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“If by ‘smoothly’ you mean that no hotel detective has caught on yet and handcuffed us, then I guess you’re right.”

Matt actually laughed at me.

“Clare, you’ve seen too many film noirs. Or maybe episodes of The Three Stooges. And I can just imagine you watching the Stooges on the local Podunk, New Jersey, channel out there in suburbia.”

“Ha, ha.”

We had gone to Madame’s suite, just as we’d said. I had to make the call from an actual guest room—given the advances in telephone technology, the hotel staff could easily see where you were calling from, and I couldn’t risk using a house phone because they might get suspicious.

“Don’t worry about Darla Hart showing up, either,” Matt insisted. “Before I came to the table downstairs, I called your friend Dr. Foo at St. Vincent’s. He told me Darla’s still at Anabelle’s side, so there’s no chance you’ll be caught in the act.”

Somehow his words didn’t comfort me. After all, I was the one who had to be the con artist here. Matt—who, in my experience, was so much smoother at misdirection than I—couldn’t do it this time.

“Go ahead, make the call,” Matt said, indicating the telephone on the night table. “Nobody who picks up that phone will believe that I’m Darla Hart.”

“I know, I know,” I said.

I cleared my throat, lifted the receiver, and pressed the button marked HOUSE KEEPING. Someone answered on the first ring.

“Hello,” I said. “This is Darla Hart, from Room 818—” (As Madame was checking in, I had asked the desk clerk if “our friend Darla” had checked in yet—and then asked for her room number so we could visit. The clerk was reluctant to give out a guest’s room number because it wasn’t the hotel’s policy to give out such information. But I pressed, and since Madame was a familiar guest, she gave it up.) “I’m visiting Mrs. Dubois on twenty-six, but I’m about to return to my room for a nice long bath. Please send up extra towels.”

“Certainly, Ms. Hart. Right away!” said the male voice on the other end of the line.

“Thank you,” I said. And for a split second, I imagined the same male voice dialing the police the second I hung up.

“This will never work,” I told Matt.

“Of course it will,” Matteo replied, pushing me out the door. “Now get going and watch for the maid to enter Darla’s room. Ring me here when you get inside, and I’ll come up. And don’t forget this.”

He thrust Madame’s key card into my hand. “Hold it in your hand, as if you were about to unlock the room,” Matt reminded me. “But don’t let her check it in the door lock or you might be spending the night on Riker’s Island.”

“What do you mean you; don’t you mean we?”

Matt’s dark eyebrow lifted, and he crossed his arms. This unfortunately emphasized how beautifully his broad shoulders tapered down to his narrow hips, all of which were handsomely defined by the smooth lines of his exquisitely tailored Armani dinner jacket. “I don’t know. You look pretty hot tonight,” he said. “Seeing you handcuffed in this little Valentino number might be worth it.”

“Fine,” I said, more irritated by my momentary attraction to Matt’s damned irrepressible masculinity than his bawdy little joke, “but if I get caught, I’m cutting a deal. You’re the one who masterminded the operation—the DA’s going to want you, not me.”

“You have been watching too many film noirs.”

“All right, I’m going.”

“Clare—”

“What?”

The teasing laughter left his eyes. “Don’t worry.”

“Too late.”

Darla’s floor seemed to be deserted when I got there. Good, I thought.

I walked down the hallway, which was pleasant but not plush. This was a business-class floor, after all, the floor for the more budget-minded guests. Since Darla Hart seemed to be nearing the bottom of her cash barrel, that made sense. What didn’t make sense was why she chose the Waldorf-Astoria in the first place. Even a “cheap” room in this place could run three to five hundred dollars a night. Why not seek more economical digs?

Well, Clare, I told myself, that’s what you’re here to find out…

I turned a corner in time to see a young Hispanic woman in a maid’s uniform stepping out of Darla Hart’s room.

“Hello!” I said, brandishing Madame’s key card as I hurried forward. “Thank you so much for the extra towels.”

I brushed past the maid and stuck my foot in the door.

“This is for your trouble,” I said as I produced a ten-dollar bill. I pressed it into the woman’s hand.

“Good night,” I said.

Slipping past the maid, I entered the room and closed the door behind me. Bolted it, too. Then I peered through the peephole until the woman pocketed her tip and vanished around the corner.

So far, so good. I’d like to thank the Academy for this award…

I dived for the phone and called Matt.

“I’m in,” I said and hung up.

The décor was what I expected of a 2,000-room hotel—what I called “Commercial Colonial Moderne.” Of course, Darla’s “Business Class” room here on the eighth floor was much smaller than Madame’s “Astoria Level” suite up on twenty-six, which had a foyer, a separate bedroom, living area, a wet bar, French doors, a spectacular view of Park Avenue, and access to an executive lounge that served complimentary evening hors d’oeuvres.

Tourists to New York City are often surprised at the small size of hotel rooms even in grand hotels like the Waldorf. But real estate comes at a premium price on Manhattan Island, and spacious living, even in hotels, is a rarity indeed.

Well, I thought, at least it wasn’t Tokyo, where Matt tells me an economy room can be as small as a horizontal phone booth. The Waldorf’s Business Class wasn’t that small, more like 200 square feet, nothing compared to Madame’s 700-square-foot suite upstairs. But it was well appointed, if not up to the lush opulence of the grand lobby.

The furniture consisted of a queen-sized bed with a dark wood headboard. The cream-colored coverlet had been turned down and a foil-wrapped chocolate placed on the fluffy white pillows. There was a nightstand, a matching dresser, an upholstered armchair draped with a floral-print slipcover that reached down to the thick-pile carpet, a large wood-framed mirror, a few lamps, and a desk in the corner.

Darla was pretty neat. There were a few pieces of clothing draped over the armchair (a lovely satin negligee and thigh-high silk stockings) and some shoes next to the bed (Manolo Blahnik Alligator pumps, retail $850), but otherwise the room was well kept. On the desk was a tangerine Mac laptop computer, plugged into the phone jack. That surprised me. Somehow I never pictured Darla Hart as a computer user, but this was, after all, the high-tech yet still-violent twenty-first century; everyone was either getting plugged or plugging in.

A familiar rhythmic knock interrupted my search. Rat-tat-uh-tat-tat. Tat. Tat. I opened the door, and Matt slipped inside. I bolted it again.

“I told you it would be easy,” he said.

“We’re not out of the woods—or the room—yet,” I countered.

It occurred to me that Matteo’s little plan was so foolproof in his mind, he might have used it successfully before. Probably to slip into some other woman’s room, I figured. Three guesses why.

“We don’t have much time,” I announced, opening the drawers and riffling through them. All were full of neatly folded clothing. “Donna Karan, Miuccia Prada, Dolce & Gabbana…” I muttered, “Well, it’s easy to see where her money goes.”

“A laptop!” Matt said, moving to the desk. “Shit, it’s a Mac.”

“I like Macs,” I said. “Need help?”

“No. I can use them. I just don’t like them. We’ve had this discussion.”

“Yes, let’s not go there again. Wouldn’t Darla have a password or something?” I asked, still tossing drawers.