She is in the same place, in the same position. He tells himself to take care, not to startle her. She looks up and gets to her feet, picks up her plastic bags, taking a few steps back as she realises that the car is going to pull over. He stops beside her, lowers the window halfway while trying to appear as unthreatening as possible, asks her to get in (as though addressing a foreigner with an incomplete grasp of Portuguese), says he’ll give her a lift, perhaps up to the nearest petrol station or the highway police watch-post. She doesn’t answer, looking him straight in the eye. He insists, but she remains fearful. ‘It’s not going to work, these types of good intentions just do not work … ’ he mutters quietly before picking up the umbrella and getting out of the car. As soon as she sees him opening the door, she crosses the road. Once on the other side she begins to walk hurriedly south. For a moment he stops where he is, there in front of the Volkswagen, watching her move away (the rain and its weight cover him with deafness and mineral obliteration). He returns to the Beetle, takes the towel and the items of clothing and, cursing uninterruptedly, without any clue what he might lose or gain by doing this, he leaves the car and goes after her.
If, to make matters worse, the National Highway Police were to pull over wanting to know what all this was about, Paulo would say he had no very clear reason. He would confide to them that, these last three years, almost everything he’d done had been done out of a contagious inertia, a blind freedom that needed to be exercised urgently not only for himself, but for all the Brazilians who, having lived through the height of the military regime, now need to promise themselves that they can be just and emancipated and happy, and so much so that they will accept the most obvious determinism by which enemies can be easily recognised and by which the truth is a discovery that is on your side, comfortable, destined to hold out against all things. A line of argument that, if uprooted, placed into the context of a tv comedy show, would be just as useless and pathetic as silence, or as finding that, at such a moment, upon realising that the headlights were still on and the Beetle’s engine running, the sensible thing to do might be to walk the hundred, hundred-and-something metres back to the car and turn off the lights, shut off the engine, find a suitable plastic bag in which to wrap the pieces of clothing and the towel, lock the doors, put the key away in his trouser pocket, and only then, with the reassurance of the police authorities (and the applause of the studio audience) resume his chasing after the Indian girl. He stands transfixed in this anguish of speculation and, when he refocuses, he looks south and is surprised at how far she has already got (he’ll really have to make an effort if he is to catch up with her). He looks back at the car. Now, holding the umbrella with the same hand that has the clothes, sets off at a faster pace until, once he has come very close to her, he spots how the Indian girl is looking discreetly over her shoulder and slowing down, and a few metres before he reaches her she turns abruptly towards him. He waits a moment, catching his breath, holding out the umbrella and bits of material for her to take. ‘I’m just trying to help.’ He points his index finger at the things he is holding in his other hand and then points at her. ‘It’s dry clothes … Dry clothes … ’ She takes them, and the umbrella, too. ‘I can take you to some shelter, but if you don’t want to, that’s fine, I’ll leave you here. I’m going back to the car,’ he gestures with his thumb. ‘If you want a lift, if you want me to take you,’ he emphasises this, ‘just come with me’ — and he uses his fingers to mime a person walking towards the car. The Indian girl looks right at him. In the middle of all that rain, he feels — just glancingly — that they won’t come to any solution. And he tries for the last time. ‘My name’s Paulo … What’s yours?’ She doesn’t reply. He imagines that perhaps she can’t hear him properly, because there’s this distance between the two of them and the noise of the rain on the nylon surface of the umbrella. He realises there is nothing left for him to do, turns back towards the car. He walks twenty metres or so before looking back: she is following him. When he reaches the vehicle he gets in, leaving the passenger door open. She stops beside the car and gets in a muddle trying to close the umbrella. He wonders whether or not he ought to help her and just waits. Then she sits down beside him, her breathing hurried, her eyes fixed ahead of her. A few moments later she closes the door, he starts up the engine and pulls out slowly towards the north. In the eight-kilometre stretch to the restaurant they sit in silence. He keeps his window lowered (because he himself needs to be unthreatening) and the inside of the car gets wet from the rain.
He stops in the space furthest to the left, a few metres from the toilets. The Indian girl gets out of the car. She seems surer of herself; she seems to have understood when he said that it would be better if she put on the dry clothes. She goes off to change. And from the back seat of the car he takes his law-trainee rucksack, pulls out the only t-shirt that’s fit to wear, a pair of shorts, a pair of sandals, too, and heads straight for the toilets. He takes longer than he meant to. When he comes out, he looks around in every direction trying to spot the girl. He sees no indication that she’s already come out. He goes into the restaurant. To the right there’s a snack counter. Savoury snacks from the oven, ham and cheese rolls, slices of cake, all displayed under glass covers. He chooses a seat near the window, far from the other customers, he asks for a cup of coffee with milk. His order is served. He tells the guy behind the counter that he’ll be back in a moment, he goes outside. She’s standing beside the CRT payphone wearing the clothes he gave her. He gestures for her to come in, she stays just where she is, out of place. He approaches, takes the carrier bags and the umbrella from her left hand and, when he tries to take the stack of newspapers and magazines that she is holding squeezed against her chest, she resists. Then he gently takes hold of her wrist and leads her in with him to where he’d been sitting. ‘Do you want a coffee?’ She declines with a shake of her head. It doesn’t seem unreasonable to insist, ‘A Coca-Cola?’ ‘Yes,’ she says (speaking to him for the first time). He orders the soft drink and a serving of buttered toast from the waitress who has taken the man’s place, an affected woman who has planted herself in front of them as though she were the manager of the place or even the owner. She doesn’t seem up for any friendly chitchat. ‘Name’ says the Indian girl, ‘Maína.’ Christ, he thinks, she doesn’t even speak Portuguese properly. When the waitress returns with the order, she dumps the plate with the toast down on the tablecloth. Paulo makes a point of saying thank you. Maína remains immobile, holding on to the stack of papers. After a few moments, in which she takes no initiative, he pours the drink into the glass just recently put there and pushes the plate towards her. ‘It’s for you. You must be hungry, right?’ She puts the newspapers and magazines down on the chair next to her, picks up the half-slice of toast, takes her first bite. ‘What’s all that for?’ Paulo asks, pointing his index finger towards the pile of newspapers and magazines. ‘On the road … was throw away,’ she replies as soon as she has swallowed. ‘You like reading?’ he asks. ‘Got them … ’ she hesitates as she speaks, ‘keep … learned at school. Speaking Portuguese … little … read little. No much practice.’ He sees how beautiful the girl is, how graceful her face, even when she is uneasy. ‘And how old are you?’ he goes on. She replies with a shy smile, says nothing. ‘Your age?’ he insists. ‘I’m twenty-one … ’ holding all his fingers stretched out, twice, plus his index finger on its own. ‘And you?’ he points at her. ‘How old?’ He isn’t coming across as threatening. ‘Fourteen,’ she replies. What am I doing? he thinks, aware that the waitress-manager has brought about a small revolt in their surroundings and now the fourteen customers, all of whom look like Italian immigrants, are staring in his direction, judging him, having already made a note of the Beetle’s license plate, ready to report him should news break of the misfortune to befall that Indian girl, any Indian girl, in the coming days. God, talk about naivety, Paulo. ‘Too bad,’ he says to himself, as he watches her eat and recalls the seminar on the fortieth anniversary of the Universal Declaration of Human Rights that he took part in last year (he was very interested in the young woman who organised it, a Uruguayan militant from Amnesty International) and the panel on which a tribal chief described the terrible living conditions of the indigenous ethnic groups in the southern part of the country. The chief used the expression ‘the Calvary of the indigenous ethnic groups’ before talking about the ludicrous number of families living alongside the highways because of conflicts within the villages, because of a shortage of land, because of a lack of space. Paulo hadn’t the faintest idea that this was precisely the case of the Indian girl sitting in front of him now.