I am sorry. I am boring you with all this talk of clocks, clocks, clocks. But clocks, you see, are my whole life: I know nothing else. Also, if I am to tell you the really remarkable part of this story, I cannot avoid reference to clocks. His Majesty Nicolas III, in his old age, thought of nothing but his collection. You might have thought that a man, even a king, so old and broken (or, I should say, especially a king) would not like to be reminded of the passing of time. But no, his love of clocks was stronger even than his fear of death.
We were hurried to his presence. You might have thought that we were doctors and he was dying. Oh, dear me, how very old his Majesty was! He was sitting stiffly in a great velvet chair, wrapped from neck to ankles in a wonderful dressing-gown; and even with this, in spite of the fact that the windows were sealed and a fire was blazing, he seemed to be blue with cold. He was dried up, so to speak. There was no moisture left in him. Even his poor old eyes looked dry and he kept blinking as if he were trying to moisten them. The king was suffering from a sort of paralysis which, it was said, was the price he had to pay for certain youthful indiscretions. Also he had arthritis and moved with great difficulty, dragging his feet. I shall never forget how shocked I was when I first saw him. I had had some silly childish idea that a king in real life looks like a king. And there was this little, corpse-like man, old as the hills and weary of the world, quivering to the fingertips, shuddering and sighing and groaning, swaying his tired old head from side to side like a turtle. Only his beard was magnificent; it was like floss-silk, and covered most of his face and part of his chest.
But when he saw Dicker and me he came to life. He brushed aside the formalities and came straight to business. Oh, that awful voice! It was like a death-rattle, punctuated with groans. From time to time, forgetting his afflictions in his excitement, he started to make a gesture; but his arthritis stopped him with a painful jerk and he let out a moan of pain. He said that we were welcome, very welcome. We could have anything we liked, all we had to do was ask; even for money. We were to live in the palace, where a workshop had been fitted up. His clocks had been neglected. His beautiful collection of seven hundred rare clocks was going to the devil. We were to go to work at once. First and foremost, there was a job to be done on a unique Swiss clock. It had stopped. It was all the fault of one Fritz Harlin, who had poked his clumsy fingers into the works, pretending to repair it. This was to be put right at once, and he would watch while we worked. It was his only pleasure, that poor old king—watching workmen tinkering with clocks. He has sat and watched me for eight hours on end in my workshop; even taking his meals out of a vessel like a tea-pot—he could digest nothing but milk—on the spot.
We were conducted to this workshop, which was a workshop out of a dream. Upon the bench stood a silent clock upon which stood a bronze Father Time about two feet high, and a dozen other figures about four inches high. There was a king encrusted with jewels and wearing a golden crown; an enameled cardinal in a red robe; a knight in silver armor; a merchant carved out of lapis lazuli; a surgeon with a knife in one hand and a human heart made of a spinel ruby in the other; a nun of silver and ivory; an infanta of ivory and red gold; a painted harlot hung with oddments of jewelry; a peasant, all sinews, in old ivory and bronze; and an aged beggar made of bone and studded with sores which were little rubies. The idea was, at the striking of the hour, Time mowed these figures down, one by one, finishing with the king, who came under the scythe on the last stroke of midnight. It was a beautiful piece of workmanship, and we approached it with reverence.
Soon the King came in between two attendants. One of these was an old doctor and the other was a sturdy young man with a nondescript face; they supported him under the arms and led him to another red velvet chair. When Dicker and I began to bow the king said: “No, no, no need, no need. Get on with the work.” Then, trying to make an imperious gesture with his hand, he cried out in agony and groaned with terrible oaths and curses. Dicker and I went to work. This Fritz must have been a fool. I will not try your patience with technical details; but he had not seen one dazzlingly simple thing—one steel wire, less than half an inch long, bent at an angle of about sixty-five degrees, upon which the movement of the main figures, and therefore the movement of the whole mechanism, ultimately depended. Wear and tear and tiredness—for even steel gets tired—had reduced this angle by half a degree. I adjusted it in thirty seconds with a pair of pliers, wound and set the clock, and then—swish went the scythe, down went peasant, soldier, priest and king while the clock was still solemnly chiming (it had little golden bells like church bells). His Majesty uttered a cry of delight, a groan of anguish, half a dozen shocking words and a gracious compliment. We explained that it was nothing; that we would make a new angle-pin of the finest tempered steel, and Time would cut down men for another hundred years.
And after that, I can assure you, Dicker and I were established, under King Nicolas III. We could do no wrong. I really believe that even if Dicker and I had committed murder it would somehow have been hushed up and we could have got away with it. Poor Dicker—this went to his head. Once, for example, when the chamberlain at the palace, a terribly proud man with a very hasty temper, told Dicker to remember his place, Dicker threatened to go home. The chamberlain was dismissed with ignominy.
This man, whose name was Tancredy, then conceived a frightful hate for the king, and secretly gave his support to the Liberal-Democrat Party. I dare say you will have read something about the political situation in that country in King Nicolas’s time, especially towards the end of his reign when there was a great deal of discontent. King Nicolas, like his fathers before him, was an absolute monarch. In effect he was the Law.
After his father, King Vindex II, had been assassinated by a woman who threw a seven-pound bomb into his carriage, Nicolas, influenced by a wise old minister, had brought about certain reforms in the country. He had started a system of free education, free medical services, sanitation, the encouragement of the fine arts and of heavy industry, the development of an export trade—all this and much more was associated with Nicolas III. Nevertheless, the ordinary man of the people was subject to restrictions which horrified me. I am Swiss, you see.
There was no real freedom of speech or of the press. The average man had to glance over his shoulder before he felt it was safe to say what he wanted to say. There was frightful corruption in the highest places—especially when the king had grown too old and feeble and sick to care about anything but his seven hundred fantastic clocks. Consequently discontent was driven out of sight as an acorn is driven into the ground by your foot when you tread on it. This acorn, if I may put it that way, sent out all sorts of underground roots and pushed up unforeseen shoots. There were the Anarcho-Liberals, the terrorists of the Brutus party; the Democratic-Socialists, the Independent-Anarchists; the Republicans; the Labor-Royalists; and a dozen others. But the most subtle and formidable force working against the king was that of the Liberal-Democrat party, led by an ex-lawyer named Martin. This was a party to be reckoned with. Its methods were unquestionably constitutional and its policy was not to dethrone the king but to take away his power—which meant that the king would become a mere puppet; a king in name only. The Monarchists, who kept a great deal of personal power mainly because the king was a proper king, hated these Liberal-Democrats; and had indeed, my dear sir, very good reason to hate them. They were afraid of the Liberal-Democrats and of Martin, whose party was growing stronger and stronger. He was suspected of encouraging, and even of financing and inspiring, all kinds of anti-Nicolas propaganda—mysterious little newspapers, scurrilous and filthy books and pamphlets and cartoons printed abroad; riots, acts of terror, and sometimes strikes. But nothing could be proved. Martin was too clever.