Poppy took a long drag, sighing out the smoke. ‘I did see Gabe that Sunday night. I didn’t lie to anyone, ’cos nobody asked me that before. When he talked to you he was embarrassed, that’s all. He was stoned that night, and I guess he didn’t check on Tracey. He may have massaged his story a bit, to make himself look better. But it doesn’t make any difference.’
‘Tell me about Sunday night.’
‘Gabe came over here about ten. He’d been drinking and he was bored. He had a bottle and he knocked on the door of my room.’
‘He was on his own?’
‘Yeah. He didn’t say anything about Tracey. I didn’t think to ask.’
‘Go on.’
‘Well, we talked, had a few drinks, then Stan looked in. He’d been drinking at the pub. About one or one-thirty, I’m not sure, they left together, and I went to bed.’ Another puff, another scratch of the nose.
Kathy stared at her, waiting.
‘That’s all.’
‘No it’s not.’
Poppy frowned, then said, as if she’d forgotten,‘Oh, I did walk a little way with them, to get a bit of air before I went to bed. Down the lane behind West Terrace, then I turned back. We were a bit pissed, larking around. I squealed or something. I think that was what Betty heard, what she thought was a scream.’
‘And Stan went on with Gabe, to his house?’
‘What? Oh, no. He came back with me, to his own flat upstairs, near mine.’
This didn’t sound right, Kathy thought. ‘Come on, Poppy. And the rest.’
Poppy glared at her, suddenly angry. ‘Christ, you’re a pain, you know that?’
‘Just tell me. You know you have to. You care about Tracey, don’t you?’
‘Yes, I do, but…’
‘But what?’
‘But I don’t want to end up with my face cut, that’s what.’
‘Who would do that?’
Poppy took a deep breath, her hand dropped to her lap and finally she said,‘Yasher.’
‘From the sandwich shop?’
‘Yes. He’s our dealer.’
‘I thought Fergus Tait was.’
Poppy grinned briefly.‘Not art dealer-the other kind. He gets stuff for us-Gabe, mainly. About one o’clock Gabe decided he wanted some coke, so he gave Yasher a call. He wouldn’t come here, to The Pie Factory, but he said he’d meet us in the buildings they’re doing up on West Terrace. There’s a room in the basement of one of the houses where the builders keep their tools. The three of us went down there, and Yasher sold Gabe some stuff, coke and something else-speed, I think. Gabe insisted we all try some of his coke, and for half an hour or so we had a bit of a party, the three of us and Yasher. Then I began to get tired and said I was going. Like I said, we fooled about a bit in the lane, Yasher pinned me to the wall, I screamed. It was just a bit of fun. Then I came back.’
‘With Stan?’
‘No. He wanted to stay a bit longer with the other two. I fell asleep as soon as I got into bed and I never heard him come back.’
Kathy sensed they’d passed the block that had held Poppy back before. Now she wanted to tell it all. ‘I woke up on Monday morning with the phone ringing. It was Gabe. He’d passed out on his bed when he got home, he said, and he’d just woken up and gone to get Tracey, and she wasn’t there. He sounded confused, as if I might know where she was.’
‘What time was this?’
‘Quarter past six.’
The time Rudd’s alarm had been set for, Kathy remembered.
‘I said I’d go over and help. We searched the house, but there was no sign of her. I thought he must have got mixed up and that she was with her grandparents, but he insisted they’d brought her back the previous afternoon, only he had no idea where she was now. Tracey’s window was open and the back gate unlocked, and in the end we decided he’d have to call the police. He gave me his drugs to keep for him over here, and we agreed not to mention anything about him being out the previous night, or me being there that morning. He seemed to be most worried about what Tracey’s grandparents would make of it-he kept saying they’d crucify him. You know they wanted to get custody of Trace?’
Kathy nodded.‘Anything else?’
‘That’s about it. Only, I am serious about Yasher. He seems a charming sort of bloke, but he can be really mean if you cross him, and he’s got some very ugly friends. They carry guns some of them. That stuff I told you about him selling drugs-I’m not going to put that on the record.’
‘Okay, I’ll do what I can to keep you out of it. Thanks for this, Poppy.’
‘I’m glad I’ve told you now. I went along with Gabe at the time, but afterwards I didn’t like keeping quiet about it. I hope it helps.’
‘So do I. You are really fond of her, aren’t you, Poppy?’
‘Oh hell, yeah.’ She stamped her cigarette out and began to rise to her feet.‘We were good mates.’
‘And she was your model.’
Poppy smiled.‘Sure. She has a lovely face, real cute and innocent.’
‘And her body as well? Your cherubs are very explicit -anatomically, I mean. She modelled for the bodies, too, did she?’
Poppy arched an eyebrow, wary.‘Yeah, she did actually. There wasn’t a problem with that. She was quite happy about it, and Gabe was always around.’
‘Where did this happen, these modelling sessions?’
‘Modelling sessions? Christ, you make it sound like… At Gabe’s place.’
‘Mostly, or always?’
‘What are you getting at?’
‘Did she ever come here, to this building?’
‘Yes, she came here. She liked to see what we were doing.’
‘Did she model for you here? Take her clothes off?’
‘No! Well, maybe once.’ Poppy turned to leave.
‘Do you know where I can find Stan Dodworth, Poppy?’
‘No, I don’t. I haven’t seen him today.’
The interview with Gabriel Rudd was more formal, conducted in a room at the Shoreditch police station. Rudd seemed fascinated by the whole process, peering up at the video camera, stroking the table he was invited to sit at, as if making mental notes for his work.
Brock, indicating Kathy at his side, said,‘You know DS Kolla, of course.’
Rudd gave a smug little smile and said, ‘Oh yes, we’ve been practically living together the past week. Although I didn’t realise until last night that she was an art critic. You two work closely together, do you?’
Again that supercilious smirk and a quick turn of the eyes to avoid Brock’s sharp stare. Brock could understand Kathy’s hesitation in summing him up. Rudd seemed to have developed the knack of appearing simultaneously aggressive and vulnerable, smart and gauche-though whether it was a case of cunning wrapped in innocence or the other way around, Brock wasn’t too sure.
‘We’re going to record this interview, Mr Rudd, and I’m going to begin by cautioning you. You don’t have to say anything, but it may harm your defence if…’
Rudd grinned.‘You really do say that, do you? Like on TV.’
Brock completed the caution and added,‘It’s necessary because we need to be crystal clear on one or two things. You’ve been following the news, have you?’
‘Oh, yeah, yeah.’ Rudd’s amusement abruptly evap orated.‘It really doesn’t bother me.’ The two police stared at him in surprise. ‘Oh, look, she’s a spiteful bitch. Everyone knows she hates me.’
There was a moment of confusion before they realised that the ‘news’ he thought they were talking about was the first review of his exhibition, published in one of the morning papers. With a show of reluctance he pulled a folded page of newsprint out of the pocket of his leather jacket and tossed it across the table as if it soiled his fingers to touch it. Brock picked it up and quickly scanned the piece.
Those remaining admirers of Gabriel Rudd’s work who crowded to the opening of his new show at The Pie Factory last night must have been sadly disappointed. Not so much No Trace as No Hope. Hurriedly cobbled together, weak in concept, unimaginatively presented and short of ideas, it would have looked pretentious in a first-year art school exhibition. As a contender for the next Turner Prize, as some had anticipated, it doesn’t rate a mention.