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"Just give me what you've got, Cathy."

"Well. . . Current gossip says that given the kind of deals the Cavendishes have been making recently -  sales of property, calling in debts, grabbing at every short-term deal that's going - it's entirely possible they have an urgent need for money. Liquid cash, not in­vestment. There are suggestions that either a Big Deal went seriously wrong, and won't be paying off as hoped, or that they need the money to support a new Big Deal. Or both. There are definite indications that the Cavendishes have recently moved away from their usual conservative investments in favour of high-risk/high-yield options, but that could just be the mar­ket."

"When did they make the move into show busi­ness?"

"Ah," said Cathy. "They've spent the last couple of years establishing themselves as big-time agents, managers, and promoters of up-and-coming new talent. They've thrown around a lot of money, without much to show for it so far. And again there's gossip that something went seriously wrong with their earlier at­tempt to promote a new singing sensation at Caliban's Cavern. Sylvia Sin really looked like she was going places for a time. Her face was all over the covers of the music and lifestyle magazines last year, but she went missing very suddenly, and no-one's seen her since. Sylvia Sin has completely disappeared, which isn't an easy thing to do, in the Nightside."

"Give me the bottom line, Cathy."

"All right. Cavendish Properties is an important, re­spectable, and wide-ranging business, with most of its money still in property and shares. Their showbiz ven­tures are backed up by serious capital investment, but though they've got dozens of acts on their books, Rossignol is the only potential big breakout. There's a lot of money riding on her being a big success. They can't afford for her to be another Sylvia Sin."

"Interesting," I said. "Thanks, Cathy. I'll look by later, when I get a chance. If Walker should show up again . . ."

"I know, hide in the loo and pretend no-one's home."

"Got it in one," I said. "Now, tell me where to find the Cavendishes."

Clearly the next logical step was to go and brace the Cavendishes in their lair and ask a few impertinent questions, so I left Caliban's Cavern and went walking through the long night, heading through Uptown towards the Business Area. It wasn't a long walk, and the crowds thinned away appreciably as I left show behind and headed towards business. In the end, it was like crossing a line between tinsel and glamour, and stark reality. Bright and gaudy clubs and restaurants were re­placed by sober, stern-faced buildings, and the clamour of the Nightside at play was replaced by the thoughtful quiet of the Nightside at work. The Business Area was right on the edge of Uptown, and as close to re­spectable as the Nightside got. All City Gents in smart suits, with briefcases and rolled umbrellas. But it still payed to be wary - in the Nightside, business people aren't always people. Beings from higher and lower di­mensions were always setting up shop here, hoping to make their fortune, and the battles were no less vicious for being waged in boardrooms.

The Cavendishes' building was right where Cathy had said it would be - an old Victorian edifice, still defiantly old-fashioned in aspect, with no name or num­ber anywhere. Either you had business there, and knew where to find it, or the Cavendishes didn't give a damn. They weren't supposed to be easy to find. The Cavendishes weren't just successful, they were exclu­sive, like their club. I stood some distance away from the front door and looked the place over thoughtfully. The Cavendishes had surrounded their own private lit­tle kingdom with a hell of a lot of magical protection, most of it so strong I didn't even need to raise my Sight to detect it. I could feel it, like insects crawling over my skin. There was a tension on the air, of some terrible unseen watching presence, of immediate and dreadful danger. The building was definitely protected by Some­thing, either from Above or Below. The feelings weren't strong enough to scare off anyone who had proper business in the building, but it was more than enough to put the wind up casual visitors or even inno­cent passersby. And certainly enough to keep most vis­itors cautious, and maybe even honest.

There was nothing subtle about this building's de­fences. The Cavendishes wanted everyone to know they were protected.

I approached the front door confidently, as though I had every reason to be there, and pushed it open. Noth­ing happened. I strode into the lobby like I owned the place, trying hard to ignore the feeling that I had a tar­get painted on my forehead. The lobby was large, plush, very comfortable. Pictures on the walls, fresh flowers in vases, business men sitting in upholstered chairs, reading the Night Times and waiting to be called. I headed for the reception desk, and a young man and a young woman moved immediately forward to intercept me. It seemed I was expected. The two combat magicians at the nightclub must have phoned home. I smiled at the man and the woman heading my way, started to say something clever, and stopped. There was no point. They were both Somnambulists. Dressed in basic black, their faces were pale and calm and empty, their eyes tight shut. They were both fast asleep. Somnambulists rent out their sleeping bodies for other people to use. Usually they're indentured ser­vants, paying off debts. They have no say in what's done with their bodies, and any resulting damage is their problem. Their owners, or more properly their puppet masters, can do anything they want, indulge any appetite or fantasy, for as long as the contract lasts. Or until the body wears out. That's the deal.

The real problem, for people like me, is that Som­nambulists can't be bluffed or fooled or distracted by clever words. Which meant I was in real trouble. So I just shrugged and smiled and nodded to them, and said, "Take me to your leader."

The man punched me in the head. He moved so quickly I didn't even see it coming. I fell to the floor, and the woman kicked me in the ribs. I tried to scram­ble away, but in a moment they were all over me, both of them kicking me so hard I could feel ribs cracking. They kept in close, leaving me no room to escape, so I curled into a ball, protecting my head as best I could. The attack had been so sudden and so brutal I couldn't get my thoughts together to try any of my usual de­fences. All I could do was take it, and promise myself revenge later.

The beating went on for a long, long time.

Occasionally I'd get a glimpse of the other people in the lobby, but none of them even looked my way. They knew better than to get involved. They had their deals with the Cavendishes and absolutely no intention of putting them at risk. And I knew better than to call for help. I curled up tight, my body shuddering with every blow, damned if I'd give my enemies the satisfaction of hearing me cry out. And then one boot connected solidly with my head, and everything went fuzzy for a while.

The next thing I knew I was in an elevator, going up. The Somnambulists were standing on either side of my slumped body, faces empty, eyes closed. I lay still, doing nothing that might attract their attention. I hurt everywhere I could feel, pain so bad it made me sick. My thoughts were slow and drifting. I flexed my fin­gers slowly, then my toes, and they all worked. Breath­ing hurt, which suggested cracked and maybe even broken ribs. My mouth was full of blood. I let it drool out one side and tested my teeth with my tongue. A few felt worryingly loose, but at least I hadn't lost any. I hoped I hadn't wet myself. I hate it when that happens. It had been a long time since I took a beating this bad. Probably piss blood for a week. I'd forgotten the first rule of the Nightside - it doesn't matter how bad you think you are, there's always someone nastier. Still, this visit wasn't a total loss. I'd come looking for evidence that the Cavendishes were guilty of something, and this would do just fine.