"Is that it?" I said.
Pew shrugged. "Well, you can have all the chanting and gesturing if you want, but I usually save that for the paying customers. It's really nothing more than window dressing. When you get right down to it, magic's never anything more than power and intent, no matter what the source. Look in the mirror."
I did so, and again someone else looked back at me. My face was entirely hidden under a series of swirling black tattoos, thick interlocking lines that made up a series of designs of ancient Maori origin. Along with the shaggy hair, the new look made me completely unrecognisable.
"You'll need another coat, too," said Pew. "Your trench coat's a mess." He held up a battered black leather jacket with God Give Me Strength spelled out on the back with steel studs. "You can have this instead."
I tried on the jacket. It was a bit on the large side, but where I was going they wouldn't care. I made my good-byes to Pew, and the parlour door opened before me, revealing a familiar blackness. I walked into the dark, and immediately I was back in Uptown again, only a few minutes' walk from Caliban's Cavern. I heard the door close firmly behind me and knew it would be gone before I could turn to look. I smiled. Pew probably thought he'd put one over on me, by keeping my trench coat. A personal possession like that, liberally stained with my own blood, would make a marvelous targeting device for all kinds of magic. Certainly Pew could use it to send all kinds of nastiness my way. Which was why I'd taken out a little insurance long ago, in the form of a built-in destructive spell for the trench coat. Once I was more than an agreed distance away, the coat would automatically go up in flames. As Pew should be finding out, right about now.
Of course, I'd been careful to transfer all my useful items from the coat to my nice new jacket before I left.
Pew was good, but I was better.
By the time I got back to Caliban's Cavern, the queue was already forming for Rossignol's next set. I'd never seen so many Goths in one place. All dark clothes and brooding faces, like a gathering of small thunderclouds. They were all talking nineteen to the dozen, filling the night with a clamour of anticipation and impatience. Every now and again someone would start chanting Rossignol's name, and a dozen others would take it up until it died away naturally.
Ticket touts swaggered up and down beside the queue, fighting each other to be the first to target latecomers, offering scalped tickets at outrageous prices. There was no shortage of takers. The growing crowd wasn't just Goths. There were a number of celebrities, complete with their own entourages and hangers-on. You could always recognise celebrities from the way their heads swivelled restlessly back and forth, on the lookout for photographers. After all, what was the point of being somewhere fashionable if you weren't seen being there?
The queue stretched all the way down the block, but I didn't let that bother me. I just walked to the very front and took up a position there like I had every right to be there. Nobody bothered me. You'd be amazed what you can get away with if you just exude confidence and glare ferociously at anyone who even looks like questioning your presence. One of the ticket touts was rude enough to make sneering comments about my tattoos, though, so I deliberately bumped into him and pickpocketed one of his best tickets. I like to think of myself sometimes as a karma mechanic.
Caliban's Cavern finally opened its doors, and the queue surged forward. The Cavendishes had hired a major security franchise, Hell's Neanderthals, to man the door and police the crowd, but even they were having trouble handling the pressure of so many determined Rossignol fans. They pressed constantly forward, shouting and jostling, and the security Neanderthals quickly realised that this was the kind of crowd that could turn into an angry mob if its progress was thwarted. They were there to see Rossignol, and no-one was going to get in their way. So, the Hell's Neanderthals settled for grabbing tickets and waving people through. I would have given them strict orders to frisk everyone for weapons and the like, but it was clear any attempt to slow the fans down now would have risked provoking a riot. The fans were close to their goal, their heroine, and they were hungry.
Inside the club, all the tables and chairs had been taken out to make one great open space before the raised stage at the far end of the room. The crowd poured into it, gabbling excitedly, and quickly filled all the space available, packing the club from wall to wall. I was swept along and finally ended up right in front of the stage, with elbows digging into my sides, and someone's hot breath panting excitedly on the back of my neck. The club was already overpoweringly hot and sweaty, and I looked longingly across at the bar, with its extra staff, but it would have taken me ages to fight my way through the tightly packed crowd. No-one else seemed interested in the bar. All the crowd cared about was Rossignol. Their diva of the dark.
There were far too many people in the club, packed in like cattle in their stalls. It didn't surprise me. The Cavendishes hadn't struck me as the type to care about things like safety regulations and keeping fire exits clear. Not when there was serious money to be made.
Set off by a single bright spotlight, a huge stylised black bird (presumably someone's idea of a nightingale) covered most of the wall behind the stage. It looked threatening, wild, ominous. Looking around, I could see the design everywhere on the fans, on T-shirts, jackets, tattoos, and silver totems hanging on silver chains. I could also see the celebrities jammed in the crowd like everyone else, their hangers-on struggling to form protective circles around them. There were no real movers or shakers, but I could see famous faces here and there. Sebastian Stargrave, the Fractured Protagonist; Deliverance Wilde, fashion consultant to the Faerie; and Sandra Chance, the Consulting Necromancer. Also very much in evidence were the supergroup Nazgul, currently on a comeback tour of the Nightside with their new vocalist. They looked just as freaked and excited as everyone else.
And yet, for all the excitement and passion in the air, the overall mood felt decidedly unhealthy. It was the wrong kind of anticipation, like the hunger of animals waiting for feeding time. The hot and sweaty air had the unwholesome feel of a crowd gathered at a car wreck, waiting for the injured to be brought out. These people weren't just here to hear someone sing - this was a gathering throbbing with erotic Thanatos. The mood was magic. Dark, reverent magic, from all the wrong places of the heart.
The crowd was actually quietening down, the chanting dying out, as the anticipation mounted. Even I wasn't immune to it. Something was going to happen, and we could all feel it. Something big, something far out of the ordinary, and we all wanted it. We needed it. And whether what was coming would be good or bad didn't matter a damn. We were a congregation, celebrating our goddess. The crowd fell utterly silent, all our eyes fixed on the stage, empty save for the waiting instruments and microphone stands. Waiting, waiting, and now we were all breathing in unison, like one great hungry creature, like lemmings drawn to a cliff edge by something they couldn't name.
Rossignol's band came running onto the stage, smiling and waving, and the crowd went wild, waving and cheering and stamping their feet. The band took up the instruments waiting for them and started playing. No introductions, no warm-up, just straight in. Ian Auger, the cheerful hunchbacked roadie, played the drums. And the bass and the piano. There were three of him. I felt he might have mentioned it earlier. Next a quartet of backing singers came bounding onstage, wearing old-fashioned can-can outfits, with teased high hairstyles, beautiful and glamorous, with bright red lips and flashing eyes. They joined right in, belting out perfect harmonies to complement the music, stamping their feet and flashing their frills, singing up a storm. And then Rossignol came on, and the massed baying of the crowd briefly drowned out the music. She wore a chic little black number, with long black evening gloves that made her pale skin look even more funereal. Her mouth was dark, and so were her eyes, so that she seemed like some old black-and-white photograph. Her feet were bare, the toenails painted midnight black.