At four o’clock, Maurice ‘Mo’ Arnett was arraigned before District Judge Everett Smith. His father attended the arraignment, his mother did not. Mark sat stony-faced through the whole thing, shaking his head in disgust each time his son answered one of the judge’s questions in that quiet, snuffling voice.
Mark Arnett obviously felt the public defender was entirely adequate, and the elderly fellow, Lucius Salazar, did his best. He didn’t have a lot to work with. The plea for the boy’s release into the custody of his parents fell on deaf ears. Judge Smith refused bail, leaving Mo as the county’s guest until after the Grand Jury deliberations. I wouldn’t have left Mo with his parents either.
The ball was now in the District Attorney’s court as he prepared his case, and our job was simple enough-provide Schroeder with whatever he asked for.
As we left Smith’s chambers, Estelle surprised the hell out of me by touching me on the elbow, obviously intent on initiating a conversation.
“I’ll be happy to shoot the photos for you, sir. We can get that done tomorrow.”
I smiled at her serious enthusiasm. “That would be wonderful, except for one thing,” I said, and saw one of those black eyebrows lift a fraction. “You can’t testify about the photos. Well, you can, but even old Lu Salazar for the defense would shoot us out of the water if you did. You aren’t certified, you haven’t any established expertise-no matter how talented you might be. In point of fact, you haven’t even been officially hired yet, as far as county paperwork is concerned.” I lifted my shoulders in a helpless shrug.
“What I want you to do is take some time to get yourself some rest, then meet me tomorrow at high noon on Highland Avenue. I’ll shoot the photos.” I smiled. “It’ll be your finger on the shutter, all right, but with me at your elbow, there’s no chain of evidence problems. Will that work?”
For the first time since she’d walked into my office, Estelle Reyes smiled broadly, a heartwarming burst of sunshine.
Chapter Forty-one
Late the next morning, Deputy Howard Bishop drove the county road grader from the Quonset hut in the corner of the maintenance yard the several blocks out to Highland Avenue. He parked facing west, the cleats on the machine’s massive tires settling into the exact spot where it had originally rested with the dead Larry Zipoli slumped at the controls.
Mo Arnett, seeing cooperation as his best defense, marked a site photo for us, the little ‘x’ indicating where he remembered standing when he pulled the trigger. Using that and Deputy Robert Torrez’s best guestimate of yardage, we set the heavy camera tripod so that the camera lens would match Mo’s eye level, five feet three and one half inches off the ground.
The department owned a fleet of junky little cameras, one aging but high quality reflex, and a Polaroid. I settled for Estelle’s elegant new Nikon F, and I was impressed when she chose a 70mm lens because it was the closest to matching the image seen by the human eye. I hadn’t thought of that, and it made me feel like a Neanderthal. That, I reflected, is why we hired young people. I felt an uncoplike, parental stab of pride from the git-go.
The grader’s windshield, sporting a messy bullet hole beside the wiper blade, was heavily veiled with red dust and years of grime from diesel smoke and oil fumes. How Larry Zipoli could have seen clearly enough to blade the damn road was a mystery. With the sun slanting on it, it was impossible to see through the dull silver slab of glass.
As the afternoon wore on well past any likely time for Mo to have fired the shot, right up to when I first spoke with the shaken Evie Truman, matters only got worse. Mo Arnett had been telling the truth. It was unlikely that he could have seen even the vague outline of the victim inside the cab. Nervous, apprehensive, probably about ready to piss his pants, Mo had not looked closely enough. The grader was parked, the door open, and no one evidently around. So he took the shot. Bookmakers might have said the odds were against him, having grabbed the wrong ammo, the bullet wandering down the barrel to wobble and wander, finding its lethal way. But despite the odds, Mo had managed one perfect shot.
“I think that’s all Schroeder will need,” I said to Estelle at three o’clock. Conditions hadn’t changed except for a pesky breeze.
She dismantled the camera from tripod, rewound the film and dropped the thirty-six exposure canister into my hand. “Schroeder will be disappointed?” she asked. “He’s hoping for murder one?”
I shook my head. “We don’t hope for one thing or another, Estelle. What is, is. Our job is to find out just that, and Schroeder’s job is to make the punishment fit the crime.” I chuckled at that little bit of sanctimonious wisdom. “That sounds pat, doesn’t it? But that’s the way it should work.”
“I can’t imagine Mo in prison,” Estelle said, and I grimaced.
“Let me tell you, by the time they’re finished with all the psychobabble about the influence of a thoughtless, domineering father, a numb mother, and all of Mo’s other troubles with every relationship he’s ever had since birth? I’ll be surprised if the kid lands anything beyond three or four years in some rehab center.”
“Are you okay with that, sir?”
I looked at her in surprise. “I’m okay with that. There are a lot of things I could wish for, but wishing isn’t going to make them so. So I do what I do and don’t stew about it. Mo Arnett made his choices, we catch him, and now it’ll be interesting to see how he turns out. We can hope that we don’t end up chasing him again.”
“I suppose that happens,” the young lady mused.
“We hope to get there before he pulls the trigger next time. That’s something to wish for, I guess…that we could get there before that happens, whether with Mo Arnett or someone else.” I shot the legs of the tripod in and folded it to fit the black bag. “That’s a rare thing. And that’s job security, I suppose.”
We settled back in the car and watched the grader trundle away, bouncing rhythmically on those big donuts as Deputy Bishop guided it back to the county barns. Despite years of being operated with a windshield full of cracks, it would be changed out now, removed with great care and entered into evidence, bullet hole included.
“Tomorrow I’ll have a dispatch schedule for you.” I made an entry in my log. “And that will be a challenge for you. Sitting dispatch for eight hours when nothing much is happening? That’ll be a challenge.”
I looked across at her just as she frowned, her expression telling me that for the first time she might be ready to question the scheme of things. “And you understand that nothing about this case is to be discussed with anyone other than the sheriff, me, or the district attorney. Nothing.” Her nod was impatient. “You did extraordinarily well these past two days. I want you to know that.”
“Thank you, sir.”
“There’s a lot of work now, keeping Schroeder happy with the evidence. But part of the heat is off. We got the bad guy off the street. And that always makes me really hungry.” I held up the canister of film. “I’ll give this to Deputy Baker so he can make a set of prints for the D.A. In the meantime, may I buy you something at the Don Juan?”
Estelle made a face that I couldn’t translate. Disappointment, distaste, impatience, maybe a potpourri. “How will we pursue the Orosco, sir?”
“The what?”
“The tres retablos, sir. The more I examine the photographs from Veracruz…”
Despite what the young woman might have thought, I hadn’t forgotten Jim Raught’s treasure, and the various possibilities they offered. Stolen art? A cunning copy? A lucky-and legal-purchase, or the tip of an iceberg that might lead to who knew what depths of international art theft. And I knew what Estelle Reyes wanted just then.