“And so I can tell you that you will take part in one final great adventure before the Heroic Age draws to a close.” The goddess’s face was both beautiful and terrible to behold.
Odysseus held his breath, waiting.
“You will sail to a far-off land and fight a long and dreadful war. Your journey home will be as long and as hard as the war itself.”
“You make the adventure sound terrible, Goddess.”
Athena smiled. “And who was it who said, ‘Any danger averted is an adventure. If you live to tell the story.’”
“Will I live to tell it?” Odysseus asked, leaning forward eagerly.
“Glory is not won cheaply, Odysseus,” she said. “If glory is truly what you seek.”
“What else is there?” His face was puzzled.
“A prince can find joy in seeing his people safe and happy, in the love of a good wife, in watching his baby son grow to manhood,” the goddess said.
Odysseus shook his head. “Only glory lasts. The bards’ songs give us that chance at immortality. Like the gods themselves.”
“Think carefully, Odysseus, what you lose by that choice,” Athena said. She hefted her spear. “But enough. I know your heart. I know your mind. Enjoy the present. You will have calm seas and favourable winds all the way back to Ithaca. A happy homecoming awaits you.”
Odysseus wrinkled his nose at the thought, then drew the golden key from his belt. “And what shall I do with this?”
“Give it to old Praxios,” said Athena. “He will need it when he goes searching for his master. Or keep it for yourself. Whichever you do, make certain it is kept away from your grandfather. The gods themselves tremble to think what might happen if a key that opens all locks should fall into his thieving hands.” Then she threw back her head and, laughing, disappeared.
Odysseus had never felt so awake in his life. He tapped the golden key against his palm, grinning.
Silenus had been wrong. The gods did have a sense of humour after all.
WHAT IS TRUE ABOUT THIS STORY?
DID THE HEROIC AGE—the Age of Heroes—really exist?
Yes and no.
No—there was not a time when the gods took part in human battles, nor were there goat-legged men called satyrs or hundred-headed snakes running around the Greek islands. There were no bird-women sirens swimming in the wine-dark sea.
But yes—there was once a rich and powerful civilisation in Greece where, though each city was a separate state with its own kingdom the people were united by a single language. There was also a thriving culture on the island of Crete, and the remains of the great palace at Knossos can still be seen. In that period—we now know from archaeological evidence—there was a real Troy and a real Trojan War, though whether it was fought because of the abduction of the beautiful Helen by a Trojan prince is debatable. That great civilisation was suddenly destroyed around 1200 B.C.
Five hundred years later, the blind poet Homer created the Iliad, a poem about the Trojan War, and the Odyssey, about the wanderings of the hero Odysseus. In fact, all that we know about Odysseus can be found in Homer’s epic poems and a few Greek folktales. We don’t even know whether Odysseus was a real king of Ithaca (or Ithika or Ithaki or Ithikai) or just a made-up legendary hero.
All that is related in those sources about Odysseus’ boyhood is that he was wounded by a boar on the slopes of Mount Parnassus where he was visiting his grandfather, the cattle thief and robber Autolycus.
But a man—even a legendary hero—must have a childhood and adolescence that foretells his future deeds. In the Odyssey and the Iliad we learn that Odysseus is a short, burly redhead who is not only a fine fighter but a grand and eloquent speaker. Like all Greek princes, he would have been trained in public speaking, but Odysseus outshines his contemporaries in storytelling. Known as cunning and crafty, he is in fact the cleverest of the Greeks, and not above playing mad when necessary. He is the one who figures out how to sneak out of the Cyclops’ cave by clinging to the belly of a sheep. He is the one who teaches his men to stopper their ears so that they might pass by the singing sirens safely. He is the one who invents the wooden horse trick that gets the Greeks (including his ally Idomeneus) inside the impregnable walls of Troy.
Fighter, storyteller, the wily Odysseus wanders ten years around the Mediterranean Sea with his men after the Trojan War as a punishment for offending the sea god, Poseidon. His adventures, as detailed in Homer’s epic poem, include gods, monsters, giants, sorceresses, and many a magical happening.
At last Odysseus comes home to his beloved wife, Penelope, and his son, Telemachus, whom he has not seen since the boy was a baby. All those long years her husband has been away, Penelope has kept 108 suitors at bay by her own wits, each night unweaving a piece of cloth she has promised to finish before choosing a new husband. Penelope is aided only by her handmaidens and by her husband’s trusted friend Mentor, and her wits are every bit as sharp as Odysseus’.
We have taken the Odysseus of the Odyssey and the Iliad and projected him backwards, using what archeologists have told us about the civilisation he would have inhabited if he had been a real man.
Or a young hero.
A Conversation Between the Authors
Jane: When we began the first of the four Young Heroes books, Odysseus in the Serpent Maze, we were quickly heads down in the thirteenth century BCE. I remember feeling amazed each time we swam up to the surface, where we were using computers to write the books, not scrolls, and sending emails back and forth, even when we were living in the same country.
And look where we are now: We have cell phones that can take us from point A to point B and take and send photographs from any location; we have twitters and tweets and more. Does all this technology make it even harder to get into the Heroic Age mindset?
Bob: When I try to think about being in a “mindset,” my mind goes completely blank. To give an answer worth reading, I would just have to make something up. In other words, lie.
Jane: Well, after all, lying is what we do professionally—in other words, telling stories.
Bob: I’ll give you the truth. Having written stories that span more than two thousand years, I’ll say that there is no mindset for each period. There is only a storytelling mindset, which is about plot and character.
Jane: Absolutely. The story tells us where we are. Though I have to say, Plot Man, that I would have been well lost in the past without your compass, and your background in the classics. While we can both do the necessary research for details, you are the one who Finds Us a Plot. Me, I am the Follow-Your-Characters-and-Shout-at-Them-to-Slow-Down-and-Wait-for-Me kind of writer.
How do you invent plot?
Bob: You’ll remember that we reached a point early in the Odysseus novel where Odysseus and his friends are lost at sea in a small boat. It took us quite a while to decide what would happen next: that they would come upon a ship, but one that appeared to be deserted.
It was asking questions about that ship that unfolded the plot for the rest of the book: Why is the ship deserted? Who built it? Where did it come from? Once we had answered those questions, the rest of the book almost wrote itself.
OK, it’s not that easy—but it was something like that.
Jane: So, if you are stuck without a plot, ask questions! It’s a bit like being lost without a compass or a GPS. But you can find your way if you turn to the nearest friendly resident and are not afraid to ask questions.