James Bond, looking out of the window across the trees in Regent's Park, shrugged. Thank God it was none of his business. The girl's fate wasn't in his hands. She was caught in the grimy machine of espionage and she would be lucky if she lived to spend a tenth of the fortune she was going to gain in a few hours in the auction rooms.
* * *
There was a line of cars and taxis blocking George Street behind Sotheby's. Bond paid off his taxi and joined the crowd filtering under the awning and up the steps. He was handed a catalog by the uniformed Commissionaire who inspected his ticket, and went up the broad stairs with the fashionable, excited crowd and along a gallery and into the main auction room that was already thronged. He found his seat next to Mr. Snowman, who was writing figures on a pad on his knee, and looked round him.
The lofty room was perhaps as large as a tennis court. It had the took and the smell of age and the two large chandeliers, to fit in with the period, blazed warmly in contrast to the strip lighting along the vaulted ceiling whose glass roof was partly obscured by a blind, still half-drawn against the sun that would have been blazing down on the afternoon's sale. Miscellaneous pictures and tapestries hung on the olive-green walls and batteries of television and other cameras (amongst them the M.I.5 cameraman with a press pass from The Sunday Times) were clustered with their handlers on a platform built out from the middle of a giant tapestried hunting scene. There were perhaps a hundred dealers and spectators sitting attentively on small gilt chairs. All eyes were focused on the slim, good-looking auctioneer talking quietly from the raised wooden pulpit. He was dressed in an immaculate dinner jacket with a red carnation in the buttonhole. He spoke unemphatically and without gestures.
"Fifteen thousand pounds. And sixteen," a pause. A glance at someone in the front row. "Against you, sir." The flick of a catalog being raised. "Seventeen thousand pounds I am bid. Eighteen. Nineteen. I am bid twenty thousand pounds." And so the quiet voice went, calmly, unhurriedly on while down among the audience the equally impassive bidders signaled their responses to the litany.
"What is he selling?" asked Bond opening his catalog.
"Lot 40," said Mr. Snowman. "That diamond rivière the porter's holding on the black velvet tray. It'll probably go for about twenty-five. An Italian is bidding against a couple of Frenchmen. Otherwise they'd have got it for twenty. I only went to fifteen. Liked to have got it. Wonderful stones. But there it is."
Sure enough, the price stuck at twenty-five thousand and the hammer, held by its head and not by its handle, came down with soft authority. "Yours, sir," said Mr. Peter Wilson and a sales clerk hurried down the aisle to confirm the identity of the bidder.
"I'm disappointed," said Bond.
Mr. Snowman looked up from his catalog. "Why is that?"
"I've never been to an auction before and I always thought the auctioneer banged his gavel three times and said going, going, gone, so as to give the bidders a last chance."
Mr. Snowman laughed. "You might still find that operating in the Shires or in Ireland, but it hasn't been the fashion at London sale rooms since I've been attending them."
"Pity. It adds to the drama."
"You'll get plenty of that in a minute. This is the last lot before the curtain goes up."
One of the porters had reverently uncoiled a glittering mass of rubies and diamonds on his black velvet tray. Bond looked at the catalog. It said "Lot 41" which the luscious prose described as:
A PAIR OF FINE AND IMPORTANT RUBY AND DIAMOND BRACELETS, the front of each in the form of an elliptical cluster composed of one larger and two smaller rubies within a border of cushioned-shaped diamonds, the sides and back formed of simpler clusters alternating with diamond openwork scroll motifs springing from single-stone ruby centers millegriffe-set in gold, running between chains of rubies and diamonds linked alternately, the clasp also in the form of an elliptical cluster.
* According to family tradition, this lot was formerly the property of Mrs. Fitzherbert (1756-1837) whose marriage to The Prince of Wales afterwards Geo. IV was definitely established when in 1905 a sealed packet deposited at Coutts Bank in 1833 and opened by Royal permission disclosed the marriage certificate and other conclusive proofs.
These bracelets were probably given by Mrs. Fitzherbert to her niece, who was described by the Duke of Orleans as "the prettiest girl in England."
While the bidding progressed, Bond slipped out of his seat and went down the aisle to the back of the room where the overflow audience spread out into the New Gallery and the Entrance Hall to watch the sale on closed-circuit television. He casually inspected the crowd, seeking any face he could recognize from the 200 members of the Soviet embassy staff whose photographs, clandestinely obtained, he had been studying during the past days. But amidst an audience that defied classification—a mixture of dealers, amateur collectors and what could be broadly classified as rich pleasure-seekers—was not a feature, let alone a face, that he could recognize except from the gossip columns. One or two sallow faces might have been Russian, but equally they might have belonged to half a dozen European races. There was a scattering of dark glasses, but dark glasses are no longer a disguise. Bond went back to his seat. Presumably the man would have to divulge himself when the bidding began.
"Fourteen thousand I am bid. And fifteen. Fifteen thousand." The hammer came down. "Yours, sir."
There was a hum of excitement and a fluttering of catalogs. Mr. Snowman wiped his forehead with a white silk handkerchief. He turned to Bond. "Now I'm afraid you are more or less on your own. I've got to pay attention to the bidding and anyway for some unknown reason it's considered bad form to look over one's shoulder to see who's bidding against you—if you're in the trade that's to say—so I'll only be able to spot him if he's somewhere up front here, and I'm afraid that's unlikely. Pretty well all dealers, but you can stare around as much as you like. What you've got to do is to watch Peter Wilson's eyes and then try and see who he's looking at, or who's looking at him. If you can spot the man, which may be quite difficult, note any movement he makes, even the very smallest. Whatever the man does—scratching his head, pulling at the lobe of his ear or whatever, will be a code he's arranged with Peter Wilson. I'm afraid he won't do anything obvious like raising his catalog. Do you get me? And don't forget that he may make absolutely no movement at all until right at the end when he's pushed me as far as he thinks I'll go, then he'll want to sign off. Mark you," Mr. Snowman smiled, "when we get to the last lap I'll put plenty of heat on him and try and make him show his hand. That's assuming of course that we are the only two bidders left in." He looked enigmatic. "And I think you can take it that we shall be."
From the man's certainty, James Bond felt pretty sure that Mr. Snowman had been given instructions to get the Emerald Sphere at any cost.
A sudden hush fell as a tall pedestal draped in black velvet was brought in with ceremony and positioned in front of the auctioneer's rostrum. Then a handsome oval case of what looked like white velvet was placed on top of the pedestal and, with reverence, an elderly porter in gray uniform with wine-red sleeves, collar and back belt, unlocked it and lifted out Lot 42, placed it on the black velvet and removed the case. The cricket ball of polished emerald on its exquisite base glowed with a supernatural green fire and the jewels on its surface and on the opalescent meridian winked their various colors. There was a gasp of admiration from the audience and even the clerks and experts behind the rostrum and sitting at the tall counting-house desk beside the auctioneer, accustomed to the Crown jewels of Europe parading before their eyes, leaned forward to get a better look.