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He slid quickly under the bed on his back, and in the darkness sought out the small electronic sensor box which moved the bedhead up and down to raise and lower Rahani. The cable ran to a switching box, bolted more or less centrally on to the underside of the bed. From it a power lead was laid to a mains plug in the wall. Wires ran from the switching box to the various sensors which adjusted each section to different angles. He was interested in the wires which connected the switching box to the bedhead sensor. Stretching forward cautiously, Bond turned off the power switch in the wall and then began to work on the slim bedhead sensor wires.

First he cut them and trimmed off about a centimetre of their plastic coating. Then he collected together every piece of plastic explosive he had managed to bring in. This he moulded to the edge of the sensor, finally inserting an electronic detonator, its two wires hanging loose and short from the plastique.

All that remained now was to plait together the wires as before, only this time adding a third wire to each pair – the wires from the detonator. In the Toolkit there was a minute roll of insulating tape no wider than a single book match. It took a little time, but he succeeded in insulating one set of wires from the others, thereby making sure that no bare wire could touch another by somebody moving the bed.

Finally, he gathered up all the contents of the Toolkit, turned on the mains power again and returned to the cell. He locked the door with the picks and once more hid the Toolkit.

The relatively small amount of explosives should be detonated the moment anyone pressed the control button to raise the bedhead. When – and he had to admit if – his device worked, he would have to move like lightning. Now he could only wait and hope.

It seemed like an eternity before he heard, quite suddenly, the key in the cell door. The fair-haired guard called Fin stood there in full evening dress and white gloves. Behind and to his right the balding man – also in tails – carried a heavy silver dish. They were going to do this in style, Bond thought. His head would be presented to the dying Tamil Rahani on a silver charger, in imitation of the old legends and myths.

Nannie Norrich appeared from behind the balding man and for the first time Bond saw her, under the glare of the lights, probably in her true persona. She wore a long dark dress, her hair loose and her face so heavily made up that it looked more like a tartish mask than the face of the charming woman he thought he had known. Her smile was a reflection of ugly perversity.

‘Madame La Guillotine awaits you, James Bond,’ she said.

He squared his shoulders and stepped into the chamber, quickly taking in the entire scene. The sliding doors were open, and he saw something he had missed before – a small shutter in the wall next to them, now open and revealing a dial pad identical to the one in the passage.

Two more big men had joined the party and were standing just inside the door, each with the familiar stony expression, one carrying a hand gun, the other an Uzi. Another pair, also with hand guns, were positioned near Rahani’s bed, as were Dr McConnell and his nurse.

‘She awaits you,’ Nannie prompted, and Bond took a further step into the room. It hasn’t worked, he thought. Then he heard Rahani’s voice, weak and thin from the bed.

‘See . . .’ he whined, ‘must see. Raise me up.’ And again, stronger, ‘Raise me up!’

Bond’s eyes flickered round the group once more. The nurse reached for the control.

He saw as if in close-up her finger press the button that would raise the bedhead. Then hell and confusion exploded in the room.

19

DEATH AND DESTRUCTION

For a few seconds, Bond could not be certain that he had heard an explosion, though he was aware of a great blast of scorching air pushing him backwards. After the flash it was as though somebody had clapped cupped hands over his ears.

Time stood still. Everything took on a dreamlike quality, the scene apparently enacted in slow motion. In reality, events were moving at high speed and two thoughts were repeated over and over in Bond’s mind – survive, and save May and Moneypenny.

He saw the remains of Rahani’s bed blazing in the far corner to his right. There was nothing left of Rahani himself. Pieces of him had been spattered over the doctor, the nurse and the two guards who had been standing close to the explosion. He was aware of the doctor suddenly pitching forward into the fire where the centre of the bed had been. The nurse stood petrified, her head back, clothes ripped from her burned body. From her mouth came a drawn-out, strangled scream before she too fell towards the fire.

The two guards had been lifted up and hurled across the room, one towards the guillotine, the other with one arm half-severed and flapping, towards the man with the Uzi stationed by the door. He was knocked back against the door, his arm jerking forward so that the Uzi skated across the floor to land just in front of the guillotine, on the opposite side to Bond. The fourth guard appeared to be unhurt but dazed, his hand limp. He let go of his pistol and it slid, spinning towards Bond.

Bond had stepped back into the cell as the nurse reached for the control. In spite of the ringing in his ears, and the dazzle in his eyes, he had been shielded from the blast. Now, still unable to see or hear properly, he stepped out automatically from the cell and stood like a man mesmerised, staring at the pistol sliding towards him. Then he flung himself at the weapon and was on his belly, hand grasping at the pistol, rolling and firing as he rolled, first at the remaining guard near the door, then at Fin and the balding man. Two rounds apiece, in the approved service fashion.

He heard the shots as tiny pops in his ears and knew he had scored with each round. The guard by the door went spinning backwards. Fin’s white evening shirt was suddenly patterned with blood. The balding man sat splay-legged on the floor clutching his stomach, a surprised look on his face.

Bond span round, looking for Nannie. She was making a dive for the Uzi on the far side of the guillotine. She took the shortest route, her body flat on the ground, arms reaching across the stocks. He saw her hands close on the weapon just as he flung himself towards the guillotine, his arm lifted, and struck the projecting lever.

Even through his deafness, Bond heard the appalling thud and the awful scream as the blade sliced through Nannie’s arms. He was conscious of the spurting blood, the never-ending scream and the fact that the fire was now pouring out thick, dark smoke. He paused only to grab the Uzi and shake off the detached arms with their hands clamped around the weapon. It took two hard shakes to free them from the machine pistol. Then he was outside in the passageway, which was also rapidly filling with smoke.

Turning, Bond looked at the electronic locking pad set into the wall. It seemed to be a simple numerical device, but then he saw that the bottom row contained red buttons and was marked ‘Time lock’. There was a small strip of printed instructions below them: Press Time button. Press Close. When doors shut press number of hours required. Then press Time button again. Doors will remain inoperable until period of time set has elapsed.

His fingers stabbed at the Time, then Close buttons. The doors slid shut. He pressed Two . . . Four . . . Time. Everyone in the execution chamber was either dead or dying anyway. Putting the doors on a twenty-four hour time lock just might hold back the fire. Now for the hostages.

As he ran for the cell containing May, alarm bells began to ring. Bond could hear them well enough. Either the fire had set them off, or someone still with strength left had activated them from inside the death chamber.