"I'm not comfortable with changing the format at this point. It's been changed once, when they set it in this house, and I was very understanding about that."
Terror filled Becky's eyes. Part of me wanted to stand my ground and tell her that if she wanted to make the show she envisioned, then she'd better grow a backbone and stand up to men like Bradford Grady. But another part of me remembered being young, ambitious and overwhelmed, and I wanted to be the one person not making this shoot a living hell for her.
"I'll consider a change of format, but on several conditions."
"Name them."
"I want a written guarantee of equal screen time in the final production and equal preshow promotion. Is the Tansy Lane segment in danger of being cut?"
"Definitely not. I'll get Mr. Simon to put that in writing. No matter how much weight Grady throws around, your success with Tansy stays."
Her cell phone rang. A few quick words, then she hung up. "I need to run. The next seance will be after lunch. We're keeping the locations and subjects a secret. Yes, I know-Grady is an expert and by tonight his team will be faxing him dossiers on every semifamous person who died in this neighborhood. But I have a plan."
She headed for the door, then stopped. "Oh, and before you leave, there's a release form on the desk. Just an addendum to your contract. It's in the blue folder. Take it with you to read over. No rush."
I OPENED the blue folder she'd left on the desk. Inside was a single printed sheet. On first glance, it looked more like a memo than a release form.
Subject: Gabrielle Langdon.
The name sounded familiar, but I had to read a few lines before I realized what I was looking at: a detailed summary of the life and death of arguably Brentwood 's most famous murder victim.
I slapped the folder shut and scanned the desk, but there were no more blue folders. No folders of any color.
Becky said she had a plan, and now I knew what it was.
I HAD lunch and the early afternoon off, so Jeremy picked me up. He'd already checked in with Robert and a second potential source: Clay. Like Jeremy and Elena, Clay worked part-time and primarily from home-the advantage to having a healthy communal bank account and little desire for material goods. From Jeremy and Elena, I knew Clay was passionate about his work, but he rarely talked about it with anyone outside the Pack.
While Robert Vasic looked like the stereotypical professor, no one looked-or acted-less like one than Clay. Yet that's what he was: an anthropologist. His specialty was religions with animal deities. There's a name for it, which I can never remember, and it's not like he's about to discuss it with me anytime soon.
"Any luck?" I said, shutting the car door.
"Very little," he said as he pulled from the curb. "According to Clay, we're barking up the wrong tree. Of course, he said it in far more colorful language, but the point he made was that the link between pagan religions, like Wicca and Druidjsm, and sacrifice is significantly overemphasized in popular culture."
"You mean they aren't out there slaughtering babies every full moon? Bradford Grady would be mightily disappointed. And probably out of a job."
"Wiccans and satanists don't practice human sacrifice, whatever the tabloids might say. But even the more mysterious religions are far more benign than I assumed. Animal sacrifice, yes. But not human. Those that did practice it did so only in the very distant past and have since found substitutes more acceptable to contemporary mores. One sect Clay did mention was tantraism."
"That's related to Buddhism, isn't it?"
Jeremy shook his head. "This is different. It's a religion based in India that practices sacrifice. Usually animal sacrifice, but reports of human sacrifice do arise, sometimes child sacrifice. Then there are 'muti' murders, primarily in southern Africa. Not necessarily human sacrifice per se, but the killing of people, often children, for medicine."
"Does that kind of stuff make its way over here?"
"I don't know, but if I haven't heard of it, it's likely very rare."
"Good."
"They suggested we concentrate on the occult underworld in Los Angeles, which won't be easy." He turned a corner. "Speaking of tabloids, though, Elena suggested someone else who might be able to cut through the research for us. Hope Adams is here for six months, on a work-exchange."
"Hope? Oh, right the True News reporter."
I'd never met her. Her contact with the council was Elena, a fellow journalist. A half-demon with a sixth sense for chaos, Hope covered paranormal events for a supermarket tabloid. Through a werewolf in Jeremy's Pack-Karl Marsten-she'd hooked up with the council and alerted them to any potentially real supernatural activity that crossed her desk. Strictly a volunteer job, but to kids like Hope, money never seemed to matter. Working for a good cause was payment enough.
DEMONS AND DEBTS
WE PARKED IN A LOT so expensive that in Chicago, I'd have expected valet service and a car wash. It was still a few blocks to where Hope worked, so Jeremy offered to drop me off, but I refused.
As we walked down the street, the smell of falafels and fresh-cut fries reminded me I'd skipped breakfast. It was a business district, respectable enough, but with little else to recommend it. A hodgepodge of small office buildings and take-out restaurants, interspersed with nail parlors, boutiques and gourmet coffee bars, as if the neighborhood was taking one last stab at trendiness.
I updated him on the show situation: the hidden cameras, the newly scheduled seances and Becky's blue file folder.
"And when I made some calls about Grady, I found out that he is looking to move his show to America, but apparently only for one season, and his show wouldn't be anything like mine. Yet Becky's assistant seemed to think I should be concerned, and maybe I should. Hollywood executives are notorious for things like this: they'll see two spiritualism shows on the slate and won't notice any differences between them."
"Have you talked to Grady?"
"And say what, 'Get off my turf?" I sighed. "I know, you mean just talk to him and get the details. I intended to, but now with him making more demands, I'm nervous. I'm already flustered enough over that memo leak about Gabrielle Langdon. I know Becky meant well, but if I win, I want to win without cheating."
I shook my head. "Listen to me. One minute I'm telling you I want to stop all this competition, the next I'm saying I want to win. I'm so tired of the backbiting, the posturing, the lying. Especially now. I have child ghosts trapped God knows where, and instead of helping them, I'm trying to thwart a twenty-eight-year-old beer commercial producer who wants to turn this into Spiritualist Big Brother."
"You've been tired of show biz for a while."
"I know. I can't wait to get out. Not the stage shows, just…"
"The television work."
We turned a corner. "I know what you're thinking. I say I want out, but my sole reason for putting up with the crap on this set is so I can do more TV. But I only want a television slot for a few years. Once I've built up more name recognition, I can do live shows exclusively and be more available for the council. Last month, Paige invited me to join her on an investigation-after months of me practically begging-and I had to back out because it interfered with my talk show spots. If I could schedule a half-dozen sold-out live shows a year, I'd be set."
"Your shows almost sell to capacity now, don't they?"
"Yes, but-" Jeremy tugged me back as I'd nearly stepped off a curb on a Don't Walk signal. "I really need a TV show, just for a while, so I can say I had one. It's always been part of the plan."
"Your mother's plan."
He said it mildly, with no emphasis, not making a point, but I felt it all the same.
"No, her plan was for her to get me a TV show. Without her, I didn't stand a chance. Or so she thought."