Not every delicacy is prepared by the two short-order cooks out front. The kitchen staff is large and busy. No one appears interested in Curtis when he enters.
Oven to oven, past a ten-foot-long cooktop, past an array of deep fryers full of roiling hot oil, around the end of a long prep table, Curtis hurries into a narrow work aisle with loosely thatched rubber mats on the floor. He stays low, hoping to get out of sight before the two cowboys arrive. He avoids collisions with the staff, squeezing around them, dodging left, right, but they’re no longer disinterested in him.
“Hey, kid.”
“What’re you doin’ here, boy?”
“iTener cuidado, muchacho!”
“Watch it, watch it!”
“iLoco mocoso!”
He’s just entering the next aisle, one layer deeper into the huge kitchen, when he hears the two cowboys arrive. There’s no mistaking their entrance for anything else. With the arrogance and the blood hunger of Gestapos, they slam through the swinging door, their boot heels clopping hard against the tile floor.
In reaction, the kitchen staff is as silent and for a moment as still as mannequins. No one demands to know who these brash intruders are, or makes a clatter of pots that might draw attention, probably because everyone fears that these two are federal immigration agents, rousting illegal aliens — of which there’s no doubt one present — and that they will hassle even properly documented workers if they’re in a belligerent mood.
By their very presence, however, the cowboys have won allies for Curtis. As the crouching boy progresses by hitch and twitch through the kitchen, cooks and bakers and salad-makers and dishwashers ease out of his way, facilitate his passage, use their bodies to further block the cowboys’ view of him, and direct him with subtle gestures toward what he assumes will be a rear exit.
He’s scared, mouth suddenly bitter with the taste of what might be his mortality, lungs cinched tight enough to make each breath a labor, heart rapping with woodpecker frenzy — and yet he is acutely aware of the delicious aromas of roasting chicken, baking ham, frying potatoes. Fear doesn’t entirely trump hunger, and though the flood of saliva is bitter, it fails to diminish his appetite.
Noises in his wake suggest that the killers are trying to track him. Contentious voices quickly arise as the kitchen staff, realizing that these two cowboys have no law-enforcement credentials, object to their intrusion.
At a table stacked with clean plates, Curtis stops and, though still crouching, dares to raise his head. He peers between two towers of dishes, and sees one of his pursuers about fifteen feet away.
The hunter has a handsome, potentially genial face. If he were to smile instead of glower, put on a mask of kindness, the kitchen staff might warm at once to him and point him toward his quarry.
But although Curtis is sometimes fooled by appearances, he’s perceptive enough to see that this is a man whose face gives out at every pore the homicidal toxins in which his brain now marinates. Pressing sweet peach juice from a handful of dried pits would be easier than squeezing one drop of pity from this hunter’s heart, and mercy would more likely be wrung from any stone.
As he moves along the salad-prep aisle, the grim cowboy looks left and right, shoving aside the men and women in his way as if they are mere furniture. His partner isn’t immediately behind him, and might be approaching by a different route.
The restaurant employees are protesting less, maybe because the hunters’ steely indifference to every objection and their cold-eyed persistence is too intimidating to resist. You see guys like this on the TV news, shooting up shopping centers or office buildings because of a wife’s decision to file for divorce, because they’ve lost a job, or just because. Yet with discreet nods and gestures, the workers continue to shepherd Curtis toward escape.
In a half squat, shambling side to side and using his swinging arms for counterbalance, just as a frightened monkey might scamper, the boy turns a corner at a long butcher block and encounters a cook who’s gazing out across the enormous kitchen, wide-eyed, watching the hunters. The white-uniformed cook might be an angel, considering that he holds a plastic-wrapped bundle of hot dogs, which he has just taken from the open cooler behind him.
A crash rocks the room, rattles cookware. Someone slamming through the swinging door from the restroom hallway. Following the cowboys. More hard and hurried footfalls on the tile floor. Voices. Then shouting. “FBI! FBI! Freeze, freeze, freeze!”
Curtis clutches at the hot dogs. Startled, the man lets go of the bundle. Having claimed the meaty treasure, Curtis scuttles past the cook, bound for freedom and a makeshift dinner, surprised by the arrival of the FBI, but not in the least heartened by this unexpected development.
When it rains, it pours, his mother had said. She never claimed that the thought was original with her. Universal truths often find expression in universal cliches. When it rains, it pours, and when it pours, the river runs wild, and suddenly we’re caught up in a flood. But when we’re in a flood, we don’t panic, do we, baby boy? And he always knew the answer to that one: No, we never panic. And she would say, Why don’t we panic in the flood? And he would say, Because we’re too busy swimming!
Behind him, elsewhere in the kitchen, dishes clatter-shatter on the floor, and a soup pot or some such bounces bong-bong-bong across the tiles. Spoons or forks, or butter knives, spill in quantity, ringing off stainless-steel and ceramic surfaces with a sound like the bells that might announce a demonic holiday.
Then gunfire.
Chapter 15
The coffee had simmered long enough to turn slightly bitter. By the time she sampled her third cup, Micky didn’t mind the edge that the brew acquired. In fact, Leilani’s story stirred in Micky a long simmering bitterness to which the coffee was a perfect accompaniment.
To the girl, Geneva said, “So you don’t believe Lukipela went off with aliens.”
“I pretend to,” Leilani said quietly. “Around Dr. Doom, I play along with his story, all agog over Luki coming back to us one day— a year from now, two years — in a new body. It’s safer that way.”
Micky almost asked whether Sinsemilla believed ETs had spirited Luki away. Then she realized that the woman she’d encountered earlier would not only accept such a story but might as easily be convinced that Luki and the compassionate spacemen were sending her subliminal messages in reruns of Seinfeld, in the advertising copy on boxes of cornflakes, or in the patterns made by flocks of birds in flight.
Leilani took the first bite from her second serving of pie. She chewed longer than cooked apples warranted, gazing at her plate, as though puzzling over a change in the texture of the dessert.
“Why would he kill a helpless child?” Geneva asked.
“It’s what he does. Like the postman delivers the mail. Like a baker makes bread.” Leilani shrugged. “Read about him. You’ll see.”
“You haven’t gone to the police,” Micky said.
“I’m just a kid.”
“They listen to kids,” Geneva advised.
Micky knew from experience that this was not reliably the case. “Anyway,” she said, “whether they believe you or not, they sure won’t swallow your stepfather’s story about extraterrestrial healers.”
“It’s not a story they’ll hear from him. He says the ETs don’t want publicity. This isn’t just alien modesty. They’re dead serious about it. He says if we tell anyone about them, they’ll never bring Luki back. They have big plans for elevating human civilization to a level that merits Earth’s inclusion in a Galactic Congress — sometimes he calls it the Parliament of Planets — and those plans will take time to carry out. While they’re busy doing lots of mysterious good works behind the scenes, saving us from nuclear war and the embarrassment of chronic dandruff, they don’t want a bunch of ignorant rubes poking around, searching for them in certain mountains in Montana and other places they like to hang out. So we’re supposed to talk about the ETs only among ourselves. Sinsemilla totally buys into this.”