The engine came to life under my feet and I drove away from the curb. I took the notebook from my pocket and thumbed the pages while I was stalled in traffic, picking up Paula Riis's address from the jumble of notes. I hoped I had it right, because I had jotted it down after coming from Pat's the time he had thrown her identity at me.
It was a number in the upper Forties just off Eighth Avenue, a four-story affair with three apartments above a shoddy beauty parlor that took up the first floor. A sedan with United States Post Office Department inscribed in the door was double parked outside it. I found a place to leave my heap and got back just as two men came down the stairs and got into the car. I had seen the taller guy before; he was a postal inspector.
A dark, swarthy woman stood in the door with her hands on chunky hips muttering to herself. I took the steps two at a time and said hello to her.
She looked me up and down first. "Now what you want? You not from Post Office."
I looked past her shoulder into the vestibule and knew why those men had been here. A good-sized rectangle had been torn out of the wall. The mailbox that had been there had been ripped out by the roots and the marks of the crowbar that did it still showed in the shattered lath and plaster.
I got that cold feeling again, of being just a little bit too late. I palmed my buzzer and held it out where she could see it.
"Oh, you the police. You come about the room. Whassa matter with other police? He see everything. These crooks! When that girl comes back she be one mad cookie, you bet!"
"That's right, I came about the room. Where is it?"
"Upstairs, what's left of it. Now there's nothing but junk. Thassall, just junk. Go look."
I went and looked. I saw the same thing that had happened to Charlie Moffit's room. This was a little worse because there was more to it. I cursed softly and backed out of the room. I cursed because I was pleased that the room was like Charlie Moffit's room, a room ripped apart by a search that didn't have an end. They were still looking. They tore the room up then stole the mailbox because they thought that Charlie had mailed his girl friend the stuff.
Then I stopped cursing because I knew then that they did have it after all. Charlie mailed the stuff and it lay in the mailbox because she was dead. They couldn't get it out so they took the whole works. This time I cursed because I was mad, mad as hell.
I made a circuit of the room, kicking at the pieces with a frenzied futility. Clothes that had been ripped apart at the seams were everywhere. The furniture was broken, disemboweled and scattered across the floor. The bottom had been taken out of the phone and lay beneath the stand by the window. I picked it up, turned it over then chucked it away.
They had come in through the window and gouged hunks out of the sill when they pried up the sash. I threw it up and looked around, saying damn to myself because it had been so easy. There was an overturned ashcan on the ground below. They had stepped on that, then on to the roof of the extension below and right into the room.
Too bad Mr. MVD couldn't have tripped over the phone line and broken his lousy neck. I picked up the strand of wire that ran out the window to the pole and switched it out of the way. It was slack, too damn slack. I saw why in a minute. The insulator that had held it to the wall had been pulled out. I climbed out on the roof and ran my hand along the wire and the answer was in the slit that was in the insulation.
Somebody had a tap on that wire and when they pulled it off they yanked too hard and it came right off the wall. Damn! Damn it all to hell and back again! I climbed back in the room and slammed the window shut, still swearing to myself.
The woman still stood in the doorway. "You see, you see?" Her voice went higher on each word. "These damn crooks. Nobody is safe. What for are the police? What that girl going to say, eh? You know! She give me hell, you betcha. She was all paid up, too. Now whatcha think?"
"Don't get excited. Whoever searched her room took the mailbox too. They were looking for a letter."
She made a sour mouth. "Huh. They don't get it, I tell you that, for sure. She's a lose her key a month ago and I always get her mail personal. The postman he's give it to me every day and I take it inside."
My heart hammered against my ribs and I heard it send the blood driving into my head. I licked my lips to get the words out. "Maybe I better take it all along then. She can call for it when she returns."
She squinted, then bobbed her head. "That is good. I don't have to worry no more about it. From now on till I get a new mailbox I have to take everybody's mail anyhow. Come inside, I give it to you."
We went into the beauty parlor on the first floor and I waited with my hat in my hand. She came back with a handful of envelopes and one of them was a heavy job stuffed so full the flap had torn a little. I thanked her and left.
Just like that.
How simple could it get?
The murder and the wreckage that had been caused by this one fat envelope, and she drops it in my hand just like that. No trouble. No sneaking around with a gun in your hand. No tight spots that left you shaken and trembling. She hands it to me and I take it and leave.
Isn't that the way life is? You fight and struggle to get something and suddenly you're there at the end and there's nothing left to fight for any longer.
I threw the works in the glove compartment and drove back to my office. From force of habit I locked the door before I sat down to see what it was all about. There were nine letters and the big one. Of the nine three were bills, four were from female friends and had nothing to say, one was an answer to a letter she sent an employment agency and the other enclosed a Communist Party pamphlet. I threw it in the wastebasket and opened the main one.
They were photostats, ten in all, both negatives and positives, on extra thin paper. They were photos of a maze of symbols, diagrams and meaningless words, but there was something about them that practically cried out their extreme importance. They weren't for a mind like mine and I knew it.
I folded them up into a compact square and took them to the lamp on the wall. It was a tricky little job that came apart in the middle and had been given to me by a friend who dabbled in magic. At one time a bird flew out of the hidden compartment when you snapped the light on and scared the hell out of you. I stuck the photostats in there and shut it again.
There was an inch of sherry left on the bottom of the bottle in my desk and I put the mouth to my lips.
It was almost over. I had come to the pause before the end. There was little left to do but sort the parts and make sure I had them straight. I sat down again, pulling the phone over in front of me. I dialed headquarters and asked for Pat.
He had left for the weekend.
The next time I dialed Lee Deamer's office. The blonde at the switchboard was still chewing gum and threw the connection over to his secretary. She said, "I'm sorry, but Mr. Deamer has left for Washington."
"This is Mike Hammer. I was there once before. I'd like to get a call in to him."
"Oh, yes, Mr. Hammer. He's registered at the Lafayette. You can call him there. However, you had better call before six because he's speaking at a dinner meeting tonight."
"I'll call him now, and thanks."
I got long distance, gave the number and she told me the lines were all busy and I would have to wait. I hung up and went to the filing cabinet where I had the remains of another bottle of sherry stashed away. There was a box of paper cups with it and I put the makings on my desk and settled back to enjoy the wait.