"Just how far up the line did these computers come from?" I said suspiciously. "I mean, are we talking Artificial Intelligence here? Are they going to want paying?"
"Relax! They're data junkies. The Nightside fascinates them. Why don't we ask them to find something that would interest you?"
"Cathy, I only took on the Prometheus case to keep you quiet..."
"No you didn't!" Cathy said hotly. "You took that on because you wanted Walker to owe you a favour."
I scowled and addressed myself to my drink. "Yes, well, that didn't actually work out as well as I'd hoped."
"Oh God," said Cathy. "Am I going to have start locking the doors and windows and hiding under the desk again, when he comes around?"
"I think it would be a better idea if we both stayed away from the office completely, just for a while."
"That bad?"
"Pretty much. Let Walker argue with the computers and see how far it gets him."
There was a sudden flare of brilliant light, and a man fell out of nowhere into Strangefellows. He crashed to the floor just in front of the bar, his New Romantic silks in shreds and tatters. Static sparks discharged from every metal object in the bar, and the air was heavy with the stench of ozone—the usual accompanying signs of time travel. The newcomer groaned, sat up, and wiped at his bloody nose with the back of his hand. He'd clearly been through a hell of a fight recently, and just as clearly lost. I knew him, though if I met him in the street, I tried very hard not to. He was Tommy Oblivion, a fellow private investigator, though he specialised in cases of an existential nature. He lurched to his feet, leaned his back against the bar for support while he pulled his ragged silks around him, then saw me watching him. His battered face purpled with rage, and he stabbed a shaking finger at me.
"You! Taylor! This is all your fault! I'll have your balls for this!"
"I haven't seen you in months, Tommy," I said calmly.
"No, but you will! In the future! Only this time I'll be ready for you, and better prepared! I'll have guns! Big guns!"
He continued to spit abuse at me, but I couldn't be bothered. I looked at Alex, and he gestured at his two bouncers. Betty and Lucy hurried forward, glad of an excuse for a little action. Tommy made the mistake of threatening them, too, and the two girls briskly knocked him to the floor, kicked him somewhere painful, and then frog-marched him out of Strangefellows. Cathy gave me a hard look.
"What was that all about?"
"Beats the hell out of me," I said honestly. "Presumably I'll find out. In time."
"Excuse me," said a voice with a cultured French accent. "Have I the honour of addressing Mr. John Taylor?"
Cathy and I both looked round sharply. Standing right before us was a short, comfortably padded, middle-aged man in an expertly cut suit. He looked supremely elegant, not a hair out of place, and his smile was sophisticated charm itself. There was no way he could have entered the bar and approached my corner table without being seen, but there he was, large as life and twice as French. He nodded courteously to me, smiled at Cathy, and kissed her proffered hand. She gave him a dazzling smile in return. I decided not to like him, on general principles. I really don't like being sneaked up on. It's bad for my health. I gestured for the Frenchman to pull up a chair. He studied the empty chair solemnly for a moment, then produced a blindingly white handkerchief from an inner pocket and flicked the seat of the chair a few times before deigning to sit on it. I gave him my best intimidating glare, to remind him who was boss around here.
"I'm John Taylor," I growled. "You're a long way from home, m'sieu. What can I do for you?"
He nodded easily, entirely unimpressed. "I am Charles Chabron, for many years one of the most respected bankers in Paris. And I have come a very long way to meet with you, Mr. Taylor, and inquire whether I might hire your professional services."
"Who recommended me to you?" I said carefully.
He flashed his charming smile again. "An old friend of yours who does not wish to be identified."
He had me there. "I get a lot of that," I admitted. "What is it you want, Mr. Chabron?"
"Please, call me Charles. I am here because of my daughter. You may have heard of her. She is currently the new singing sensation of the Nightside. She calls herself Rossignol, though that is of course not her real name. Rossignol is merely French for nightingale. She first came to London, then the Nightside, some five years ago, determined to make for herself a career as a singer. And this last year she has been singing very successfully to packed houses in nightclubs all over the Nightside. I understand there's even talk of a recording contract with one of the major companies. Which is all well and good.
"However, since she took up with her new management, a Mr. and Mrs. Cavendish, she only sings at one nightclub, Caliban's Cavern, and she has . . . changed. She has broken off all contact with her old friends and family. She does not answer phone calls or letters, and her new management won't let anyone get near her. They say they do this at her explicit request and justify it in the name of protecting her from over-zealous fans of her new fame. But I am not so sure. Her mother is frantic with worry, convinced that the Cavendishes have poisoned our daughter's mind against her family, and that they are, perhaps, taking advantage of her. And so I have come here, to you, Mr. Taylor, in the hope that you can establish the truth of the matter."
I looked at Cathy. The music scene was her speciality. There wasn't a club in the Nightside she hadn't drunk, danced, and debauched in at one time or another. She was already nodding.
"Yeah, I know Rossignol. And the Caliban club, and the Cavendishes. They run Cavendish Properties. They have a collective finger in practically every big deal in the Nightside. They were big in real estate, until the market crashed just recently, after the angel war. Lot of people lost a lot of money in that disaster. Mr. and Mrs. Cavendish moved sideways into entertainment, representing clubs, groups, people . . . nothing really mega yet, but they've quickly made themselves a power to be reckoned with. Other agents cross themselves when they see the Cavendishes coming."
"What sort of people are they?" I asked.
Cathy frowned. "If the Cavendishes have first names, no-one knows or uses them. They don't get out much, preferring to work through intermediaries. Not at all averse to playing hardball during negotiations, but then, nice people don't tend to last long in show business. There are rumours they're brother and sister, as well as husband and wife . . . Cavendish Properties is based on old money, going back centuries, but there's a lot of gossip going round that says the current owners are hungry for money and not too fussy about how they acquire it. There's also supposed to be a scandal about their last attempt at building Sylvia Sin into a singing sensation. But they spent a lot of money to cover it up. But there's always gossip in the Nightside. They could be on the level with Rossignol. I just hope her agent checked the small print in their contract carefully."
"She has no agent," said Chabron. "Cavendish Properties represents Rossignol. You can understand why I am so concerned."
I looked at him thoughtfully. There were things he wasn't telling me. I could tell.
"What brought your daughter all the way to London, and the Nightside?" I said. "Paris has its own music scene, doesn't it?"
"Of course. But London is where you have to go to be a star. Everyone knows that." Chabron sighed. "Her mother and I never took her singing seriously. We wanted her to take up a more respectable occupation, something with a future and a pension plan. But all she ever cared about was singing. Perhaps we pressured her too much. I arranged an interview for her, with my bank. An entry-level position, but with good prospects. Instead, she ran away to London. And when I sent people to track her down, she disappeared into the Nightside. Now . . . she is in trouble, I am sure of it. One hears such things ... I wish for you to find my daughter, Mr. Taylor, and satisfy yourself on my behalf that she is well and happy, and not being cheated out of anything that is rightfully hers. I am not asking you to drag her back home. Just to assure yourself that everything is as it should be. Tell her that her friends and her family are concerned for her. Tell her... that she doesn't have to talk to us if she doesn't want to, but we would be grateful for some form of communication, now and then. She is my only child, Mr. Taylor. I need to be sure she is happy and safe. You understand?"