Having thus decided to enlist, the first step was naturally to have a night out; and they took train to the Metropolis. They put up at their usual quarters—a hostelry called ‘Malcolm’s’, of a somewhat sporting character in the neighbourhood of Covent Garden; and, after dressing themselves, went to dine at the ‘Cri.’ There they ate in silence, despatching the preliminaries of a ‘night out’—oysters, devilled kidneys, a partridge, a welsh rabbit, ‘a bottle of the boy,’ and a glass of old port, with only two lapses into conversation, the first when Jesse said:
“Those Johnny birds, the Boers, are getting above themselves!”
To which Giles replied:
“You bet.”
And the second when Giles said:
“Buller’ll stay the course.”
To which Jesse replied:
“Good old Buller.”
Having finished, placed cigars in their mouths, secured their coats, and put on their Opera hats, they went out into a mild night, to walk to the ‘Pandemonium.’
In old days when they were living in the Hayman house on Campden Hill and reading for examinations which, by some curious fatality not unconnected with brains, they never passed, so that they had been compelled to remain without professions, there had been few evenings when they could not be observed leaning over the balustrade of the Promenade at that establishment. Thence had they watched the acrobats, ventriloquists, conjurers, ballad singers, comedians, and ballet dancers of the period, never manifesting approbation, but not infrequently with a sort of smile bitten in on their faces. Generally they left as much with each other as they arrived, occasionally they left without each other, but with somebody else. It was not known even to each other whether they ever spoke to those others with whom they left.
Having been out of London since the Boer war broke out they had not yet heard ‘Tommy Atkins’ sung; and when this inevitable item was reached the effect on Giles was observed by Jesse to be as noticeable as the effect on Jesse observed by Giles. After a certain resistance to words and tune due to the need for maintaining ‘form’ their heads began almost imperceptibly to move in time to the refrain, and, a line or so behind the rest of the audience, their mouths began in a muffled manner to take up the chorus. The effect on them, in fact, was distinctly emotional, which to some extent explains what happened afterwards. The song was scarcely over and a ventriloquist had taken his seat on the stage with a midshipman on his knee when Jesse’s attention was diverted by smothered voices behind him. His hearing, trained by listening in coverts for the music of hounds or the flushing of birds, was sharp, and he distinctly heard the following conversation:
“If you don’t get me ten pounds to-night it’ll be the worse for you.”
“Ten pounds? How can I?”
“Well, don’t you come home without it.”
“Oh! You are a brute!”
“All right, my girl!”
Jesse turned round. He saw, moving away, a hulking fellow of an unpleasant type, and a young woman, rouged but rather pretty, under a big hat, looking after him.
“Hear that, Giles?”
Giles nodded. “Swine!”
Having thus registered their disapproval, they re-concentrated their attention on the stage. It was during the song of a gentleman in a kilt that Jesse felt his arm pressed, and heard a voice in his ear say:
“Oh! Beg pardon! He IS funny, isn’t he?”
The same rouged young woman in the big hat was leaning over the balustrade beside him.
She was really young; her mouth was pretty if somewhat artificial, and her eyes, which were dark, looked scared.
“Are you having a night out?” she whispered.
Jesse shrugged his shoulders. Then the strains of ‘Tommy Atkins’ moving within him, he said:
“I heard what that swine said to you just now.”
The professional smile died off the young woman’s lips. She crossed her arms on her breast, and air escaped her in a long: “Oh!” Jesse edged his arm away from hers. A minute passed; then her arm pressed his again, and out of the corner of his eye, accustomed to the observation of woodcock, he could see her glancing furtively round. The ‘swine’ in question was just behind again with two male friends; he was bending on the girl such a look that Jesse said with surprising suddenness:
“Send the swine to hell!”
“What?” said Giles.
“That swine behind us. Swine who live on girls!”
“Steady, old man!” said Giles.
The man and his companions moved on, muttering.
“Oh!” said the girl under her breath: “whatever made you? I’ll never dare to go ‘ome to-night. What shall I do?”
Jesse did not answer, having no idea. An objection to scenes, rooted in his type, caused him to resume his stare at the stage, now occupied by a male dancer with brisk and glancing legs; but he was conscious of a tear slowly trickling down the girl’s cheek, making a narrow track in her rouge and powder.
“You wouldn’t take me on, I suppose?” he heard her say.
Jesse shook his head.
“Only up for the night. Going to the war.”
“Oh!” said the girl, blankly. “HE WILL wallop me.”
Jesse stared.
“D’you mean to say—”
The girl nodded violently.
“Hear that, Giles?”
Giles grunted.
The girl stealthily removed the traces of emotion.
Jesse turned, and, leaning back against the balustrade, surveyed the promenaders. Giles, with mechanical conformity, had done the same. The girl continued to stare at the stage. If she had been ‘kidding’ him—Jesse thought—she would have turned too; besides, her face had gone a queer colour.
“I believe she’s going to cat,” he murmured to Giles.
They both looked at her, but she seemed to have recovered from the impulse, and was sniffing at a bottle of salts. Deciding to move away from her, Jesse had raised his hand to his hat, when he caught sight of the ‘swine’ among a group of men, all of whom were gazing in his direction.
“See those swine?” he said.
Giles nodded.
The group, seeing the brothers staring at them, moved on. Jesse turned to the girl.
“Look here,” he said, “you go to an hotel for the night. We’ll see you there. Better come now.”
The girl, who still looked very queer, turned from the balustrade.
“Thank you very much,” she said, “but I ‘aven’t any money.”
“That’s all right,” said Jesse. “Come on!”
They crossed the promenade and went down the steps with the girl between them.
“D’you know an hotel?” said Jesse, in the Square. “They won’t take you at ours—men only.”
“There’s Robin’s Hotel, off Covent Garden.”
“All right; that’s on our way. Here’s a fiver for you. You’re looking queer.”
“I feel queer,” said the girl, simply. They walked a little in silence, and then she said:
“I couldn’t have stood being walloped to-night—I just couldn’t.”
“Swine!” said Jesse. Giles growled.
Turning into Bedford Street, the girl touched Jesse’s arm.
“Oh!” she said in a scared voice; “they’re after us!”
About fifty yards behind, five men were strolling, keeping their distance, but quite clearly following. Instinctively the Dromios increased their pace, turning into Henrietta Street.
“If they turn down here too, we’ll know,” said Giles.
“I think I’m going to faint,” said the girl.
“Bosh!” said Jesse. “If they follow, we’ll stop them at the bottom here. You can slip on to the hotel sharp. They won’t know where you are. Take her other arm, Giles.”
At the Covent Garden end, he looked back; the men were just turning into Henrietta Street. He gave the girl a shove.
“Now run for it! Don’t be a little fool! They shan’t see where you go; we’ll stop ’em here. Cut on!”
The girl caught her breath, and stammered out:
“Oh! Thank you!” Then, helped by a push from Giles, she vanished round the corner. The Dromios began walking with extreme slowness back towards the men. Giles hummed out of tune, the air of ‘Tommy Atkins.’ The five pursuers, who had been hurrying, slowed up, and came to a halt. Indeed, without going off the pavement, the two parties could not pass each other. ‘That swine’ who was the biggest of the lot, took a step forward, and raising his fist, thus addressed the Dromios.