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He moved forward, and Grey fell back, because peo­ple do when Dead Boy comes walking right at them. Grey quickly recovered himself and put out a hand to stop Dead Boy. Magic sparkled briefly on the air be­tween them, then sputtered and went out. Grey backed up against a wall, his eyes very large.

"Who . . . what are you?"

"I'm Dead Boy. And that's all you need to know. Get a move on, John. I don't want to be here all night."

I pulled the door shut behind me, strode past Dead Boy and Grey, and started up the narrow stairs. Sylvia was on the next floor. I could feel it. The house was cold and grim, and the shadows were very dark and very deep. The stairs were bare wood, without carpet­ing, but still my feet made hardly any sound as I climbed. It was like moving through one of those houses we find in nightmares. Familiar and yet horribly alien, where every door and every window is a threat, every sight heavy with terrible significance. Distances seemed to stretch and contract, and it took forever to get to the top of the stairs.

There was a door right in front of me. A terrible door, holding awful secrets behind it. I stood there, breathing hard, but whether from fear or anticipation I couldn't tell. It was Sylvia's door. I didn't need to be told that. I could feel her presence, like the pressure of a coming storm on the evening air. I pushed the door with the fingertips of one hand, and it swung smoothly open before me, inviting me in. I smelled something that made my nostrils flare, and I walked in.

In the room, in the red room, in the room of rose-petal light and shifting shadows, it was like walking into a woman's body. It was warm and humid, and the still air was heavy with sweat and musk and perfumed hair. There was no obvious source for the light, but there were shadows everywhere, as though the delights theroom offered were too subtle to be exposed by brightlight. I felt welcomed and desired, and I never wantedto leave.

It was like walking into an antechamber of Hell. And I lovedit.

The woman lying at her ease on the oversized bed, nakedand smiling and unashamed, was entirely horribleand horribly attractive, like a taste for rotting meat orRussian roulette. She squirmed slowly on the crimsoncovers like a single maggot in a pool of blood. The detailsof her face and shape were always moving, changing, shifting subtly from one moment to the next, andeven her height and weight were never constant. Shecould have been one woman or a hundred, or a hundredwomen in one. Her movements were slow and languorous, and her skin was as white as the white of aneye. Her face was a hundred kinds of beautiful, even whenit was unbearably ugly. Her bone structures rose andfell like the turning of the tide, her mouth pursed andwidened and changed colour, and her dark, dark eyes promised the kind of pleasures that would make a mancry out in self-disgust as much as passion. I wanted her like I'd never wanted anyone. Her presence filledthe room, overpoweringly sexual, awfully fe­male.

And I wanted her the way you always want things you know are bad for you.

"John Taylor," said the woman on the bed. Her voice was soft and caressing, every woman's voice in one. "They thought you might come here. The Cavendishes. I've been so looking forward to having you. They're theones who made me what I am, even if the result wasn't exactly what they intended. I was just a singer in those days, and a good singer, too, but that wasn't enough for the Cavendishes. They wanted a star who would appeal to absolutely everyone. And this is what they got, this is what their money bought. A woman transformed, a chimera of sex, everything anyone ever desired, and a joy forever."

She laughed, but there was little humour and less hu­manity in the sound. Her flesh pulsed and shifted in slow rolling movements, never the same twice. My skin crawled, and I couldn't look away to save my life. I had an erection so hard it hurt. Only sheer willpower held me where I was, just inside the doorway. I couldn't go any closer. I didn't dare. I wanted to do things to her, and I wanted her to do things to me.

And then she lazily brought one hand up to her ever-changing mouth. There was something red and sticky on her fingers, and she put it to her mouth and ate it, chewing slowly, savouring the taste. For the first time, as my eyes grew accustomed to the rose-petal light, I realised there was someone else in the room, lying on the floor beside the bed. A man, lying very still, mostly hidden in shadows. A dead man, with his skull caved in. There was a gaping hole in the side of his head, and, as I watched, Sylvia lowered her hand to the hole, dug around in it with her fingers, and pulled out some more brains.

Sylvia's just finished with her last client, Grey had said.

She saw the expression on my face and laughed again. "A girl has to live. There's a price that comes with being what I am, but luckily I'm not the one who has to pay it. They come to me, all the men and the women, drawn to me by desires they didn't even know they had, and I let them sink themselves in my flesh. And while they're busying themselves, I take my toll. I drain them of their desires, their enthusiasms, their faiths and their certainties, and eventually their lives. Though by that stage they usually don't care. And af­terwards, I eat them all up. Their vitalities keep me alive, and their flesh helps me maintain my shape. A balance must be struck, between stability and chaos. You wouldn't like what I look like, when I can't get what I need. Oh don't look so shocked, John! The Cavendishes' magic made me all the women you could ever desire, and I love it. Those who come to me know the risks, and they love it. This is sex the way it should be, free from all restraints and conscience. Total indul­gence, in this best of all possible worlds." She glanced down at the dead body on the floor. "Don't mourn him. He was all used up. No good to himself, or anyone else, except me. And he did die with a smile on his face. See?"

I couldn't speak, couldn't answer her

She stretched slowly, voluptuous beyond reason. "Don't you want me, John? I can be anyone you ever wanted, and you can do things with me you wouldn't dare do with them. I live for pleasure, and my flesh is very accommodating."

"No." I made myself say it, even though the effort brought beads of sweat out on my face. I learned self-discipline early, just to stay alive. And I was used to not getting what I wanted. But it still took everything I had to stay where I was. "I need ... to talk to you, Sylvia. About the Cavendishes."

"Oh, I don't think about them any more. I don't care about the outside world. I have made my own little

world here, and it is perfect. I never leave it. I glory in it. Have you come here to tell me of the Nightside? Is it still full of sin? How long has it been, since I came here?"

"Just over a year," I said, taking a step forward.

"Is that all? It feels like centuries to me. But then time passes so slowly, in Heaven and Hell."

I took another step forward. Her body called to my body, in a voice as old as the world. I knew it would cost me my life and my soul, and I didn't care. Except some small part of me, screaming deep within me, still did care. So I did the only thing I could do, to save my­self. I called up my gift, my power, and looked at Sylvia Sin with my third eye, my private eye. I used my gift to find the woman she used to be, before the Cavendishes changed her, and brought her back.

Sylvia screamed, convulsing on the bed, her white flesh boiling and seething, then one shape snapped into focus, one body rising suddenly out of all the others, and the changes stopped. Sylvia lay on the bed, curled up into a ball, breathing hard. One woman, with flesh-coloured flesh and a pretty, ordinary face. I was breath­ing hard, too, like a man who'd just stepped back from the very brink of a cliff. The overpowering sexual pres­sure was gone from the room, though faint vestiges of its presence still lingered on the air. Sylvia sat up slowly on the bed, naked and normal, and looked at me with merely human eyes.