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As I expected, the directness of the question was not unlike a bulldozer slamming the trunk of an apple tree. I waited with my bushel ready to collect whatever might come down—while assuring myself I could dodge anything aimed directly at my head.

For a solid minute, mouths gaped, but nothing came out. Even Tucker, eyes wide, looked shocked by my frankness—but within a few seconds, they narrowed with interest.

The other eyes began to dart around the table until, finally, they all settled on the Russian émigré with the black eyes and the blunt haircut.

“You zink there vas maybe foul play?” Petra said slowly.

“Yes,” I said. “I think it is a little peculiar that a girl as graceful as Anabelle could suddenly plunge down a flight of steps.”

“Oh, is dat all,” said Vita with a nudge to her Russian companion. “Do not stress yourselv. Anabelle vasn’t that good.”

“Oh?” I said.

“She was good enough,” Sheela said to Vita with a finger to the girl’s shoulder. “Good enough to get that spot you said you and Petra nearly got in Moby’s Danse.”

That news surprised me. Though not a follower of modern dance, even I had heard of Moby’s Danse, a troupe with a small theater in Soho. They mounted a few shows in New York City a year, and The New York Times dance critic loved them. Fawning write-ups usually made their shows overnight sensations with sold-out performances for months, providing the necessary buzz for subsequent national tours.

I was even more surprised that Anabelle hadn’t mentioned this accomplishment to me.

“When did she get that spot?” I asked.

“Just last week,” said Sheela.

“Well, she von’t be danzing for zem now,” Petra said, her black eyes narrowing.

“That’s cold,” Sheela said, cocking her head.

“No colder zan you ver to Vita when she beat you out of zat spot for Master Jam J. music video.”

“That was different,” said Sheela, eyes blazing.

“How?” asked Petra.

“Well, for one thing, Vita ain’t in St. Vincent’s sucking on a respirator. She’s sittin’ right here sucking down a tea!”

Vita and Maggie snickered at that.

But Petra seethed.

And Courtney shifted uncomfortably.

“What about you, Courtney?” I asked. “Do you have an opinion?”

“She should,” Maggie drawled, her Vegas showgirl lips perfectly outlined with pink lipliner. “She’s the one who’s gonna get Anabelle’s spot. Aren’t you, Courtney?”

Courtney just stared into her double latte and nodded.

“Is that right, Courtney?” I said, trying to coax her into saying something. “Are you going to be joining the Moby’s Danse troupe?”

The girl’s pale skin and delicate features reminded me of Anabelle. But that’s where the resemblance ended. This girl was much shyer and far less hardened than my assistant manager—whose street smarts, energy, and confident way of expressing herself could have easily kept up with the other girls at this table.

After a few silent moments, Courtney’s flushed face looked up. There were tears in her eyes. “Trust me,” she whispered, “I didn’t want to get into the troupe this way.”

There are good actresses and bad actresses, and this one was no actress at all. Courtney’s eyes were telling the truth. I was certain of it.

Then I glanced over at Petra. The contrast was so marked I drew in a sharp breath. Where Courtney’s soft blue eyes were brimming with tears of sorrow, Petra’s cold black pearls were as hard and unmoved as a predator’s.

But before I could continue questioning any of them, the front door opened and a harsh, direct voice cut through the mellifluous piano stylings of George Winston, one of Tucker’s favorite instrumental CDs—

“Who owns this place.”

Trouble. You know it when you hear it.

I sighed.

Before turning from the Dance 10 table, I nodded my thanks to Tucker. I had gotten what I wanted—a lead on a motive. Tomorrow I’d visit the studio myself to find out more.

“Did anyone hear me?” the voice demanded again. “Who owns this place!”

“May I help you,” I said, knowing at once I was going to need more than one double espresso to get through this afternoon.

Thirteen

The demanding voice came out of a killer body.

Tailored designer slacks on mile-high legs. Gucci boots and a black jacket of butter-soft leather over a white silk blouse. Blond hair tied back into a tasteful ponytail. Coach bag and skin too tan for a New York autumn with makeup applied in artful layers—lipstick, eyeliner, mascara—like talismans meant to ward off the curse of lines, creases, shadows, and any other betrayer of an otherwise youthfully slender appearance.

I’d seen this blonde at the hospital, I realized: Anabelle’s stepmother.

You the one owns this place?”

The accent and phrasing were rough—lower-middle-class, not quite what I expected to hear coming out of such a finished and fashionable façade.

The voice was deep and rattled a bit in her throat, signs of a hardcore lifelong smoker, the sort of woman I used to see laugh-coughing amid marathon gossip sessions back in the hair salon next to my grandmother’s grocery in Pennsylvania.

“Well,” I began, “I’m a part owner, and the full-time manager—”

She cut me off. “I want the owner. Now.”

The increasing volume on that last statement drowned out the various conversations that had been buzzing all over the room. I glanced around to find dozens of pairs of eyes blinking in our direction.

A scene. Great.

Years ago, my grandmother gave me the best advice when dealing with hostile people—a situation she encountered quite a bit during her lifetime, given the hot tempers of her grocery’s working-class clientele and her son’s (and my father’s) knack for bringing more trouble to her doorstep than a barrel full of bad luck charms.

I didn’t realize until later, after the two years of college I managed to finish before becoming pregnant with Joy, that my grandma actually had a lot in common with Socrates, not to mention Abe Lincoln.

“Clare,” she would say, “if you want to win an argument with angry people, don’t argue. Just ask the kind of questions that will make them think you agree with them. Pretty soon, you’re both on the same side.”

That part was Socrates.

She also liked to say—“Remember, you catch more flies with honey than with vinegar. Try to make them see you as a friend.”

That part was Lincoln, the president who’d said over one hundred years ago, “It is an old and true maxim that ‘a drop of honey catches more flies than a gallon of gall.’ So with men, if you would win a man to your cause, first convince him that you are his sincere friend. Therein is a drop of honey that catches his heart; which, say what you will, is the great high road to his reason.”

I stepped closer to the blonde to (hopefully) discourage her from yelling again—and in a calm, quiet voice asked: “You’re Anabelle’s stepmother, aren’t you?”

Her bloodshot blue eyes with perfectly applied brown/black liner and mascara stared, the slight surprise for a moment unbalancing her predetermined indignation. “How did you know that?”

“I saw you at the hospital—”

“I’m her stepmother, that’s right,” she said. “I’m her closest relative, too. And that’s why I’m here—”

“Do you mean Anabelle sent you?” I asked excitedly. “She’s awake?”

The woman’s shoulders drooped a bit. “No. She’s still in her coma…But I heard she got that way because of your crappy managing of this place.”

“I’m sure you’re tired,” I said as soothingly as I could manage between clenched teeth. “And I’m as worried about Anabelle as you must be. Wouldn’t you rather we go somewhere more private to discuss this?” I gestured to the crowd of staring eavesdroppers. “What do you say?”