"No one can help me," she said, her voice pitching high. "I can never get back what I've lost!"
"You mean Brian? You mean your trust in him?"
She laughed again, and this time it was my nerves that jangled. Something was terribly wrong.
"Tell me what's going on," I persisted. "Tell me and maybe I can figure a way-" "There is no way out for you."
I replayed her disquieting words in my head, confused.
She lowered her feet to the floor and took two steps toward me, extending her arms, reaching to touch my hair. "Such a pretty girl," she said. "And a nice girl, not like your sister."
"Brian told you who I am."
"Such a shame."
She toyed with my hair, making me increasingly nervous. When she touched my cheek, I flinched.
"You shouldn't have come here, Jenny. Liza is gone. What were you looking for?"
"Peace."
Maggie stroked my face with a thumb that felt like cold sandpaper. "Don't you know, there is no peace for those who have lost someone too soon. I still hear Melanie calling me. In the middle of the night I awaken and hear her. Don't forget me, Mommy. Don't forget, she says, just as she did when I'd work long hours away from home. In the middle of the night I feel her soft breath on my cheek. Sometimes she tells me what to do."
"What to do-like what?" I asked warily. Maggie was acting strange but not necessarily suicidal. I wondered if she had written the note to lure me up here.
She tilted her head and gazed at me solemnly. "It shouldn't surprise anyone, Jenny, that you became upset at camp. You kept hearing about Liza. You were having dreams about her. And someone was playing pranks, haunting the theater like the ghost of Liza. No wonder you became confused and depressed."
"I am not depressed."
"How unfortunate your parents chose this time to leave you alone." Her voice had shifted from high pitch to low and smooth as syrup. "I'll write a note explaining-in your handwriting, just like that on your application. I'll explain why you had to kill yourself."
I took a step back from her. The strange, sympathetic look on Maggie's face chilled me to the bone. I glanced at the stone sill, then beyond it. Below me the tower roof sloped far too steeply to stop a fall. I began edging toward the trapdoor.
Maggie saw the movement and lunged at me, shoving me back against the wall with such force I couldn't stay on my feet. I slid onto the sill. My head snapped back, as if someone had pulled a chair out from behind me sixty feet up. I reached out wildly for something-anything I could get my hands on-the stone sill, the pillar. My feet touched cement again and I dropped down in a crouch. As long as I was lower than the sill, she couldn't push me over it. I crawled toward the trapdoor.
"Get up! Get up!" Maggie shrieked and kicked at my stomach, bringing her foot up hard into my ribs. Breathless from, the blows, I scrambled through the door, dropping down so quickly my foot missed the rung. It caught two rungs down. I descended as fast as I dared. When I reached the spiral stairs, I turned so I could run down them face forward. I heard Maggie's footsteps above me.
At last I was on the regular-size treads. I raced downward. Too fast! My heel slipped over the edge of one. I went sliding down on my back, my left wrist bent behind me. I was stopped by the wall. Pain crippled my left wrist. With my right hand I quickly grasped the railing, pulled myself to my feet, and continued downward.
Reaching the hall, I rushed through it and around the corner toward the back door of the theater. I pushed hard against the double doors. They gave slightly, then stopped. I glanced down at the handle. A chain, someone had chained the doors!
I didn't know what to think. This was the entrance I had come through just a few minutes ago and now it was locked from the inside. Maggie had acted as if she alone was after me, but this door had been chained by someone else.
I heard Maggie's footsteps in the hall and hurried up the steps to the stage. The light above the staircase suddenly went off.
"Who's there?" Maggie called out.
I glanced over my shoulder. The lights in the hall below had also gone off. The uncertainty in Maggie's voice told me she hadn't been the one to cut the power. I tried to remember if I had seen an unmarked door downstairs. If I knew where the electrical room was, I'd have some idea where the other person was, perhaps the person who had chained the doors. But my mind was reeling with fear and the sudden darkness confused me. It must have confused Maggie, too, for I heard doors opening and closing below and soft cries of surprise.
Tiptoeing onto the back of the stage, I saw the emergency Exit signs glowing and the trail of tiny floor lights leading up to them. I wanted to make a run for it. But what if the lobby's outer doors had been chained, too? And what if the lights came back on? I'd be cornered with no place to hide.
I tried to recall what scenery and props were in the wings, to think of something that might conceal me. I remembered the extension ladder. I could climb to the catwalk, then kick aside the ladder. I doubted Maggie would be able to get up the wall rungs, and, as far as I knew, she had no weapon.
I thought we had placed the ladder close to the center of the catwalk. Using the Exit signs to center myself, I moved slowly downstage, putting both hands out in front of me. I touched the ladder. Placing my foot lightly on the first rung, I reached with my left hand to pull myself up and gasped with pain. I had been too panicked to notice how badly my wrist was hurt. It was useless to me. I took a deep breath and quietly began to climb the ladder using only my right hand.
I heard Maggie at the bottom of the stairs to the stage. I continued on in slow motion. I heard her at the top of the steps, flicking switches. No lights came on. I continued to climb stealthily.
"Stay where you are," Maggie said loudly, as if she were directing campers.
Objects were knocked over. It sounded as if she was looking for something. There was a long moment of silence and I was afraid to move, afraid that just a shift of weight on the metal ladder would give me away. I figured I was little more than halfway up the thirty-foot climb.
A bright light came on. She had found a flashlight.
The light swung slowly over the stage, the beam wavering as if her hand was shaking, touching the ladder, passing below me. Maggie walked toward the apron of the stage. I watched the play of the beam along the rows of seats. It became steadier, then the light spun around and streaked up the ladder, stopping at me.
I scrambled up two rungs.
"Stop!" she commanded, shining the light in my eyes.
I felt as I did under the glare of stage lights. My stomach grew queasy. I began to sweat. I pulled myself up a rung, but my legs felt unsteady.
"One step farther and I will knock over the ladder," Maggie threatened.
I turned my face away from the light. "Why are you doing this to me?"
Maggie circled the ladder, trying to keep the beam in my eyes.
"Please tell me why."
"You still don't remember?" Her voice quivered. "You must! Every day of my life I wake up remembering the fire."
"The one Melanie was in?"
"You were only three when it occurred," she said, "the same age as Melanie, and your parents were careful not to talk about it. But the memory is with you. You're standing in the third-floor window with Liza. The lights of fire trucks and emergency vehicles are shining up at you. A crowd has gathered below."
As she spoke, a wave of sickness washed over me.
I gritted my teeth and took a step up. My hands were slippery with sweat.
"Every time you stand on a stage with lights shining up at you, darkened faces in the audience watching you, the memory and the fear come back."
I climbed another rung. My heart pounded in my ears.