I walked clockwise around the central fountain, reading words carved in stone and letters left behind by family and friends. Three times I ducked into shadows to hide my tears. The names and faces were different, but these were the same men. At one end of the memorial stands a wall of gold stars — four thousand of them. Each star represents one hundred Americans killed in World War II. I stood and counted eight of those four thousand stars, a minuscule slice of the wall’s upper left corner. That was Afghanistan and Iraq combined. All the firefights, bombs, rockets, and helicopter crashes. Brent and Horsehead. All the heroism, blood, fear, humor, and boredom. Eight fucking stars.
I drifted after leaving the Corps. At age twenty-six, I feared I had already lived the best years of my life. Never again would I enjoy the sense of purpose and belonging that I had felt in the Marines. Also, I realized that combat had nearly unhinged me. Despite my loving family, supportive friends, and good education, the war flooded into every part of my life, carrying me along toward an unknown fate. If it could do that to me, what about my Marines? What about the guys without families, whose friends didn’t try to understand, who got out of the Corps without the prospects I had? I worried that they had survived the war only to be killed in its wake.
After channeling all my energy into applying to graduate school, I got a phone call from an admissions officer: “Mr. Fick, we read your application and liked it very much. But a member of our committee read Evan Wright’s story about your platoon in Rolling Stone. You’re quoted as saying, ‘The bad news is, we won’t get much sleep tonight; the good news is, we get to kill people.’” She paused, as if waiting for me to disavow the quote. I was silent, and she went on. “We have a retired Army officer on our staff, and he warned me that there are people who enjoy killing, and they aren’t nice to be around. Could you please explain your quote for me?”
“No, I cannot.”
“Well, do you really feel that way?” Her tone was earnest, almost pleading.
“You mean, will I climb your clock tower and pick people off with a hunting rifle?”
It was her turn to be silent.
“No, I will not. Do I feel compelled to explain myself to you? I don’t.”
I was frustrated as much by respect and attempts at understanding as by unfeeling ignorance. The worst were blanket accolades and thanks from people “for what you guys did over there.” Thanks for what, I wanted to ask — shooting kids, cowering in terror behind a berm, dropping artillery on people’s homes? There wasn’t any pride simply in being there. The pride was in our good decisions, in the things we did right. I hoped that I’d done more right than wrong, hoped that I hadn’t been cavalier with people’s lives. I was learning to accept that sometimes the only way to fight evil is with another evil, however good its aim.
In June, one year after coming home from Iraq, I dragged a childhood friend to the Civil War battlefield at Antietam in western Maryland. I wanted to walk the ground. Among the split-rail fences and restored cannons, I saw RPGs and fedayeen. Where would I have put my machine guns to defend the Cornfield? How would Hitman Two have assaulted the Bloody Lane?
The sun was warm on my arms, and bees buzzed through the tall grass as we meandered toward Burnside Bridge. There, on the afternoon of America’s bloodiest day, troops made three unsuccessful attempts to cross Antietam Creek under withering fire. We stood at the center of the span with our hands on the stones.
“Was it a waste?” I asked.
“No,” she replied. “They won, and Lincoln issued the Emancipation Proclamation. They freed the slaves, the way you freed the Afghans.”
I didn’t answer.
“Think about the women under the Taliban and the poor Iraqis under Saddam,” she continued, seizing a chance to change the subject. “You helped do so much good for so many people. Why can’t you take comfort in that?”
Staring down at the water, I measured my words, running through a justification I’d given myself a thousand times before. The good was abstract. The good didn’t feel as good as the bad felt bad. It wasn’t the good that kept me up at night.
“You sound so unprincipled,” she said, shaking her head. “Why can’t you find peace in what you and your men sacrificed so much to do? Why can’t you be proud?”
I took sixty-five men to war and brought sixty-five home. I gave them everything I had. Together, we passed the test. Fear didn’t beat us. I hope life improves for the people of Afghanistan and Iraq, but that’s not why we did it. We fought for each other.
I am proud.
AUTHOR’S NOTE AND ACKNOWLEDGMENTS
Although the feelings expressed here are mine, I believe that my platoons and our wars are generally representative of the larger Marine Corps. I relied heavily on my patrol logbooks, daily journal, frequent letters home, official histories, and the recollections of my fellow Marines. All events are portrayed honestly and are, to the best of my knowledge, historically accurate.
For further reading about the Marines and the warrior ethos, I recommend Mark Helprin’s A Soldier of the Great War, Michael Hodgins’s Reluctant Warrior, William Manchester’s Goodbye, Darkness, Steven Pressfield’s Gates of Fire, Tom Ricks’s Making the Corps, Jonathan Shay’s Odysseus in America, E. B. Sledge’s With the Old Breed, and James Webb’s Fields of Fire.
A portion of this book’s proceeds will be donated to veterans’ organizations, including the Marine Corps Scholarship Foundation, dedicated to funding higher education for the children of Marines killed in action.
I thank my parents, Niel and Jane, and my sisters, Maureen and Stephanie, for their boundless love and support. In worrying, mailing cookies, and listening, they also served.
My fellow platoon commanders were, and are, comrades in the truest sense. Thank you to Patrick English, Vijay George, Ed Hinman, Ty Moore, Walt Messick, Brendan Sullivan, John Nash, and Jim Beal. My former commanding officer Rich Whitmer taught me more than he will ever acknowledge. Thank you, Oden Six. To Keith Marine, I can only say “Dang.”
I am forever grateful to Mike Wynn, Brad Colbert, Shawn Patrick, Rudy Reyes, Steve Lovell, Tony Espera, Tim Bryan, Mike Stinetorf, Hector Leon, Gabe Garza, Evan Stafford, Anthony “Manimal” Jacks, Walt Hasser, Nathan Christopher, James Chaffin, Harold Trombley, Teren “T” Holsey, John Christeson, Michael Brunmeier, Jason Lilley, Josh Person, Leandro “Shady” Baptista, Eric Kocher, Dan Redman, and A. J. Hull. You had my back. Semper Fidelis.
Writing a book is no more solitary than fighting a war. I thank Bradley Thayer, Jeremy Joseph, Craig Nerenberg, and Frank Russell for planting the idea. Eric Hammel encouraged it, and my agent, E. J. McCarthy, made it real. Callie Rucker Oettinger has been a tireless advocate. Honest readers sharpened the draft in countless ways. Thank you to Austin Whitman, Andrew Hilton, Mark Hotz, Abby Joseph, Jonathan May, Evan Wright, Margaret Angell, Andy Carroll, Mike Hodgins, Al Stam, and Andy Colyer. Finally, Denise Gitsham was with me from the beginning to the end. Thank you.
At Houghton Mifflin, I found people who cared as much about this book as I did. Thank you to Lori Glazer, Bridget Marmion, Larry Cooper, and Barbara Jatkola. Anne Seiwerath answered my endless questions with patience and grace, and Whitney Peeling made the project her own. I reserve my greatest thanks for my editor, Eamon Dolan. With the passion and intensity of a drill instructor, he whipped this book, and its author, into shape.