Victor stamped his foot. ‘This man Jarniman serves a lady now in a—serious, does he say? Was he precise?’
‘Mr. Jarniman spoke of a remarkable number of diseases; very complicated, he says. He has no opinion of doctors. He says, that the lady’s doctor and the chemist—she sits in a chemist’s shop and swallows other people’s prescriptions that take her fancy. He says, her continuing to live is wonderful. He has no reason to hurry her, only for the satisfaction of a natural curiosity.’
‘He mentioned her name?’
‘No name, sir.’
Skepsey’s limpid grey eyes confirmed the negative to Victor, who was assured that the little man stood clean of any falsity.
‘You are not on equal terms. You and the magistrate have helped him to know who it is you serve, Skepsey.’
‘Would you please to direct me, sir.’
‘Another time. Now go and ease your feet with a run over the town. We have music in half an hour. That you like, I know. See chiefly to amusing yourself.’
Skepsey turned to go; he murmured, that he had enjoyed his trip.
Victor checked him: it was to ask whether this Jarniman had specified one, any one of the numerous diseases afflicting his aged mistress.
Now Jarniman had shocked Skepsey with his blunt titles for a couple of the foremost maladies assailing the poor lady’s decayed constitution: not to be mentioned, Skepsey’s thought, in relation to ladies; whose organs and functions we, who pay them a proper homage by restricting them to the sphere so worthily occupied by their mothers up to the very oldest date, respectfully curtain; their accepted masters are chivalrous to them, deploring their need at times for the doctors and drugs. He stood looking most unhappy. ‘She was to appear, sir, in a few—perhaps a week, a month.’
A nod dismissed him.
The fun of the expedition (and Dudley Sowerby had wound himself up to relish it) was at night in the towns, when the sound of instrumental and vocal music attracted crowds beneath the windows of the hotel, and they heard zon, zon, violon, fete et basse; not bad fluting, excellent fiddling, such singing as a maestro, conducting his own Opera, would have approved. So Victor said of his darlings’ voices. Nesta’s and her mother’s were a perfect combination; Mr. Barmby’s trompe in union, sufficiently confirmed the popular impression, that they were artistes. They had been ceremoniously ushered to their carriages, with expressions of gratitude, at the departure from Rouen; and the Boniface at Gisors had entreated them to stay another night, to give an entertainment. Victor took his pleasure in letting it be known, that they were a quiet English family, simply keeping-up the habits they practiced in Old England: all were welcome to hear them while they were doing it; but they did not give entertainments.
The pride of the pleasure of reversing the general idea of English dulness among our neighbours, was perceived to have laid fast hold of Dudley Sowerby at Dreux. He was at the window from time to time, counting heads below. For this reason or a better, he begged Nesta to supplant the flute duet with the soprano and contralto of the Helena section of the Mefistofele, called the Serenade: La Luna immobile. She consulted her mother, and they sang it. The crowds below, swollen to a block of the street, were dead still, showing the instinctive good manners of the people. Then mademoiselle astonished them with a Provencal or Cevennes air, Huguenot, though she was Catholic; but it suited her mezzo-soprano tones; and it rang massively of the martial-religious. To what heights of spiritual grandeur might not a Huguenot France have marched! Dudley Sowerby, heedlessly, under an emotion that could be stirred in him with force, by the soul of religion issuing through music, addressed his ejaculation to Lady Grace Halley. She did nor shrug or snub him, but rejoined: ‘I could go to battle with that song in the ears.’ She liked seeing him so happily transformed; and liked the effect of it on Nesta when his face shone in talking. He was at home with the girl’s eyes, as he had never been. A song expressing in one of the combative and devotional, went to the springs of his blood; for he was of an old warrior race, beneath the thick crust of imposed peaceful maxims and commercial pursuits and habitual stiff correctness. As much as wine, will music bring out the native bent of the civilized man: endow him with language too. He was as if unlocked; he met Nesta’s eyes and ran in a voluble interchange, that gave him flattering after-thoughts; and at the moment sensibly a new and assured, or to some extent assured, station beside a girl so vivid; by which the young lady would be helped to perceive his unvoiced solider gifts.
Nataly observed them, thinking of Victor’s mastering subtlety. She had hoped (having clearly seen the sheep’s eye in the shepherd) that Mr. Barmby would be watchful to act as a block between them; and therefore she had stipulated for his presence on the journey. She remembered Victor’s rapid look of readiness to consent:—he reckoned how naturally Mr. Barmby would serve as a foil to any younger man. Mr. Barmby had tried all along to perform his part: he had always been thwarted; notably once at Gisors, where by some cunning management he and mademoiselle found themselves in the cell of the prisoner’s Nail-wrought work while Nesta had to take Sowerby’s hand for help at a passage here and there along the narrow outer castle-walls. And Mr. Barmby, upon occasions, had set that dimple in Nesta’s cheek quivering, though Simeon Fenellan was not at hand, and there was no telling how it was done, beyond the evidence that Victor willed it so.
From the day of the announcement of Lakelands, she had been brought more into contact with his genius of dexterity and foresight than ever previously: she had bent to the burden of it more; had seen herself and everybody else outstripped—herself, of course; she did not count in a struggle with him. But since that red dawn of Lakelands, it was almost as if he had descended to earth from the skies. She now saw his mortality in the miraculous things he did. The reason of it was, that through the perceptible various arts and shifts on her level, an opposing spirit had plainer view of his aim, to judge it. She thought it a mean one.
The power it had to hurry her with the strength of a torrent to an end she dreaded, impressed her physically; so far subduing her mind, in consequence, as to keep the idea of absolute resistance obscure, though her bosom heaved with the breath; but what was her own of a mind hung hovering above him, criticizing; and involuntarily, discomfortingly. She could have prayed to be led blindly or blindly dashed on: she could trust him for success; and her critical mind seemed at times a treachery. Still she was compelled to judge.
When he said to her at night, pressing both her hands: ‘This is the news of the day, my love! It’s death at last. We shall soon be thanking heaven for freedom’; her fingers writhed upon his and gripped them in a torture of remorse on his behalf. A shattering throb of her heart gave her sight of herself as well. For so it is with the woman who loves in subjection, she may be a critic of the man, she is his accomplice.’
‘You have a letter, Victor?’
‘Confirmation all round: Fenellan, Themison, and now Skepsey.’
He told her the tale of Skepsey and Jarniman, colouring it, as any interested animated conduit necessarily will. Neither of them smiled.
The effort to think soberly exhausted and rolled her back on credulity.