So the day ended—the first of many days that were to come.
CHAPTER II.
THE warm sunlight of July shining softly through a green blind; an open window with fresh flowers set on the sill; a strange bed, in a strange room; a giant figure of the female sex (like a dream of Mrs. Wragge) towering aloft on one side of the bed, and trying to clap its hands; another woman (quickly) stopping the hands before they could make any noise; a mild expostulating voice (like a dream of Mrs. Wragge again) breaking the silence in these words, "She knows me, ma'am, she knows me; if I mustn't be happy, it will be the death of me!"—such were the first sights, such were the first sounds, to which, after six weeks of oblivion, Magdalen suddenly and strangely awoke.
After a little, the sights grew dim again, and the sounds sank into silence. Sleep, the merciful, took her once more, and hushed her back to repose.
Another day—and the sights were clearer, the sounds were louder. Another—and she heard a man's voice, through the door, asking for news from the sick-room. The voice was strange to her; it was always cautiously lowered to the same quiet tone. It inquired after her, in the morning, when she woke—at noon, when she took her refreshment—in the evening, before she dropped asleep again. "Who is so anxious about me?" That was the first thought her mind was strong enough to form—"Who is so anxious about me?"
More days—and she could speak to the nurse at her bedside; she could answer the questions of an elderly man, who knew far more about her than she knew about herself, and who told her he was Mr. Merrick, the doctor; she could sit up in bed, supported by pillows, wondering what had happened to her, and where she was; she could feel a growing curiosity about that quiet voice, which still asked after her, morning, noon, and night, on the other side of the door.
Another day's delay—and Mr. Merrick asked her if she was strong enough to see an old friend. A meek voice, behind him, articulating high in the air, said, "It's only me." The voice was followed by the prodigious bodily apparition of Mrs. Wragge, with her cap all awry, and one of her shoes in the next room. "Oh, look at her! look at her!" cried Mrs. Wragge, in an ecstasy, dropping on her knees at Magdalen's bedside, with a thump that shook the house. "Bless her heart, she's well enough to laugh at me already. 'Cheer, boys, cheer—!' I beg your pardon, doctor, my conduct isn't ladylike, I know. It's my head, sir; it isn't me. I must give vent somehow, or my head will burst!" No coherent sentence, in answer to any sort of question put to her, could be extracted that morning from Mrs. Wragge. She rose from one climax of verbal confusion to another—and finished her visit under the bed, groping inscrutably for the second shoe.
The morrow came—and Mr. Merrick promised that she should see another old friend on the next day. In the evening, when the inquiring voice asked after her, as usual, and when the door was opened a few inches to give the reply, she answered faintly for herself: "I am better, thank you." There was a moment of silence—and then, just as the door was shut again, the voice sank to a whisper, and said, fervently, "Thank God!" Who was he? She had asked them all, and no one would tell her. Who was he?
The next day came; and she heard her door opened softly. Brisk footsteps tripped into the room; a lithe little figure advanced to the bed-side. Was it a dream again? No! There he was in his own evergreen reality, with the copious flow of language pouring smoothly from his lips; with the lambent dash of humor twinkling in his party-colored eyes—there he was, more audacious, more persuasive, more respectable than ever, in a suit of glossy black, with a speckless white cravat, and a rampant shirt frill—the unblushing, the invincible, unchangeable Wragge!
"Not a word, my dear girl!" said the captain, seating himself comfortably at the bedside, in his old confidential way. "I am to do all the talking; and, I think you will own, a more competent man for the purpose could not possibly have been found. I am really delighted—honestly delighted, if I may use such an apparently inappropriate word—to see you again, and to see you getting well. I have often thought of you; I have often missed you; I have often said to myself—never mind what! Clear the stage, and drop the curtain on the past. Dum vivimus, vivamus! Pardon the pedantry of a Latin quotation, my dear, and tell me how I look. Am I, or am I not, the picture of a prosperous man?"
Magdalen attempted to answer him. The captain's deluge of words flowed over her again in a moment.
"Don't exert yourself," he said. "I'll put all your questions for you. What have I been about? Why do I look so remarkably well off? And how in the world did I find my way to this house? My dear girl, I have been occupied, since we last saw each other, in slightly modifying my old professional habits. I have shifted from Moral Agriculture to Medical Agriculture. Formerly I preyed on the public sympathy, now I prey on the public stomach. Stomach and sympathy, sympathy and stomach—look them both fairly in the face when you reach the wrong side of fifty, and you will agree with me that they come to much the same thing. However that may be, here I am—incredible as it may appear—a man with an income, at last. The founders of my fortune are three in number. Their names are Aloes, Scammony, and Gamboge. In plainer words, I am now living—on a Pill. I made a little money (if you remember) by my friendly connection with you. I made a little more by the happy decease (Requiescat in Pace!) of that female relative of Mrs. Wragge's from whom, as I told you, my wife had expectations. Very good. What do you think I did? I invested the whole of my capital, at one fell swoop, in advertisements, and purchased my drugs and my pill-boxes on credit. The result is now before you. Here I am, a Grand Financial Fact. Here I am, with my clothes positively paid for; with a balance at my banker's; with my servant in livery, and my gig at the door; solvent, flourishing, popular—and all on a Pill."
Magdalen smiled. The captain's face assumed an expression of mock gravity; he looked as if there was a serious side to the question, and as if he meant to put it next.
"It's no laughing matter to the public, my dear," he said. "They can't get rid of me and my Pill; they must take us. There is not a single form of appeal in the whole range of human advertisement which I am not making to the unfortunate public at this moment. Hire the last new novel, there I am, inside the boards of the book. Send for the last new Song—the instant you open the leaves, I drop out of it. Take a cab—I fly in at the window in red. Buy a box of tooth-powder at the chemist's—I wrap it up for you in blue. Show yourself at the theater—I flutter down on you in yellow. The mere titles of my advertisements are quite irresistible. Le t me quote a few from last week's issue. Proverbial Title: 'A Pill in time saves Nine.' Familiar Title: 'Excuse me, how is your Stomach?' Patriotic Title: 'What are the three characteristics of a true-born Englishman? His Hearth, his Home, and his Pill.' Title in the form of a nursery dialogue: 'Mamma, I am not well.' 'What is the matter, my pet?' 'I want a little Pill.' Title in the form of a Historical Anecdote: 'New Discovery in the Mine of English History. When the Princes were smothered in the Tower, their faithful attendant collected all their little possessions left behind them. Among the touching trifles dear to the poor boys, he found a tiny Box. It contained the Pill of the Period. Is it necessary to say how inferior that Pill was to its Successor, which prince and peasant alike may now obtain?'—Et cetera, et cetera. The place in which my Pill is made is an advertisement in itself. I have got one of the largest shops in London. Behind one counter (visible to the public through the lucid medium of plate-glass) are four-and-twenty young men, in white aprons, making the Pill. Behind another counter are four-and-twenty young men, in white cravats, making the boxes. At the bottom of the shop are three elderly accountants, posting the vast financial transactions accruing from the Pill in three enormous ledgers. Over the door are my name, portrait, and autograph, expanded to colossal proportions, and surrounded in flowing letters, by the motto of the establishment, 'Down with the Doctors!' Even Mrs. Wragge contributes her quota to this prodigious enterprise. She is the celebrated woman whom I have cured of indescribable agonies from every complaint under the sun. Her portrait is engraved on all the wrappers, with the following inscription beneath it: 'Before she took the Pill you might have blown this patient away with a feather. Look at her now!!!' Last, not least, my dear girl, the Pill is the cause of my finding my way to this house. My department in the prodigious Enterprise already mentioned is to scour the United Kingdom in a gig, establishing Agencies everywhere. While founding one of those Agencies, I heard of a certain friend of mine, who had lately landed in England, after a long sea-voyage. I got his address in London—he was a lodger in this house. I called on him forthwith, and was stunned by the news of your illness. Such, in brief, is the history of my existing connection with British Medicine; and so it happens that you see me at the present moment sitting in the present chair, now as ever, yours truly, Horatio Wragge." In these terms the captain brought his personal statement to a close. He looked more and more attentively at Magdalen, the nearer he got to the conclusion. Was there some latent importance attaching to his last words which did not appear on the face of them? There was. His visit to the sick-room had a serious object, and that object he had now approached.