Yessir. That would be fourteen-seventy.
Were you here when all this took place?
No sir. I only started here yesterday. This is just my second shift.
Then what is it you're not supposed to discuss?
Sir?
What time do you get off?
Sir?
Let me rephrase that. What time is your shift over.
The clerk was tall and thin, maybe Mexican and maybe not. His eyes darted briefly over the lobby of the hotel. As if there might be something out there to help him. I just came on at six, he said. The shift is over at two.
And who comes on at two.
I dont know his name. He was the dayclerk.
He wasnt here the night before last.
No sir. He was the dayclerk.
The man who was on duty the night before last. Where is he?
He's not with us anymore.
Have you got yesterday's paper here?
He backed away and looked under the desk. No sir, he said. I think they threw it out.
All right. Send me up a couple of whores and a fifth of whiskey with some ice.
Sir?
I'm just pulling your leg. You need to relax. They're not coming back. I can pretty near guarantee it.
Yessir. I hope to hell not. I didnt even want to take this job.
Wells smiled and tapped the fiberboard keyfob twice on the marble desktop and went up the stairs.
He was surprised to find the police tape still across both of the rooms. He went on to his own room and set his bag in the chair and got out his shavingkit and went in the bathroom and turned on the light. He brushed his teeth and washed his face and went back into the room and stretched out on the bed. After a while he got up and went to the chair and turned the bag sideways and unzipped a compartment in the bottom and took out a suede leather pistolcase. He unzipped the case and took out a stainless steel.357 revolver and went back to the bed and took off his boots and stretched out again with the pistol beside him.
When he woke it was almost dark. He rose and went to the window and pushed back the old lace curtain. Lights in the street. Long reefs of dull red cloud racked over the darkening western horizon. Roofs in a low and squalid skyline. He put the pistol in his belt and pulled his shirt outside of his trousers to cover it and went out and down the hallway in his sockfeet.
It took him about fifteen seconds to get into Moss's room and he shut the door behind him without disturbing the tape. He leaned against the door and smelled the room. Then he stood there just looking things over.
The first thing he did was to walk carefully over the carpet. When he came across the depression where the bed had been moved he swung the bed out into the room. He knelt and blew at the dust and he studied the nap of the carpet. He rose and picked up the pillows and smelled them and put them back. He left the bed standing quarterwise in the room and walked over to the wardrobe and opened the doors and looked in and closed them again.
He went into the bathroom. He ran his forefinger around the sink. A washcloth and handtowel had been used but not the soap. He ran his finger down the side of the tub and then wiped it along the seam of his trousers. He sat on the edge of the tub and tapped his foot on the tiles.
The other room was number 227. He went in and closed the door and turned and stood. The bed had not been slept in. The bathroom door was open. A bloody towel lay in the floor.
He walked over and pushed the door all the way back. There was a bloodstained washcloth in the sink. The other towel was missing. Bloody handprints. A bloody handprint on the edge of the showercurtain. I hope you havent crawled off in a hole somewhere, he said. I sure would like to get paid.
He was abroad in the morning at first light walking the streets and making notes in his head. The pavement had been hosed off but you could still see bloodstains in the concrete of the walkway where Moss had been shot. He went back to Main Street and started again. Bits of glass in the gutters and along the sidewalks. Some of it windowglass and some of it from curbside automobiles. The windows that had been shot out were boarded up with plywood but you could see the pocks in the brickwork or the teardrop smears of lead that had come down from the hotel. He walked back to the hotel and sat on the steps and looked at the street. The sun was coming up over the Aztec Theatre. Something caught his eye at the second floor level. He got up and walked down and crossed the street and climbed the stairs. Two bulletholes in the windowglass. He tapped at the door and waited. Then he opened the door and went in.
A darkened room. Faint smell of rot. He stood until his eyes were accustomed to the dimness. A parlor. A pianola or small organ against the far wall. A chifforobe. A rockingchair by the window where an old woman sat slumped.
Wells stood over the woman studying her. She'd been shot through the forehead and had tilted forward leaving part of the back of her skull and a good bit of dried brainmatter stuck to the slat of the rocker behind her. She had a newspaper in her lap and she was wearing a cotton robe that was black with dried blood. It was cold in the room. Wells looked around. A second shot had marked a date on a calendar on the wall behind her that was three days hence. You could not help but notice. He looked around the rest of the room. He took a small camera from his jacket pocket and took a couple of pictures of the dead woman and put the camera back in his pocket again. Not what you had in mind at all, was it darling? he told her.
Moss woke in a ward with sheeting hung between him and the bed to his left. A shadowshow of figures there. Voices in Spanish. Dim noises from the street. A motorcycle. A dog. He turned his face on the pillow and looked into the eyes of a man sitting on a metal chair against the wall holding a bouquet of flowers. How are you feeling? the man said.
I've felt better. Who are you?
My name is Carson Wells.
Who are you?
I think you know who I am. I brought you some flowers.
Moss turned his head and lay staring at the ceiling. How many of you people are there?
Well, I'd say there's only one you've got to worry about right now.
You.
Yes.
What about that guy that come to the hotel.
We can talk about him.
Talk then.
I can make him go away.
I can do that myself.
I dont think so.
You're entitled to your opinions.
If Acosta's people hadnt shown up when they did I dont think you would have made out so good.
I didnt make out so good.
Yes you did. You made out extremely well.
Moss turned his head and looked at the man again. How long have you been here?
About an hour.
Just settin there.
Yes.
You dont have much to do, do you?
I like to do one thing at a time, if that's what you mean.
You look dumbern hell settin there.
Wells smiled.
Why dont you put them damn flowers down.
All right.
He rose and laid the bouquet on the bedside table and sat back in the chair again.
Do you know what two centimeters is?
Yeah. It's a measurement.
It's about three quarters of an inch.
All right.
That's the distance that round missed your liver by.
Is that what the doctor told you?
Yes. You know what the liver does?
No.
It keeps you alive. Do you know who the man is who shot you?
Maybe he didnt shoot me. Maybe it was one of the Mexicans.
Do you know who the man is?
No. Am I supposed to?
Because he's not somebody you really want to know. The people he meets tend to have very short futures. Nonexistent, in fact.
Well good for him.
You're not listening. You need to pay attention. This man wont stop looking for you. Even if he gets the money back. It wont make any difference to him. Even if you went to him and gave him the money he would still kill you. Just for having inconvenienced him.
I think I done a little more than inconvenience him.