Both men stared at her.
Cremona whispered, "Of course. Continuous conversation. Just twelve hours out of phase, that's all. God, we've got to get going."
He strode out of the room, virtually dragging the General with him, then strode back in.
"Mother," he said, "if you'll excuse me, this will take a few hours, I think. I'll send in some girls to talk to you. Or take a nap, if you'd rather."
"I'll be all right, Gerard," said Mrs. Cremona.
"Only, how did you think of this, Mother? What made you suggest this?"
"But, Gerard, all women know it. Any two women-on the video-phone, or on the stratowire, or just face to face-know that the whole secret to spreading the news is, no matter what, to Just Keep Talking."
Cremona tried to smile. Then, his lower lip trembling, he turned and left.
Mrs. Cremona looked fondly after him. Such a fine man, her son, the physicist. Big as he was and important as he was, he still knew that a boy should always listen to his mother.
I have a role which I state loudly on every possible occasion. The role is, that I never write anything unless I am asked to do so. That sounds awfully haughty and austere, but it's a fake. As a matter of fact, I take it for granted that the various science fiction magazines and certain of my book publishers have standing requests for material, so I write for them freely. It's just the scattering of others that have to ask.
In 1964, I was finally asked by Playboy to write a story for them. They sent me a dim photograph of a clay head, without ears, and with the other features labeled in block letters, and asked me to write a story based on that photo. Two other writers were also asked to write a story based on that same photo and all three stories were to be published together.
It was an interesting challenge and I was tempted. I wrote "Eyes Do More Than See,"
In case I have given the impression in the previous introductions in this volume that my writing career has been one long succession of triumphs ever since "Nightfall"; that with me, to write is to sell; that I wouldn't recognize a rejection slip if some fellow writer showed me one-rest easy, it is not so.
"Eyes Do More Than See" was rejected with muscular vigor. The manuscript came flying through my window all the way from Chicago, bounced off the wall and lay there quivering. (At least that's how it seemed.) The other two stories were accepted by Playboy, and a third story, by someone hastily called in to backstop me, was also accepted.
Fortunately, I am a professional of enviable imperturbability and these things do not bother me. I doubt whether anyone could have guessed that I was disturbed except for the short screaming fit of rage I indulged myself with.
I checked with Playboy and made sure the story was mine to do with as I please, despite the fact it was based on their photo. It was!
My next step was to send the story to F amp; SF, explaining to them (as is my wont in such cases) that it was a reject and giving them the exact circumstances. They took it, anyway.
Fortunately, F amp; SF works reasonably quickly and Playboy works abominably slowly. Consequently "Eyes Do More Than See" appeared in F amp; SF a year and a half before the story-triad appeared in Playboy. I spent an appreciable length of time hoping Playboy would get indignant letters complaining that the situations in the triad had been stolen from an Asimov story. I was even tempted to write such a letter myself under a false name (but I didn't).
I contented myself, instead, with the thought that by the time Playboy had published its triad, my little story had not only been published elsewhere but had been reprinted twice and was slated to appear in still a third anthology. (And this collection represents a fourth, and how do you like that, Mr. Hefner?)
First appearance-The Magazine of Fantasy and Science Fiction, April 1965. @, 1965, by Mercury Press, Inc.
Eyes Do More than See
After hundreds of billions of years, he suddenly thought of himself as Ames. Not the wavelength combination which, through all the universe was now the equivalent of Ames-but the sound itself. A faint memory came back of the sound waves he no longer heard and no longer could hear.
The new project was sharpening his memory for so many more of the old, old, eons-old things. He flattened the energy vortex that made up the total of his individuality and its lines of force stretched beyond the stars.
Brock's answering signal came.
Surely, Ames thought, he could tell Brock. Surely he could tell somebody.
Brock's shifting energy pattern communed, "Aren't you coming, Ames?"
"Of course."
"Will you take part in the contest?"
"Yes!" Ames's lines of force pulsed erratically. "Most certainly. I have thought of a whole new art-form. Something really unusual."
"What a waste of effort! How can you think a new variation can be thought of after two hundred billion years. There can be nothing new."
For a moment Brock shifted out of phase and out of communion, so that Ames had to hurry to adjust his lines of force. He caught the drift of other-thoughts as he did so, the view of the powdered galaxies against the velvet of nothingness, and the lines of force pulsing in endless multitudes of energy-life, lying between the galaxies.
Ames said, "Please absorb my thoughts, Brock. Don't close out. I've thought of manipulating Matter. Imagine! A symphony of Matter. Why bother with Energy. Of course, there's nothing new in Energy; how can there be? Doesn't that show we must deal with Matter?"
"Matter!"
Ames interpreted Brock's energy-vibrations as those of disgust.
He said, "Why not? We were once Matter ourselves back-back-Oh, a trillion years ago anyway! Why not build up objects in a Matter medium, or abstract forms or-listen, Brock-why not build up an imitation of ourselves in Matter, ourselves as we used to be?"
Brock said, "I don't remember how that was. No one does."
"I do," said Ames with energy, "I've been thinking of nothing else and I am beginning to remember. Brock, let me show you. Tell me if I'm right. Tell me."
"No. This is silly. It's-repulsive."
"Let me try, Brock. We've been friends; we've pulsed energy together from the beginning-from the moment we became what we are. Brock, please!"
"Then, quickly."
Ames had not felt such a tremor along his own lines of force in-well, in how long? If he tried it now for Brock and it worked, he could dare manipulate Matter before the assembled Energy-beings who had so drearily waited over the eons for something new. The Matter was thin out there between the galaxies, but Ames gathered it, scraping it together over the cubic light-years, choosing the atoms, achieving a clayey consistency and forcing matter into an ovoid form that spread out below.
"Don't you remember, Brock?" he asked softly. "Wasn't it something like this?"
Brock's vortex trembled in phase. "Don't make me remember. I don't remember."
"That was the head. They called it the head. I remember it so clearly, I want to say it. I mean with sound." He waited, then said, "Look, do you remember that?"
On the upper front of the ovoid appeared HEAD.
"What is that?" asked Brock.