I used to listen to what went on. I put my ear to the door and listened hard, for this man in black intrigued me. And so I heard a very extraordinary conversation. The man in black spoke in a fine deep voice with an educated accent, and he said:
“Mahler, you are finished.”
“Nonsense,” said Mahler.
“Mahler, there is no use in your trying to deceive me. I can tell you positively that you are in debt to the tune of just over twenty million francs—to be exact, 20,002,907 francs. You have gambled, and have lost. Do you wish me to give you further details of your embezzlements?”
Calm as ice, Mahler said, “No. Obviously, you are in the know. Well, what do you want?”
“To help you.”
At this Mahler laughed, and said, “The only thing that can help me is a draft on, say, Rothschild’s, for at least twenty millions.”
“I have more than that in cash,” said the gentleman in black and I heard something fall heavily on Mahler’s desk, and Mahler’s cry of surprise.
“There are twenty-five millions there,” said the stranger.
Mahler’s voice shook a little as he replied, “Well?”
“Now let us talk. Monsieur Mahler, you are a man of the world, an educated man. Do you believe in the immortality of the soul?”
“Why, no,” said Mahler.
“Good. Well, I have a proposition to make to you.”
“But who are you?” Mahler asked.
“You’ll know that soon enough. I have a proposition. Let us say that I am a buyer of men’s time, men’s lives. In effect, I buy men’s souls. But let us not speak of souls. Let us talk in terms of time, which we all understand. I will give you twenty million francs for one year of your life—one year in which you must devote yourself utterly to me.”
A pause: then Mahler said, “No.” (Ah, he was a cunning man of business, poor Mahler!) “No. That is too long. It’s too cheap at that price. I’ve made fifty million in less than a year before now.”
I heard another little thud. The stranger said, “All right my friend. Fifty million francs.”
“Not for a year,” said Mahler.
The stranger laughed. “Then six months,” he said.
And now I could tell, by the tone of his voice, that Mahler had taken control of the situation, for he could see that the strange man in black really wanted to buy his time. And Mahler had a hard, cold head, and was a genius at negotiation. Mahler said, “Not even one month.”
Somehow, this affair brought sweat out on my forehead. It was too crazy. Mahler must have thought so too. The stranger said:
“Come. Do not let us quarrel about this. I buy time—any quantity of time, upon any terms. Time, my friend, is God’s one gift to man. Now tell me, how much of your time, all the time that is yours, will you sell to me for fifty million?”
And the cold, even voice of Mahler replied, “Monsieur. You buy a strange commodity. Time is money. But my time is worth more money than most. Consider. Once, when Salomon Gold Mines rose twenty points overnight, I made something like twenty million francs by saying one word, Soit, which took half a second. My time, at that rate, is worth forty million a second, and two thousand four hundred million francs a minute. Now think of it like that—”
“Very well,” said the visitor, quite unmoved. “I’ll be even more generous. Fifty million a second. Will you sell me one second of your time?”
“Done,” said Mahler.
The gentleman in black said, “Put the money away. Have no fear; it is real. And now I have bought one second of your time.”
Silence for a little while. Then they both walked to the window, which was a first-floor one, and I heard the stranger say:
“I have bought one second of your time for fifty million francs. Ah well. Look down at all those hurrying people, my friend. That busy street. I am very old, and have seen much of men. Why, Monsieur Mahler . . . once, many years ago, I offered a man all the kingdoms of the earth. He would not take them. Yet in the end he got them. And I stood with him on a peak, and said to him what I say to you now—Cast thyself down!”
Silence. Then I seemed to come out of a sleep. The door of Mahler’s office was open. Nobody was there. I looked out of the open window. There was a crowd. Mahler was lying in the street, sixteen feet below, with a broken neck. I have heard that a body falls exactly sixteen feet in precisely one second. That gentleman all in black was gone. I never saw him go. They said I had been asleep and dreamed him, and that Mahler had fallen by accident. Yet in Mahler’s desk lay fifty million francs in bonds, which I had never seen there before. I am sure he never had them before. I believe, simply, that the gentleman in black was the Devil, and that he bought Mahler’s soul. Think I am crazy if you like. On my mother’s grave I swear that what I have told you is true. . . . And now can you give me fifty centimes? I want to buy a meal. . . .”
THE EYE
The generosity of the criminal generally consists in the giving away of something that never was, or no longer is, his own property. A case in point is that of the robber and murderer, Rurik Duncan, whose brief career was bloody, fierce and pitiless, but whose last empty gesture was thick and sticky with sentiment which uplifted the heart of a nation. Duncan gave away his eyes to be delivered after his death. It was regarded as a vital act of charity—in effect, a ticket to Salvation—that this singularly heartless fellow gave permission for his eyes to be grafted onto some person or persons unknown.
Similar cases have been printed in the newspapers. As it is with most philanthropists who give their all, so it was with this man Duncan. Having no further need for what he donated, he made a virtue of relinquishing it—stealing from his own grave, conning to the bitter end. I knew a billionaire whose ears were stopped during his lifetime against any plea for charity; but who, when his claws relaxed in death, gave what he had to orphans. I knew a Snow Maiden of an actress whose body is bequeathed to Science—whatever that may be. Rurik will rank with these, no doubt, on the Everlasting Plane. And why not? All the billionaire had that he was proud of was certain sums of money and holdings in perpetuity, which he let go because he had to. All the actress had was something of merely anatomical interest. Rurik had his eyes. He prized these eyes, which were of a strange, flecked, yellowish color. He could expand or contract them at will, and seemed to look in a different direction while he was watching your every movement.
Before we proceed with this old story, I had better make some kind of resumé of Rurik’s career. He was born between the rocks and the desert, and was what, in my day, was called a “nuisance,” but what is now termed a “juvenile delinquent.” In my day physical force used to be applied to such, whereafter they generally lived to die in their beds; now they bring in psychologists, and quite right, too, because you can never tell where anything begins or ends. It is only in extreme cases that a Rurik, nowadays, is stopped in his career with a tingling jolt and—first and last restraint—the pressure of certain heavy leather straps.
In brief: Rurik killed chickens, maimed sheep, corrupted and led a mob of fourteen-year-old muggers; graduated to the rackets in which he was employed to his pleasure and profit in nineteen states of the Union; got hot, gathered about him two coadjutors and became one of the most formidable operators since Dillinger. He had extraordinary luck, and a really remarkable sense of timing—without which no bank robber can hope to succeed. Also he had a highly developed administrative capacity, a strategic knack coupled with what one of the reporters called “tactical know-how.” He could time a getaway to that split second in which a traffic light winks, letting a town throw up its own road-block. Rurik went plundering from bank to bank. It has been argued that with such superb dissimulation and timing he might have been a great actor or, perhaps, a great boxer. He might have been a copper baron, or oil king, or a banker, if only he had been born in the right place and at the right time; or literate, an ink-slinger. But he wasn’t. He was born on an eroded farm, and went with a certain brilliance to his convulsive end.