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"How much is that pistol?" Veronica asked him. "Now, what would a sweet little number such as yourself want with a big, nasty Smith and Wesson. 38?" He crossed his arms over his chest and leaned back against the wall behind the counter. On the TV over his shoulder, two football teams smashed into each other.

"I'm not in the mood for bullshit, pal. How much is the gun?"

The man shook his head, smiling. " I see it all the time. Sweet little thing gets a little upset with her sugar daddy, maybe catches him with his hand in the wrong cookie jar, and suddenly she's got to blow him away. This is what television has done to modern society. Everybody wants to blow everybody else away."

"Look, pal-"

The man leaned forward. "No, you look. The law says I'm responsible for what I sell. I don't like your looks, I don't have to sell you shit." He straightened up and his voice softened. "So why don't you be a good little girl and run along home to Papa?"

In that moment Veronica saw her entire life as one humiliation after another, all at the hands of men, all of whom felt they were privileged to decide her destiny.

From the father who never acknowledged her, to Fortunato who told her how to dress and how to smile, to Jerry who expected her to love him just because he loved her, to the countless men who'd used her and walked away. She was sick of it. For once she wished she had Fortunato's power, could reach out with her mind and crush this pompous, ugly little man to jelly.

The fluorescent lights overhead flickered. It should have distracted her, but instead she felt connected. The lights flashed with the rhythm of her breathing and she knew she was the cause. She felt the power flowing through the wires, flowing out of the grid and into her mind. The wild card. Croyd. It was happening. The picture on the TV rolled, then turned to snow. The second hand on the big electric clock next to it stopped, then swung back and forth like a pendulum, keeping time with the flashing lights. The man started to turn toward the TV and then went pale. He sat down slowly, his arms crossing tighter, as if he were cold. Sweat beaded his face.

"Are you hurt?" she asked him.

" I don't know" His voice was weak, and higher than it had been.

She hadn't crippled him, apparently. Beyond that she didn't care. "Give me the gun."

"I… I don't know if I can."

"Do it!"

He got onto his hands and knees, fumbled a key into the lock, slid the back of the display case open. He had to use both hands to lift the gun onto the counter. Veronica reached for it, then realized what she'd done. Why did she need a gun?

She ran into the street, waving for a cab.

She got as far as the holding tank on nerve alone. The beefy, red-haired guard outside the lockup refused to let her any farther and Veronica tried to do to him what she'd done in the pawnshop. Nothing happened.

She felt a surge of panic. She had no idea what the power was or how it worked. What if she couldn't use it again right away? What if she needed something that had been in the pawnshop as a catalyst?

"Lady, I told you, this is a restricted area. Now, are you going to get out of here or do I got to call somebody?" Panic turned to helplessness, helplessness to anger. What good was this power if she couldn't use it to help Hannah? And with the anger it came. The lights flickered and the music from a TV inside the lockup dissolved in static. Suddenly she could hear the prisoners screaming. The man staggered, leaned forward to support himself on his desk. "Jesus Christ," the man said. "Jesus Christ."

"Where's the keys?"

"What'd you do to me, lady? I can't lift my fuckin' arms."

"The keys."

The man slumped into his chair, unsnapped the keys from his belt, and slid them across the desk. Behind Veronica a man's voice said, "Charlie?"

Veronica concentrated on the voice without turning around and heard the man slump to the floor. The third key she tried fit a control panel next to the steel lockup door. A motor wheezed and the door bucked but didn't open. She realized she was still disrupting the electricity and forced herself to relax.

The door slid back. There were four cells inside. Three of them held drunks and addicts and derelicts. In the fourth were four black prostitutes, and Hannah. All of them but Hannah were screaming for help.

Hannah hung from a pipe in the ceiling by her trousers. Her face was swollen and purple and her tongue stuck straight out of her slack mouth. Her eyes bulged. A patch of hair had been ripped out by the zipper in her pants and a drop of dried blood still clung to her scalp. Veronica threw herself at the bars, her screams lost in the voices around her. She felt the keys tugged out of her hand and one of the hookers opened the cell from inside. Veronica ran to Hannah and held her with one arm around her waist, the other hand tugging at the knotted pant leg around her neck.

She refused to think. Not yet. Not while there was still something left to try. She laid Hannah's body out on the sticky gray floor of the cell. She pushed the swollen tongue aside and dug vomit out of Hannah's throat with her fingers. She blew air into her lungs until she lost all breath herself.

One of the prostitutes had stayed behind. She looked at Veronica and said, "She a wild woman before she die. Bitch went completely crazy. Never saw anything like it. We couldn't get near to her."

Veronica nodded.

"I tried to stop her, but there weren't no way. Girl was crazy, that's all."

"Thank you," Veronica said.

Then the cell was full of police, guns drawn, and there was nothing she could do but raise her hands and go along with them.

She waited until she was alone with two detectives before she used her power again. She left the two of them barely conscious on the floor of the interrogation room and walked out into the night.

The street was headlights and horns honking, blaring jam boxes and shouting voices, all of it too bright, too loud, too overwhelming. Inside her it was the same. Her mind would not shut up. Hannah was her life, the only thing that mattered. If Hannah was dead, how could she still be alive?

The thought was white-hot, too painful to touch. Better, she thought, to just think of herself as already dead. She watched a bus roar past her and wondered what it would feel like to go under its wheels.

Then she remembered the look on Hannah's face as she lay on the floor of the bank, as her consciousness came back into her. She remembered the prostitute in the cell. Crazy, wild woman, the prostitute had said.

Someone had done this to Hannah. Somewhere in the city there was someone who knew what had happened, and why.

Not dead, Veronica thought. Hannah is dead, and I'm not. Someone knows why.

It turned into a refrain, a mantra. It brought her back to Hannah's apartment, took her inside. She lay down in Hannah's bed and held one of Hannah's shirts to her face and breathed the smell. Liz crawled up onto the bed next to her and started to purr. Together they lay there and waited to, see if the sun would ever rise.

Mr. Nobody Goes to Town by Walton Simons

Jerry pushed the intercom button and stared up at the closed-circuit TV A cold wind whipped at him, stinging his-face and ears. Overeating at Thanksgiving dinner hadn't given him much in the way of winter fat. But it was only early December, he could keep working on it. "Who is it?" said a polite female voice over the intercom.

Jerry recognized Ichiko. "Jerry Strauss. I'd like to come up and talk to you about Veronica. Or, at least, get warm."

There was a buzz and the automatic door bolt clicked open. Jerry pushed his way in and walked into the sitting room, rubbing his hands. A woman sat on the low couch. She was tall, with long brown hair, distant eyes, and soft features. She stared past Jerry toward the street. Jerry walked to the door of Ichiko's office and knocked. "Come in."