I was suddenly curious. "Do you have significant experience of humans, Valeria? Out there in the big bad world?"
"It's Ms. Valeria, at least for now, if you please," she said, "and being both a Lee and a Marion, my family history is replete with experiences of all manner, past and present. Shall we go back now?"
Suitably chastised, I decided once again to be quiet. We walked back to my Suburban and I put the dogs on board. She said she and her mother would instruct Mr. Oatley to draw up a lease. She nodded graciously, looked forward to seeing me again, and then went up the stairs and back into the nineteenth century in a swish of voluminous skirts. I got into my ride and withdrew to the real world, wondering what the hell I'd gotten myself into this time. I had visions of the carriage man clopping into town with the draft lease, a piece of rolled parchment sealed in red wax that was still warm. Maybe that was why so many of the older buildings in town still had hitching posts out front.
Just for the heck of it, I pulled across the main road into the driveway of Glory's End-and got a surprise. There were now two tall iron gates suspended on those stone pillars, and a big bright lock and chain securing them.
Not knowing what else to do, I called Carol Pollard.
"Hey, there," she said. "Seen your surprise yet?"
"I believe I have-I'm parked outside the gates and was wondering how to get in."
"Come by and I'll get you the keys. Believe it or not, those are the original gates. I did some snooping in town and found this old boy who had them, and got them for three hundred bucks. They're wrought iron, and they're worth more than that, but he thought they should go home."
"Well, I'm delighted, Carol," I said. "Great job. FYI, I've rented the stone cottage across the way at Laurel Grove. Something's come up over in Summerfield, and I need to escape to the country. That seemed the perfect place."
"Well done yourself, Lieutenant. Those two won't let that place to just anybody."
"I had Sheriff Walker make a call," I said, "and I'd already met Valeria. Excuse me, Ms. Valeria."
"Don't you forget it, either," she said with a laugh.
"As she pointedly reminded me," I said. "How are we coming with contractors and other undesirables?"
"In a word, nowhere yet, but that's about par for the course. I always need to sweet-talk the good ones, and I'm working on that. I may have to go buy some flashier clothes."
"Last time I checked, you looked pretty good in what you've got, Ms. Carol."
"Well, thank you, kind sir. Let's do this: I'll put a key for that gate lock under a rock close by. You'll see it. As soon as you close, then we can write contracts."
"Got it," I said. "I'll let you know when I'm 'in residence' at Laurel Grove."
"No need, Lieutenant. I'll know, probably before you know."
"Jungle drums?"
"You have no idea. How were the crab cakes at the purple house today?"
The next morning I got up with the shepherds and went for a ramble. For some reason the dozers weren't annihilating the old farm this morning, and I wanted to walk the ground where my would-be assassin had set up on my living room. It was a typical subdivision-in-the-making: a moonscape of red dirt, lots of pink-flagged stakes, piles of drainage pipes and concrete forms, and a small mountain of dozer-mangled tree stumps from what used to be a pretty apple orchard. The old farmhouse was long gone, hauled off in dump trucks to fill in someone's blighted suburban ravine.
With all the trees gone, the field of fire from up on that hill was just about unlimited. I could clearly make out the piece of plywood where the window had been and could imagine the trajectory through the study and into my kitchen. It was about a two-hundred-yard shot, which was a piece of cake for a thirty-aught rifle. I found the pile of straw bales they were using for erosion barriers, and there was the bale he'd pulled out to use as a rifle rest. There were footprints in the mud around the bale, but also dozer tracks, loose gravel, and tire prints from a dozen construction vehicles. As a crime scene it was not exactly pristine. I had the shepherds go over the straw bale and then try to do some tracking, but there was just too much other scent up there. Like the cops had said, other than the single cartridge, there was no trail.
I wondered where he might set up if he came back to try it again. There were dense groves of Leyland cypress trees on either side of my property. I had originally bought three lots and forested the ones on either side of my house site. One stand faced the garage; the other, the bedroom side of the house. I took the dogs across the cratered landscape and eased into the bedroom-side grove. I'd planted this grove years ago for privacy, and now the thirty-foot-tall trees meshed their branches in a tight screen. The dogs went scooting under the lower branches, but I had to push my way through the aromatic thicket. Then the dogs stopped and began to sniff around a tiny clearing in the Leyland jungle. One of the trees must have expired long ago, because there was a dent in the ground and space enough for a single human to sit down in the ground cover. The shepherds were telling me that someone had done just that, and as I turned toward my house, I could see another perfect sight line into my bedroom window.
"Find him," I said, and Frick, old supernose, turned into the trees away from my house and started working a scent line. Kitty and I followed her until she led us out to the street, where she went one block and then lost the scent at the curb.
Okay, I thought. He set up two locations, and he's used one. I took the dogs back to the house and placed a call to Billie Ray's parole officer.
Two nights later the shepherds and I waited underneath my back deck. Kitty and Frick were curled up on carpet remnants, and I was sitting in one of those truncated beach chairs. Resting on the wooden latticework that ran along the base of the deck was the twenty-four-inch barrel of my rifle of choice, a Weatherby. 270 Winchester stainless model, equipped with a Specter IR SP 50B Thermal Weapon Sight.
We'd been down there since 8:00 P.M. There was a carefully staged bedroom tableau in the house. I had pulled down the shades on the bedroom window facing the Leyland cypress grove and turned on the television. I'd positioned an easy chair with its back to the window and used the light from the television to silhouette a head-sized helium-filled balloon whose string was safety-pinned to the seat of the chair. Then I'd turned the overhead fan on low. The resulting air movement caused the balloon to move occasionally. From the outside, I hoped, it would look like someone sitting in the chair and watching the tube. I'd dropped the venetian blinds, just to obscure things a bit more, and put a ball cap high and tilted back on the balloon in case he wanted to play warning shot again. I'd obscured the windows into my living room with closed blinds, making any further shooting from the construction site impossible.
The distance between the shooter's hide and my bedroom window was about a hundred yards, maybe a little less. With the help of a milk crate, I could focus my sights on the exact position of the hide without having to hold the rifle, and I scanned it from time to time to see if we had a visitor. I expected one because of a little Kabuki I'd arranged with Arlanda Cole. With Billie Ray sitting in her office, she had faked a phone call that supposedly had me on the other end. The gist of the conversation was such that our suspect would know that I'd be in the house tonight, and then not for some time. If Billie was my shooter, I might get a chance to prove it, assuming he took the bait. She'd had him step outside the office during the phone call but had left the door open so he could hear. I still didn't think it was Breen, but it could well be someone he'd paid to do the deed. I had a thermos of coffee, a trucker's friend, and I was going to play the game until midnight.