After this introduction to wildlife we were ready to confront the big city. Of the obligatory sights, we saw neither the Eiffel Tower — except for its silhouette, which looked like an overgrown derrick over the rooftops — nor the waxworks museum, nor the Sacre-Coeur, not even making a detour by way of the Moulin Rouge, the Cour Carree of the Louvre, nor the Luxembourg Gardens. It was as if his schedule followed his thoughts: Notre-Dame, the Palace of Discovery, the Invalides, and, outside the city walls, a visit to the Chateau de Fontainebleau that, later, we found difficult not to interpret as a farewell ceremony.
Braving the Paris traffic with the 403 in its present state wouldn’t have been reasonable. So, sticking closely to our great man, we plunged down into the metro. Once past the intimidating mob in front of the ticket windows, while we were deciding on our route we were pleasantly surprised to find ourselves on familiar ground: the electrified metro map — on which bulbs of different colors, each line having its own, light up at the touch of a button and indicate the ideal itinerary between two stations — was the counterpart, in a more sophisticated version, of his map of Brittany. Thanks to that we felt a bit less provincial, each of us unwittingly familiar with the capital, as if we were already in complete command of the very best method of traveling in Paris. We recognized this as his way of marking out our course, of preparing us by a series of signs for other worlds, like the shop on two levels, incongruous in a small community — the incessant warfare he carried on against routine and the inability of most people to challenge the existing order of things. He had no hesitation, for instance, in getting rid of two antique but not very practical armoires on the first floor landing and replacing them with a monumental storage unit he had himself designed. It was of doubtful elegance, but it met all our needs, from clothes closet to linen chest, and it possessed a system of interior lighting operated by opening and closing its doors.
But the similarity between the two maps was enough to set him dreaming; at the same time it acknowledged his creativity and cheated him of his invention. Tapping the keys corresponding to the stations, trying out the different combinations, he even let several people go before him so as not to be disturbed in his privileged dialogue with the machine. You didn’t have to be much of a wizard to guess that he was studying the possibility of electrifying his map of Brittany in the same way: instead of map pins with different-colored heads and cotton thread replicating Ariadne’s clue, a string of little Christmas tree lights would indicate his schedule for the coming week. For the modern man that he was, this was logical progress. But he made a funny little face, a contraction of his lips, which we took to mean that he had already given up on the idea. It wasn’t in his line, that complicated network of connections and electric wires — or it was too involved, or he was suddenly overcome by lassitude. And after all, what was the point? Hadn’t he already considered retiring, abandoning his long odyssey and accepting his friend’s offer to succeed him as director of the Random hospital-cum-old-people’s-home. There would be plenty of illuminated signs and flashing lights on the switchboard and in the staff room. There would be no shortage of opportunities to use his talents as an inventor. As for his future route, he would only have to walk three hundred yards. No need to put up an ordnance survey map in his office for that.
From the Porte Dorée to the Invalides was simple, too. No changes. Direct line. Presumably, the site of the monument had been judiciously chosen. We found a Life of Napoleon in the library, its jacket illustrated by Baron Gros’s picture of a disheveled Bonaparte crossing the Bridge of Areola and casting an anxious eye behind him, worried his men might not be following. Which indeed would have put a premature end to his career. But they did follow him. They followed him so well that he was now reposing, a cuckoo in the luxurious nest of Louis XIV, under Hardouin-Mansart’s gigantic gilded dome, in his red porphyry mausoleum, delivered up to the curiosity of the crowd congregated at the railing of the circular gallery to admire the imperial ashes down below, in the center of the open crypt — even if in actual fact no one, not even the English, ever thought of cremating his body: it must have been the trauma of Joan of Arc. But “the ashes” sounds better than “the remains,” which makes you think of the leftovers that no one ever knows what to do with. Although it’s true that no one really knew what to do with the guest of Saint Helena. And yet, apart from this piece of workmanship, Napoleon didn’t seem to occupy a very special place in our family pantheon, unless he held one for Cousin Rémi, whose birthday fell on the same day as the coronation and the battle of Austerlitz, a fact he never failed to remind us of every year, perhaps as a veiled response to his cousin Joseph who was born on 2 /22 /22 and who saw this remarkable sequence as a sort of mark of destiny, a magic formula, which it certainly wasn’t when you consider his short lease on life.
But remembrances of Napoleon would probably not have been enough to get us to the Invalides had there not been a more deep-seated reason for our visit. After Father had leaned over the imperial tomb for a few moments, and without even lingering over the pompous bas-reliefs in the crypt representing the new Christ-king surrounded by his generals as if they were apostles, he began to examine the hundreds of flags displayed in the church, in search of the one of the seventh regiment of dragoons, to which his father had belonged. After years of war, a dragoon in a trench looks no different from any other poilu — French recruit — overwhelmed by cold and suffering. The photo of Pierre taken at the front, his blue uniform covered in mud, but smiling in spite of everything so as not to worry his family, hasn’t a great deal in common with the one taken when he was in training a few years before the war, which shows him wearing a helmet with a long plume, his sword by his side, thrusting out his chest in his beautiful frogged uniform with the two embroidered 7’s on the collar. But when you see the name of the person this photo was dedicated to, you realize that the main purpose of his noble bearing was to captivate his betrothed and future spouse. The quartermaster sergeant who, in another photo taken at the same period, is seen posing in high spirits with his comrades in arms in front of the horseshoe staircase leading up to the Chateau de Fontainebleau, the town where his regiment was based, probably never for a moment imagined that the mischief his squadron got into would one day result in a theater of horror. From his four years at the front, he was to bring back a profound distaste for all things military that he communicated to his son, who, drafted into the regular army after his two years in the Resistance, didn’t hesitate to chuck a camembert at the head of an officer whom he thought had given a totally stupid order — a gesture that, it is easy to guess, was not without its consequences.