“I can’t say that I have. Why? Should I have heard of him?”
“Why, he is, or was, a phenomenon. I think he was a better wrestler than Tani. My idea was to take him all round the world and challenge all comers—boxers, wrestlers, even fencers, to stand up against him for ten minutes. He was unbelievable. Furthermore, he looked so frightful. I won a hundred and fifty quid on him at Singapore in 1938. He took on four of the biggest and best boxers and wrestlers we could lay our hands on and floored the whole lot in seven minutes by the clock. Just a minute, I’ve got a picture in my wallet. I keep it because it looks so damn funny. Look.”
The colonel handed me a dog-eared photograph of an oddly assorted group. There was a hairy mammoth of a man, obviously a wrestler, standing with his arms folded so that his biceps looked like coconuts, beside another man, almost as big, but with the scrambled features of a rough-and-tumble bruiser. There was one blond grinning man who looked like a light heavyweight, and a beetle-browed middleweight with a bulldog jaw. The colonel was standing in the background, smiling in a fatherly way. In the foreground, smiling into the camera, stood a tiny Japanese. The top of his head was on a level with the big wrestler’s breastbone, but he was more than half as broad as he was tall. He was all chest and arms. The knuckles of his closed hands touched his knees. I took the picture to the light and looked more closely. The photographer’s flashbulb had illuminated every detail. Sato had made himself even more hideous with tattooing. He was covered with things that creep and crawl, real and fabulous. A dragon snarled on his stomach. Snakes were coiled about his legs. Another snake wound itself about his right arm from forefinger to armpit. The other arm was covered with angry-looking lobsters and goggle-eyed fishes, and on the left breast there was the conventionalized shape of a heart.
It was then that I uttered an astonished oath and went running to look for my old uniform, which I found, with the Reverend Arthur Titty’s pamphlet still in the inside breast pocket. The colonel asked me what the devil was the matter with me. I smoothed out the pamphlet and gave it to him without a word.
He looked at it, and said: “How very extraordinary!” Then he put away his eyeglass and put on a pair of spectacles; peered intently at the smudged and ragged drawing of the Brighthelmstone monster, compared it with the photograph of Sato, and said to me: “I have come across some pretty queer things in my time, but I’m damned if I know what to make of this.”
“Tell me,” I said, “was your Sato tattooed behind? And if so, in what way?”
Without hesitation the colonel said: “A red-and-green hawk stooping between the shoulder-blades, a red fox chasing six blue-gray rabbits down his spine, and an octopus on the right buttock throwing out tentacles that went round to the belly. Why?”
Then I opened Titty’s pamphlet and put my finger on the relevant passage. The colonel read it and changed color. But he said nothing. I said: “This is the damnedest coincidence. There’s another thing. This so-called monster of Brighton scratched something on the door of the room where he was locked up, and the old parson took a pencil rubbing of it. Turn over four or five pages and you’ll see a copy of it.”
The colonel found the page. The spongy old paper was worn into holes, blurred by time and the dampness of lumber-rooms and the moisture of my body. He said: “It looks like Japanese. But no Japanese would write like that surely . . .”
“Remember,” I said, “that the Brighton monster scratched its message with one of its own teeth on the panel of an oak door. Allow for that; allow for the fact that it was weak and sick; take into consideration the grain of the wood; and then see what you make of it.”
The colonel looked at the inscription for ten long minutes, copying it several times from several different angles. At last he said: “This says: I was asleep. I thought that it was all a bad dream from which I should awake and find myself by the side of my wife. Now I know that it is not a dream. I am sick in the head. Pity me, poor Sato, who went to sleep in one place and awoke in another. I cannot live any more. I must die. Hiroshima 1945.”
“What do you make of that?” I asked.
The Colonel said: “I don’t know. I only know the bare facts about Sato because, as I have already told you, I was trying to find him. (a) He had a wife, and a home somewhere in Hiroshima. (b) He was in the Japanese Navy, and he went on leave in August 1945. (c) Sato disappeared off the face of the earth when they dropped that damned atom bomb. (d) This is unquestionably a picture of Sato—the greatest little wrestler the world has ever known. (e) The description of the tattooing on the back of this monster tallies exactly with Sato’s . . . I don’t know quite what to make of it. Sato, you know, was a Christian. He counted the years the Christian way. Hiroshima 1945. I wonder!”
“What do you wonder?”
“Why,” said the colonel, “there can’t be the faintest shadow of a doubt that Sato got the middle part of the blast of that frightful atom bomb when we dropped it on Hiroshima. You may or may not have heard of Dr. Sant’s crazy theories concerning time in relation to speed. Now imagine that you happen to be caught up —without disintegrating—in a species of air-pocket on the fringe of an atomic blast and are flung away a thousand times faster than if you had been fired out of a cannon. Imagine it. According to the direction in which you happen to be thrown you may find yourself in the middle of tomorrow or on the other side of yesterday. Don’t laugh at me. I may have been frying my brains in the tropics most of my life, and I may be crazy; but I’ve learned to believe all kinds of strange things. My opinion is that my poor little Sato was literally blown back two hundred years in time.”
I said: “But why blown backwards only in time? How do you account for his being struck by the blast in Hiroshima and ending in Brighton?”
“I’m no mathematician,” said the colonel, “but as I understand, the earth is perpetually spinning and space is therefore shifting all the time. If you, for example, could stand absolutely still, here, now, where you are, while the earth moved—if you stood still only for one hour, you’d find yourself in Budapest. Do you understand what I mean? That atomic blast picked little Sato up and threw him back in time. When you come to think of that, and remember all the curious monsters they used to exhibit in Bartholomew’s Fair during the eighteenth century—when you think of all the mermaids, monsters, and mermen that they picked out of the sea and showed on fairgrounds until they died . . . it makes you think.”
“It makes you think.”
“Do you observe, by the way,” said the colonel, pointing to the Reverend Titty’s pamphlet, “that poor little Sato was sick with running sores, and that his teeth were falling out? Radioactivity poisoning: these are the symptoms. Poor Sato! Can you wonder why he got desperate and simply chucked himself back into the sea to sink or swim? Put yourself in his position. You go to sleep in Hiroshima, in August 1945 and then—Whoof!—you find yourself in Brighton, in November 1745. No wonder the poor wretch couldn’t speak. That shock would be enough to paralyze anyone’s tongue. It scares me, Kersh, my boy—it puts a match to trains of thought of the most disturbing nature. It makes me remember that past and future are all one. I shall really worry, in future, when I have a nightmare . . . one of those nightmares in which you find yourself lost, struck dumb, completely bewildered in a place you’ve never seen before—a place out of this world. God have mercy on us, I wish they’d never thought of that disgusting secret weapon!”