be following color-changes once again, after months in a spy cell on the planet, trying to make sense out of the modulated sound waves emitted by the natives. Communication by flash was almost like being home in the far-off Perseus arm of the Galaxy. "Not two species," he said, "but two forms of one species."
"Nonsense, they look quite different. Vaguely Perse-like, thank the Entity, and not as disgusting in appearance as so many out-forms are. Reasonable shape, recognizable limbs. But no color-patch. Can they speak?"
"Yes, Captain Garm," Botax indulged in a discreetly disapproving prismatic interlude. "The details are in my report. These creatures form sound waves by way of throat and mouth, something like complicated coughing. I have learned to do it myself." He was quietly proud. "It is very difficult."
"It must be stomach-turning. Well, that accounts for their flat, unextensible eyes. Not to speak by color makes eyes largely useless. Meanwhile, how can you insist these are a single species? The one on the left is smaller and has longer tendrils, or whatever it is, and seems differently proportioned. It bulges where this other does not. Are they alive?"
"Alive but not at the moment conscious, Captain. They have been psycho-treated to repress fright in order that they might be studied easily."
"But are they worth study? We are behind our schedule and have at least five worlds of greater moment than this one to check and explore. Maintaining a Time-stasis unit is expensive and I would like to return them and go on-"
But Botax's moist spindly body was fairly vibrating with anxiety. His tubular tongue flicked out and curved up and over his flat nose, while his eyes sucked inward. His splayed three-fingered hand made a gesture of negation as his speech went almost entirely into the deep red.
"Entity save us, Captain, for no world is of greater moment to us than this one. We may be facing a supreme crisis. These creatures could be the most dangerous life-forms in the Galaxy, Captain, just because there are two forms."
"I don't follow you."
"Captain, it has been my job to study this planet, and it has been most difficult, for it is unique. It is so unique that I can scarcely comprehend its facets. For instance, almost all life on the planet consists of species in two forms. There are no words to describe it, no concepts even. I can only speak of them as first form and second form. If I may use their sounds, the little one is called 'female,' and the big one, here, 'male,' so the creatures themselves are aware of the difference."