The opera was Fidelio. "What gloom!" cried the baritone, rising out of the dungeon under a groaning stone. I cried for it. That's how I see life too. I was so interested in the opera that for a while I forgot the circumstances of my crazy life and got lost in the great mournful sounds of Beethoven and the rich Rembrandt tones of his story.
"Well, Sal, how did you like the production for this year?" asked Denver D. Doll proudly in the street outside. He was connected with the opera association.
"What gloom, what gloom," I said. "It's absolutely great."
"The next thing you'll have to do is meet the members of the cast," he went on in his official tones, but luckily he forgot this in the rush of other things, and vanished.
Babe and I went back to the miner's shack. I took off my duds and joined the boys in the cleaning. It was an enormous job. Roland Major sat in the middle of the front room that had already been cleaned and refused to help. On a little table in front of him he had his bottle of beer and his glass. As we rushed around with buckets of water and brooms he reminisced. "Ah, if you could just come with me sometime and drink Cinzano and hear the musicians of Bandol, then you'd be living. Then there's Normandy in the summers, the sabots, the fine old Calvados. Come on, Sam," he said to his invisible pal. "Take the wine out of the water and let's see if it got cold enough while we fished." Straight out of Hemingway, it was.
We called out to girls who went by in the street. "Come on help us clean up the joint. Everybody's invited to our party tonight." They joined us. We had a huge crew working for us. Finally the singers in the opera chorus, mostly young kids, came over and pitched in. The sun went down.
Our day's work over, Tim, Rawlins, and I decided to sharp up for the big night. We went across town to the rooming house where the opera stars were living. Across the night we heard the beginning of the evening performance. "Just right," said Rawlins. "Latch on to some of these razors and towels and we'll spruce up a bit." We also took hairbrushes, colognes, shaving lotions, and went laden into the bathroom. We all took baths and sang. "Isn't this great?" Tim Gray kept saying. "Using the opera stars' bathroom and towels and shaving lotion and electric razors."
It was a wonderful night. Central City is two miles high; at first you get drunk on the altitude, then you get tired, and there's a fever in your soul. We approached the lights around the opera house down the narrow dark street; then we took a sharp right and hit some old saloons with swinging doors. Most of the tourists were in the opera. We started off with a few extra-size beers. There was a player piano. Beyond the back door was a view of mountainsides in the moonlight. I let out a yahoo. The night was on.
We hurried back to our miner's shack. Everything was in preparation for the big party. The girls, Babe and Betty, cooked up a snack of beans and franks, and then we danced and started on the beer for fair. The opera over, great crowds of young girls came piling into our place. Rawlins and Tim and I licked our lips. We grabbed them and danced. There was no music, just dancing. The place filled up. People began to bring bottles. We rushed out to hit the bars and rushed back.
The night was getting more and more frantic. I wished Dean and Carlo were there – then I realized they'd be out of place and unhappy. They were like the man with the dungeon stone and the gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining.
The boys from the chorus showed up. They began singing "Sweet Adeline." They also sang phrases such as "Pass me the beer" and "What are you doing with your face hanging out?" and great long baritone howls of "Fi-de-lio!" "Ah me, what gloom!" I sang. The girls were terrific. They went out in the backyard and necked with us. There were beds in the other rooms, the uncleaned dusty ones, and I had a girl sitting on one and was talking with her when suddenly there was a great inrush of young ushers from the opera, who just grabbed girls and kissed them without proper come-ons. Teenagers, drunk, disheveled, excited – they ruined our party. Inside of five minutes every single girl was gone and a great big fraternity-type party got under way with banging of beer bottles and roars.
Ray and Tim and I decided to hit the bars. Major was gone, Babe and Betty were gone. We tottered into the night. The opera crowd was jamming the bars from bar to wall. Major was shouting above heads. The eager, bespectacled Denver D. Doll was shaking hands with everybody and saying, "Good afternoon, how are you?" and when midnight came he was saying, "Good afternoon, how are you?" At one point I saw him going off somewhere with a dignitary. Then he came back with a middle-aged woman; next minute he was talking to a couple of young ushers in the street. The next minute he was shaking my hand without recognizing me and saying, "Happy New Year, m'boy." He wasn't drunk on liquor, just drunk on what he liked – crowds of people milling. Everybody knew him. "Happy New Year," he called, and sometimes "Merry Christmas." He said this all the time. At Christmas he said Happy Halloween.
There was a tenor in the bar who was highly respected by everyone; Denver Doll had insisted that I meet him and I was trying to avoid it; his name was D'Annunzio or some such thing. His wife was with him. They sat sourly at a table. There was also some kind of Argentinian tourist at the bar. Rawlins gave him a shove to make room; he turned and snarled. Rawlins handed me his glass and knocked him down on the brass rail with one punch. The man was momentarily out. There were screams; Tim and I scooted Rawlins out. There was so much confusion the sheriff couldn't even thread his way through the crowd to find the victim. Nobody could identify Rawlins. We went to other bars. Major staggered up a dark street. "What the hell's the matter? Any fights? Just call on me." Great laughter rang from all sides. I wondered what the Spirit of the Mountain was thinking, and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess – across the night, eastward over the Plains, where somewhere an old man with white hair was probably walking toward us with the Word, and would arrive any minute and make us silent.
Rawlins insisted on going back to the bar where he'd fought. Tim and I didn't like it but stuck to him. He went up to D'Annunzio, the tenor, and threw a highball in his face. We dragged him out. A baritone singer from the chorus joined us and we went to a regular Central City bar. Here Ray called the waitress a whore. A group of sullen men were ranged along the bar; they hated tourists. One of them said, "You boys better be out of here by the count of ten." We were. We staggered back to the shack and went to sleep.
In the morning I woke up and turned over; a big cloud of dust rose from the mattress. I yanked at the window; it was nailed. Tim Gray was in the bed too. We coughed and sneezed. Our breakfast consisted of stale beer. Babe came back from her hotel and we got our things together to leave.
Everything seemed to be collapsing. As we were going out to the car Babe slipped and fell flat on her face. Poor girl was overwrought. Her brother and Tim and I helped her up. We got in the car; Major and Betty joined us. The sad ride back to Denver began.
Suddenly we came down from the mountain and overlooked the great sea-plain of Denver; heat rose as from an oven. We began to sing songs. I was itching to get on to San Francisco.