They were sun-tanned, dusty, stained, and many of them with wounds in bandages. They came from every capital of Europe, and as each took his turn around the crowded table, they drank to the health of every nation, save one. When they had eaten they picked up the pony’s bridle from the dust and melted into the moonlight with a wave of the hand and a “good luck to you.” There were no bugles to sound “boots and saddles” for them, no sergeants to keep them in hand, no officers to pay for their rations and issue orders.
Each was his own officer, his conscience was his bugle-call, he gave himself orders. They were all equal, all friends; the cowboy and the Russian Prince, the French socialist from La Villette or Montmartre, with a red sash around his velveteen breeches, and the little French nobleman from the Cercle Royal who had never before felt the sun, except when he had played lawn tennis on the Isle de Puteaux. Each had his bandolier and rifle; each was minding his own business, which was the business of all—to try and save the independence of a free people.
The presence of these foreigners, with rifle in hand, showed the sentiment and sympathies of the countries from which they came. These men were Europe’s real ambassadors to the Republic of the Transvaal. The hundreds of thousands of their countrymen who had remained at home held toward the Boer the same feelings, but they were not so strongly moved; not so strongly as to feel that they must go abroad to fight.
These foreigners were not the exception in opinion, they were only exceptionally adventurous, exceptionally liberty-loving. They were not soldiers of fortune, for the soldier of fortune fights for gain. These men receive no pay, no emolument, no reward. They were the few who dared do what the majority of their countrymen in Europe thought.
At Jones’s Hotel that night, at Ventersburg, it was as though a jury composed of men from all of Europe and the United States had gathered in judgment on the British nation.
Outside in the moonlight in the dusty road two bearded burghers had halted me to ask the way to the house of the commandant. Between them on a Boer pony sat a man, erect, slim-waisted, with well-set shoulders and chin in air, one hand holding the reins high, the other with knuckles down resting on his hip. The Boer pony he rode, nor the moonlight, nor the veldt behind him, could disguise his seat and pose. It was as though I had been suddenly thrown back into London and was passing the cuirassed, gauntleted guardsman, motionless on his black charger in the sentry gate in Whitehall. Only now, instead of a steel breastplate, he shivered through his thin khaki, and instead of the high boots, his legs were wrapped in twisted putties.
“When did they take you?” I asked.
“Early this morning. I was out scouting,” he said. He spoke in a voice so well trained and modulated that I tried to see his shoulder-straps.
“Oh, you are an officer?” I said.
“No, sir, a trooper. First Life Guards.”
But in the moonlight I could see him smile, whether at my mistake or because it was not a mistake I could not guess. There are many gentlemen rankers in this war.
He made a lonely figure in the night, his helmet marking him as conspicuously as a man wearing a high hat in a church. From the billiard-room, where the American scouts were playing pool, came the click of the ivory and loud, light-hearted laughter; from the veranda the sputtering of many strange tongues and the deep, lazy voices of the Boers. There were Boers to the left of him, Boers to the right of him, pulling at their long, drooping pipes and sending up big rings of white smoke in the white moonlight.
He dismounted, and stood watching the crowd about him under half-lowered eyelids, but as unmoved as though he saw no one. He threw his arm over the pony’s neck and pulled its head down against his chest and began talking to it.
It was as though he wished to emphasize his loneliness.
“You are not tired, are you? No, you’re not,” he said. His voice was as kindly as though he were speaking to a child.
“Oh, but you can’t be tired. What?” he whispered. “A little hungry, perhaps. Yes?” He seemed to draw much comfort from his friend the pony, and the pony rubbed his head against the Englishman’s shoulder.
“The commandant says he will question you in the morning. You will come with us to the jail now,” his captor directed. “You will find three of your people there to talk to. I will go bring a blanket for you, it is getting cold.” And they rode off together into the night.
Two days later he would have heard through the windows of Jones’s Hotel the billiard balls still clicking joyously, but the men who held the cues then would have worn helmets like his own.
The original Jones, the proprietor of Jones’s Hotel, had fled. The man who succeeded him was also a refugee, and the present manager was an American from Cincinnati. He had never before kept a hotel, but he confided to me that it was not a bad business, as he found that on each drink sold he made a profit of a hundred per cent. The proprietress was a lady from Brooklyn, her husband, another American, was a prisoner with Cronje at St. Helena. She was in considerable doubt as to whether she ought to run before the British arrived, or wait and chance being made a prisoner. She said she would prefer to escape, but what with standing on her feet all day in the kitchen preparing meals for hungry burghers and foreign volunteers, she was too tired to get away.
War close at hand consists so largely of commonplaces and trivial details that I hope I may be pardoned for recording the anxieties and cares of this lady from Brooklyn. Her point of view so admirably illustrates one side of war. It is only when you are ten years away from it, or ten thousand miles away from it, that you forget the dull places, and only the moments loom up which are terrible, picturesque, and momentous. We have read, in “Vanity Fair,” of the terror and the mad haste to escape of the people of Brussels on the eve of Waterloo. That is the obvious and dramatic side.
That is the picture of war you remember and which appeals. As a rule, people like to read of the rumble of cannon through the streets of Ventersburg, the silent, dusty columns of the re-enforcements passing in the moonlight, the galloping hoofs of the aides suddenly beating upon the night air and growing fainter and dying away, the bugle-calls from the camps along the river, the stamp of spurred boots as the general himself enters the hotel and spreads the blue-print maps upon the table, the clanking sabres of his staff, standing behind him in the candle-light, whispering and tugging at their gauntlets while the great man plans his attack. You must stop with the British army if you want bugle-calls and clanking sabres and gauntlets. They are a part of the panoply of war and of warriors. But we saw no warriors at Ventersburg that night, only a few cattle-breeders and farmers who were fighting for the land they had won from the lion and the bushman, and with them a mixed company of gentleman adventurers—gathered around a table discussing other days in other lands. The picture of war which is most familiar is the one of the people of Brussels fleeing from the city with the French guns booming in the distance, or as one sees it in “Shenandoah,” where aides gallop on and off the stage and the night signals flash from both sides of the valley. That is the obvious and dramatic side; the other side of war is the night before the battle, at Jones’s Hotel; the landlady in the dining-room with her elbows on the table, fretfully deciding that after a day in front of the cooking-stove she is too tired to escape an invading army, declaring that the one place at which she would rather be at that moment was Green’s restaurant in Philadelphia, the heated argument that immediately follows between the foreign legion and the Americans as to whether Rector’s is not better than the Café de Paris, and the general agreement that Ritz cannot hope to run two hotels in London without being robbed. That is how the men talked and acted on the eve of a battle. We heard no galloping aides, no clanking spurs, only the click of the clipped billiard balls as the American scouts (who were killed thirty-six hours later) knocked them about the torn billiard-cloth, the drip, drip of the kerosene from a blazing, sweating lamp, which struck the dirty table-cloth, with the regular ticking of a hall clock, and the complaint of the piano from the hotel parlor, where the correspondent of a Boston paper was picking out “Hello, My Baby,” laboriously with one finger. War is not so terribly dramatic or exciting—at the time; and the real trials of war—at the time, and not as one later remembers them—consist largely in looting fodder for your ponies and in bribing the station-master to put on an open truck in which to carry them.