On a high bed a man lay naked except for a cloth between the thighs, a body black against the sheets. Tubes connected this body to machines and plastic bags, one amber with urine, another dark with blood. The sister checked the flow of a saline drip as if twitching a displaced flower back into place in a vase; the man had his back to them, they moved slowly round to the other side of the bed to find him.
Oupa. A naked man is always another man, known only to a lover or the team under the shower after a match. Friendship, an office coterie, identifies only by heads and hands. The body is for after hours. Even in the intimacy of the injured, on the road, bodies retain their secrecy. Oupa. His fuzzy lashes on closed eyes, the particular settle of his scooped round nostrils against his cheek; his mouth, the dominant feature in a black face, recognized as such in this race as in no other with an aesthetic emphasis created by highly developed function, since we speak and sing through the mouth as well as kiss and ingest by it — his mouth, bold lips parted, fluttering slightly with uneven breaths.
— He’s asleep, we’ll come back later.—
The sister stood displaying him.
— No. Unconscious. It’s the high fever we’re trying to get down. Speak to him, maybe if he knows your voices they’ll rouse him. Sometimes it works. Go on. Speak to him.—
With these gentle calls you bring a child back from a nightmare or wake a lover who has overslept.
Oupa, Oupa, it’s Lazar.
Oupa, it’s Lazar and Vera, here. Oupa, it’s Vera.
She took the hand that was resting near his face. It felt to the touch like a rubber glove filled to bursting point with hot air. His eyelids showed the movement of the orbs beneath the skin. They talked at him chivvyingly, what do you think you’re doing here, who said you could take leave, man, my desk’s a mess, we need you … Oupa, it’s Lazar, it’s Vera … And his head stirred or they imagined it, under the concentration they held on his face.
— There, he hears you. You see? Now nurse’s going to give him a nice cool sponge-down.—
In the reception area Vera waylaid the woman as she strode away. — Why is he in a fever like this — what’s the reason for the high temperature?—
— Septicaemia … the blood leaked into the body’s cavity, you see. — The lowered tone of confidential gossip. — Of course, he should have had himself admitted the moment he had symptoms. Dosed himself with brandy instead … But I’m telling you, at least he hasn’t gone down, he’s fighting, we’re pleased with him.—
The nurse came to Lazar with the packet of fruit. It was become evidence of their foolish ignorance, his and Mrs Stark’s, of the nature of the ante-room in life to which they had been directed; of this retreat for those upon whom violence has been done, where their colleague had entered as one enters an order under vows of silence and submission. By contrast, the uninitiated are clumsy and intrusive and have only the useless to offer. — Oh no, keep it, won’t you.—
A giggle of pleasure. — Oh thanks, aih. Lovely grapes!—
There was an official roster of Foundation colleagues taking turns to visit the hospital every working day. At weekends others felt they had a right to disappear into their private lives; Mrs Stark was older, there were surely no urgencies of family demands, love entanglements, waiting to be taken up, for a woman like her. She joined the trooping crowds of relatives and friends who filled the hospital on Saturday and Sunday. Out-of-works, beggars and staggering meths drinkers officiously directed cars and minibuses searching for parking, sleeping children were slung round the necks of fathers, there were girls adorned and made up to remind male patients of their sexuality, Afrikaner aunts in church-going hats, bored young men gathered outside for a smoke, Indian grandmothers sitting in their wide-swathed bulk like buddhas, popcorn packets and soft-drink cartons stuck behind the pots of snake plant and philodendron intended to distract people from bleak asepsis, the smells and sights of suffering, the same plants that stand about in banks to distract queues from their anxiety, in the power of money.
The first Saturday and Sunday, and the second. Oupa, the body that was Oupa identified by the mute face, lay as he was placed, on this side or that, sometimes on his back. And that was something to stop the intruder where she stood, entering the cell that was always open. No privacy for that body. On his back, totally exposed. Once she asked if there could be a sheet to cover him and was dismissed with impatience at ignorant interference: he was kept naked because every bodily change, every function had to be monitored all the time, nurses coming in to observe him every fifteen minutes; he was kept naked to fan away the heat of infection raging in there, see the flush in his face, the purplish red mounting under the black. When she was alone — with him but alone — she carefully (he must never know, even if he were to be aware of the need for the small gesture it would humiliate him) drew the piece of cloth between his legs over the genitals that lolled out, ignored by nurses. Sometimes he seemed asleep as well as unconscious. The breathing changed; the men she had slept with breathed like that deep in the night. She wanted to tell him she — at least someone — was there yet it was a violation to touch him when he seemed so doubly, utterly removed. At other times she stood with her hand over his; it was the gesture she knew from other circumstances. She fell back on it for want of any other because nobody knew what he might need or want, they believed he had no thirst because salt water dripped into his veins, they believed he did not feel vulnerable in his nakedness because fever glowed in him like coal. Whether or not the people he shared One-Twenty-One with came to see him she did not know. And moving away from the black townships he had lost touch with neighbours and friends there, most did not know where he lived, now, in a building among whites. Very likely they would not have been allowed in to see him if they had come; the sister in charge made it clear that visits were to be restricted to his employer since it seemed he had no family.
Of course he has a family — but who knew how to get in touch with the plump young woman sitting among all the women who are left behind in veld houses put together as igloos are constructed from what the environment affords, snow or mud. No one had an address; as an employee and as a patient Oupa had given his permanent residence as One-Twenty-One Delville Wood. The Only way to reach her was to retrace the journey from the turn-off at the eucalyptus trees — could someone from the Foundation be spared to drive there? Mrs Stark knew the way but her husband, supported by her son out from London on a visit, absolutely forbade her to revive the trauma of the attack in this way.
During the week Lazar Feldman and others tiptoed in and stood a few minutes, afraid of closeness to what the familiar young-man-about-the-office had become, the grotesque miracle of his metamorphosis. One of the clerks who had meekly suffered because she was too plain to attract him, wept. They went away and some found excuses not to come again; what did visits help a man, said to be Oupa, who did not know there was anyone present, did not know that he himself was present.
Vera glanced at her watch and set herself the endurance of twenty minutes. But she forgot to look at the dial again. What was a presence? Must consciousness be receptive, cognitive, responsive, for there to be a presence? Didn’t the flesh have a consciousness of its own, the body signalling its presence through the lungs struggling to breathe with the help of some machine, the kidneys producing urine trickling into a bag, the stool forming in the bowels.
An insect settles on a leaf and slowly moves its wings.
She sat and watched.