I gave her a brief smile of my own. "My client wishes to remain confidential."
"And I do not get a say in the matter?"
"I'm afraid not."
"It is my life we are discussing, Mr. Taylor."
"Please. Call me John."
"As you wish. You may call me Ross. You still haven't answered my question, John. What makes you think I need your assistance? I assure you, I am perfectly safe and happy here."
"Then why the heavy muscle outside your door?"
Her mouth made a silent moue of distaste. "They keep the more obsessive fans at bay. The over-enthusiastic and the stalkers. Ah, my audience! They would fill every moment of my life, if they could. I need time to myself, to be myself."
"What about friends and family?"
"I have nothing to say to them." Ross folded her arms across her chest and gave me a hard, angry stare. "Where were they when I needed them? For years they didn't want to know me, never answered my letters or my pleas for but a little support, to keep me going until my career took off. But the moment I became just a little bit famous, and there was the scent of real money in the air, ah then, suddenly all my family and my so-called friends were all over me, looking for jobs and hand-outs and a chance to edge their way into the spotlight, too. To hell with them. To hell with them all. I have learned the hard way to trust no-one but myself."
"Not even your roadie, Ian?"
She smiled genuinely for the first time. "Ian, yes. Such a sweet boy. He believed in me, even during the bad times when I was no longer sure myself. There will always be a place for him with me, for as long as he wants it. But at the end of the day, I am the star, and I will decide what his place is." She shrugged
briefly. "Not even the closest of friends can always climb the ladder at the same pace. Some will always be left behind."
I decided to change the subject. "I understand you live here, in the club?"
"Yes." She turned away from me and went back to looking at herself in the mirror. She was looking for something, but I didn't know what. Maybe she didn't either. "I feel safe here," she said slowly. "Protected. Sometimes it seems like the whole world wants a piece of me, and there's only so much to go round. It's not easy being a star, John. You can take lessons in music, and movement, and how to get the best out of a song, but there's no-one to teach you how to be a success, how to deal with suddenly being famous and in demand. Everybody wants something . . . The only ones I can trust any more are my management. Mr. and Mrs. Cavendish. They're only interested in the money I can make for them . . . and I can deal with that."
"There have been stories, of late," I said carefully. "About mysterious, unexplained suicides . . ."
She looked back at me, smiling sadly. "You of all people should know better than to believe in such gossip, John. It's all just publicity stories that got out of hand. Exaggerations, to put my name on everyone's lips. Everyone claims to have heard the story direct from a friend of a friend, but no-one can ever name anyone who actually died. The Nightside does so love to gossip, and it always prefers bad news to good. I'm just a singer who loves to sing . . . Talk to the Cavendishes, if you're seriously worried. I'm sure they will be able to reassure you. And now, if you will be so good as to excuse me, I need to prepare myself. I have a show to do soon."
And she went back to staring at her face in the mirror, her chin cupped in one hand, her eyes lost in her own thoughts. I let myself out, and she didn't even notice I was gone.
Four - Cavendish Properties
I made my way back to the club bar, the tune from "There's No Business Like Show Business" playing sardonically in the back of my head. My encounter with Rossignol hadn't been everything it might have been, but it had been . . . interesting. My first impressions of her were muddled, to say the least. She'd seemed sharp enough, particularly her tongue, but there was no denying there was something wrong about Rossignol. Some missing quality ... as though some vital spark had been removed, or suppressed. All the lights were on, but the curtains were a little too tightly closed. It didn't seem to be drugs, but that still left magical controls and compulsions. Not to mention soul thieves, mindsnakes, and even possession. There's never any shortage of potential suspects in the Nightside. Though what major players like that would want with a mere up-and-coming singer like Rossignol . . . Ah hell, maybe she was just plain crazy. No shortage of crazies in the Nightside either. In the end, it all came down to her singing. I'd have to come back again, watch her perform, listen to what she did with her voice. See what it did to her audience. After taking certain sensible precautions, of course. Certain defences. There are any number of magical creatures, mostly female, whose singing can bring about horror and death. Sirens, undines, banshees, Bananarama tribute bands . . .
Back at the bar 1 used their phone to call my new Nightside office and see how Cathy was getting on with her research into the Cavendishes. The elf bartender didn't raise any objections. He saw me coming and retreated quickly to the other end of the bar, where he busied himself cleaning a glass that didn't need cleaning. The chorus in their wraps and dressing gowns now had a bottle of gin each and were growing definitely raucous, like faded birds of paradise with a really bad attitude. One of them had produced a copy of the magazine Duelling Strap-ons, and they were all making very unkind comments about the models in the photos. I looked deliberately in the opposite direction and pressed the phone hard against my ear.
I don't use a mobile phone in the Nightside anymore. It makes it far too easy for anyone to find me. Besides, signals here have a tendency to go weird on you. You can end up connected to all kinds of really wrong numbers, talking to anyone or anything, from all kinds of dimensions, in the past, present, and future.
And sometimes in between calls, you can hear something whispering what sounds like really awful truths ... I had my last mobile phone buried in deconsecrated ground and sowed the earth with salt, just to be sure.
My secretary answered the phone before the second ring, which suggested she'd been waiting for my call. "John, where the hell are you?"
"Oh, out and about," I said cautiously. "What's the matter? Problems?"
"You could say that. Walker's been by the office. In his own calm and quiet way he is really not happy with you, John. He started with threats, escalated to open menace, and demanded to know where you were. Jail was mentioned, along with excommunication, and something that I think involves boiling oil and a funnel. Luckily, I was honestly able to say I hadn't a clue where you were, at the moment. You don't pay me enough to lie to Walker. He once made a corpse sit up and answer his questions, you know."
"I know," I said. "I was there. Where's Walker now?"
"Also out and about, looking for you. He says he's got something with your name on it, and I'm pretty sure it's not a warrant. Did you really black out half the Nightside? Do you need backup? Do you want me to contact Suzie Shooter or Razor Eddie?"
"No thank you, Cathy. I'm quite capable of handling Walker on my own."
"In your dreams, boss."
"Tell me what you've found out about the Cavendishes. Anything useful? Anything tasty?"
"Not much, really," Cathy admitted reluctantly. "There's very little direct information available about Mr. and Mrs. Cavendish. I couldn't even find out their first names. There's nothing at all on them in any of the usual databases. They believe very firmly in keeping themselves to themselves, and their business records are protected by firewalls that even my computers from the future couldn't crack. They're currently sulking, by the way, and comforting themselves by sending abusive e-mails to Bill Gates. I've been ringing round, tapping all my usual sources, but once I mention the Cavendishes, most of them clam up, too afraid to speak, even on a very secure line. Of course, this being the Nightside, you can always find someone willing to talk . . . It's up to you how much faith you want to put in people like that."